Skip to main content
Back to search
  • Add to playlist

En espérant l'eclipse

Travelling & co Hervé Robbe 1991 - Director : Dalmau, Yves

Choreographer(s) : Robbe, Hervé (France)

Present in collection(s): Travelling&Co - Hervé Robbe

Video producer : Marietta Secret (Le)

en fr

En espérant l'eclipse

Travelling & co Hervé Robbe 1991 - Director : Dalmau, Yves

Choreographer(s) : Robbe, Hervé (France)

Present in collection(s): Travelling&Co - Hervé Robbe

Video producer : Marietta Secret (Le)

en fr

En espérant l'éclipse

"En espérant l'éclipse is the name of this dance…But it could equally be the name of a travel diary, a series of impressions, memories, souvenirs... collected by a tourist in the course of a journey through Spain.
En espérant l'éclipse could also be the name of a café or one of those private places, like a back room or terrace, a flat or cellar, where tables for gaming and conversation are jumbled together, and where sometimes they dance. ‘En espérant l'éclipse' is a hot day where every hour rolls by heavy with its conflicts, its unions, its rumours and its passions…
It's a conversation, an animated, gesticulating “tertulia” between six people.”

Source: Hervé Robbe

Robbe, Hervé

Born in Lille in 1961. After studying architecture for a few years, Hervé Robbe set his sights on dance. He was principally trained at Mudra, Maurice Béjart's school in Brussels. He began his performing career dancing the neo-classical repertoire, then went on to work with various modern dance makers.

In 1987 he founded his company: le Marietta secret.

The course of his career is clearly founded on a constant renewal of his choreographic writing. Supported by loyal artistic collaborators, his work has become increasingly sophisticated over the years, associating the dance presence with visual, sound and technological worlds. His projects, polysemic works, take many forms: frontal performance, ambulatory shows and installations.

The place of the audience, its presence and view is decisive; the stage space is regularly called into question.

His arrival at the CCN (National choreographic Centre) of Le Havre Haute-Normandie offered more opportunities for his research.

In 1999 he composed his autobiographical solo Polaroïd. Within it, video images of places associated with his childhood appear and coexist with an uninterrupted physical display.

In 2000 he explored the theme of home with Permis de construire Avis de Démolition, a diptych consisting of an installation and a performance. He went on to tackle the theme of the garden in 2002 with Des Horizons Perdus.

In a world constructed with screens – virtual containers for the body, evokers of death – in the duet REW he engaged in a dialogue between man and woman on the theme of suicide. In 2004, with the group piece Mutating Score, he returned to the idea of the performance area being a common space occupied by both audience and dancers. This installation-dance, while reaffirming this conviction about the force of movement, marks the culmination of a project on the use of new technologies, which are integrated into the show in real time.

In 2006 he designed the installation So long as baby...love and songs will be, a kind of manifesto of the preoccupations which underlie his work. The device is a containing structure in which the audience is invited to watch and listen to the dancer-singers present on screen. Hervé Robbe distanced himself from the stage with this, then returned to it in the works Là, on y danse in 2007 and Next days in 2010.

While maintaining his personal approach in his own productions, he regularly accepts commissions from the Opéra de Lyon, the Gulbenkian Ballet, the CNSMDP (Paris Conservatoire) and the Hong Kong Academy for Performing Arts.

Source: Centre Chorégraphique National du Havre Haute-Normandie

Dalmau, Yves

En espérant l'éclipse

Choreography : Hervé Robbe

Interpretation : Sara Denizot, Emmanuelle Huynh, Myriam Lebreton, Ron Burchi, Alvaro Morell, Antoine Raulin

Lights : Yves Godin

Costumes : Corinne Baudelot

Settings : Alexandre Tzekenis

Production / Coproduction of the choreographic work : Coproduction Théâtre de Suresnes – Jean Vilar, Les Gémeaux-Scène nationale, compagnie Le Marietta Secret, commande du Festival de Lille 1991, avec l'aide de l'ADAMI (Société civile pour l'Administration des Droits des Artistes et des Musiciens Interprètes)

Production / Coproduction of the video work : Filmé en novembre 1991 au théâtre les Gémeaux à Sceaux

Our videos suggestions
01:39

Mirages — Boreal souls - teaser

Ben Aïm, Christian & François (France)

  • Add to playlist
48:04

Peuplé, dépeuplé

Ben Aïm, Christian & François (France)

  • Add to playlist
02:13

Peuplé, dépeuplé

Ben Aïm, Christian & François (France)

  • Add to playlist
01:18:58

Heroes

Huynh, Emmanuelle (France)

  • Add to playlist
30:33

Leïla "the night"

Lagraa, Abou (France)

  • Add to playlist
13:33

Double room

  • Add to playlist
03:48

Synchronicity

Carlson, Carolyn (France)

  • Add to playlist
03:00

Carmen

Inger, Johan (France)

  • Add to playlist
02:31

Sleeping Beauty

Petipa, Marius (France)

  • Add to playlist
05:11

Le Visiteur

Martin-Gousset, Nasser (France)

  • Add to playlist
01:48

The spectator's moment (2015): Kyle Abraham

Abraham, Kyle (France)

  • Add to playlist
02:09

The spectator's moment (2020): Peeping Tom

Carrizo, Gabriela (France)

  • Add to playlist
01:12:11

L'ogresse des archives et son chien

Ben Aïm, Christian & François (France)

  • Add to playlist
44:20

La forêt ébouriffée

Ben Aïm, Christian & François (France)

  • Add to playlist
03:00

Bosque Ardora

Molina, Rocío (France)

  • Add to playlist
05:08

Don Juan

Malandain, Thierry (France)

  • Add to playlist
05:27

Ouverture cubaine

Malandain, Thierry (France)

  • Add to playlist
06:35

L'après-midi d'un faune

Malandain, Thierry (France)

  • Add to playlist
05:20

L'Amour sorcier

Malandain, Thierry (France)

  • Add to playlist
01:06:05

Universe… Africa (tribute to Nina Simone)

Lagraa, Abou (France)

  • Add to playlist
Our themas suggestions

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

The BNP Paribas Foundation

Exposition virtuelle

fr/en/

Dance and visual arts

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Parcours

fr/en/

Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

Webdoc

fr/en/

Käfig, portrait of a company

Webdoc

fr/en/

Hand dances

This parcours presents different video extracts in which hands are the center of the mouvement.

Parcours

fr/en/

Hip hop / Influences

This Course introduce to what seems to be Hip Hop’s roots.

Parcours

fr/en/

Hip hop enters the French arts scenes

Parcours

fr/en/

Dance at the crossroad of the arts

Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.

Parcours

fr/en/

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Parcours

fr/en/

Female / male

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Parcours

fr/en/

[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.


Parcours

fr/en/

“Dansons Maintenant”! A contemporary dance festival in Benin

Exposition virtuelle

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more