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Mas alla del Tiempo

Mas alla del Tiempo

Mas alla del Tiempo

“For me, there isn´t a before or after in flamenco, only moments. I believe that flamenco will continue to have its own time insofar as it continues to exist as a living art.”

“Más Allá del Tiempo” is a minimal piece, without a story line; just flamenco singing, guitar, and dance, although memories slip in from my youth, my family and from the traditions of Seville. Old, classic styles have been recollected which were in disuse, and I´ve given them a modern, more musical touch. There are, for example, musical elements from the time when my parents worked in the company of Juan Valderrama: malagueñas, fandangos of Pérez de Guzmán, of Gloria, and Pastora´s tangos. I have chosen saetas y peteneras in honor of my mother who often sang these styles in her repertory. Petenera is a beautiful style that hardly anyone dances. My intention is to look for the sense of beauty in things and not for the effects of force. Force should be interior.”


Source : Andrés Marín, Sevilla, January de 2002

Marin, Andrés

Fils du danseur Andrés Marín et de la chanteuse Isabel Vargas, il commence à danser dès son plus jeune âge. C’est un autodidacte, il ne s’est jamais présenté à aucun concours de danse d’où sa grande personnalité et son charisme naturel. En 1999, la danseuse gitane Manuela Carrasco l’invite en tant que soliste dans son spectacle La Raiz del Grito. En janvier 2002, il crée sa première compagnie et présente le spectacle Mas alla del tiempo. En 2004, il présente son deuxième travail de compagnie, Asimetrias. En octobre 2006, il lance El Alba del Ultimo Dia, à la Biennale de Séville. L’été suivant, il crée, sous la direction de Blanca Li, le rôle de Federico Garcia Lorca, dans Poeta en Nueva York. En parallèle avec sa carrière de danseur, Andrés Marín dirige des masterclass et sa propre école de danse « Andrés Marín Flamenco Abierto » à Séville-

Picq, Charles

Author, filmmaker and video artist Charles Picq entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (eLaC) and with the group « Frigo », and then in dance.
  On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
      - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
      - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
      - He started «présentations de saisons» in pictures.
      - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

More recently, he launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created the website numeridanse.tv, an international video library for dance online.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source : Maison de la Danse

Mas alla del Tiempo

Artistic direction / Conception : Andrés Marín

Choreography : Andrés Marín

Interpretation : Andrés Marín, Ana Salazar, Adela Campallo

Original music : Andrés Marín, Juan Requena, Canito

Live music : Juan Antonio Suarez "Canito" (guitare), Juan Requena (guitare), Alejandro Garrido (alto), Juan-Mi (contrebasse), Javier Trigos (clarinette), Rafael Alvarez (accordéon), Antonio Coronel (percussion)

Lights : Dominique You

Costumes : Fernando Ligero, chaussures Menkes

Sound : Rafael Pipio

Other collaborations : Pilar Beato (régie générale)

Production / Coproduction of the choreographic work : Consejería de Cultura de la Junta de Andalucía, Maison de la Danse/Lyon, Arte & Movimiento S.L. production Arte Movimiento Prodducciones S.L. manager Daniela Lazary, production Cia Flamenca Andrés Marín

Production / Coproduction of the video work : Maison de la Danse, Charles Picq 2002

Duration : 100'

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