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Barrel House

A lonely old woman enters a bar in Chicago and meets a young man – a phantasm. In slow flirtation, their bodies move closer to one another, pelvis against pelvis, until they hit one other. One of the first vernacular artistic fusions, combining ideas and modern dance, 'Barrel House Blues' was, at the time, shocking, and above all a driving force that enchanted the audience and disconcerted critics.

Credits

Choregraphy : Katherine Dunham
Reinterpretation after the partition of Laban : Sylvie Duchesne
Coaching : Cléo parker Robinson
Supervision : Marie-Christine Dunham-Pratt
Rerun by : James Carlès
Duration : 8 min
Interpreters : trio
Music : Jess Stacy

Carlès, James

James Carles is a choreographer, researcher and lecturer. He received initial training in dance and music of Africa and its Diaspora and then trained with the great names of modern dance in New York and London mainly. Since 1992, he hired an artistic and analytical approach that explores the “places junctions” between the dances, rhythms and philosophies of Africa and its Diaspora with technical and western thoughts frames. To date, his company’s directory contains more than fifty pieces of his own creation and authors like Katherine Dunham, Pearl Primus, Talley Beatty, Asadata Dafora, Geraldine Armstrong, Rick Odums, Wayne Barbaste, Carolyn Carlson, Robyn Orlin, etc.


Dancer soloist and outstanding performer, James Carles was performer and artistic collaborator for not only numerous “all music” ranging from Baroque to contemporary music, through jazz; but also choreographers such as Carolyn Carlson, Robyn Orlin, Rui Horta, Myriam Naisy, etc.

Artist associated with Astrada- Jazz In Marciac 2012-2014, research associate in the laboratory of the University LLA Créatis Jean Jaures Toulouse, James Carles is particularly invests in heritage projects for diversity and diffusion of choreographic culture. He is also founder and artistic director of the festival “Dances and Black Continents”.

Dunham, Katherine

Katherine Dunham, anthropologist and Broadway choreographer, spent over 30 years on stage and participated in a dozen films. She has choreographed acts, shows, musical comedies, ballets, and staged operas. She was one of the first international Black dance stars. She knew how to reach out to a large public and fire them up (through her good sense of staging and scenography, her inspirational themes, her subjects, her beauty…). She revived the heritage of Black culture, as it is and also placed it in the context of American Dance. She restored dignity to the black artist and allowed him to access the stage in concert.

 

Parker Robinson, Cleo

Denver native Cleo Parker Robinson was born on July 17, 1948. She almost died at age ten when her kidneys shut down and a segregated Dallas hospital did not admit her quickly enough to prevent heart failure. A doctor told her she would remain bedridden her entire life, but Robinson refused to believe that. She threw herself into dancing in order to overcome the pain of her body and the racism she faced. Today, she is the founder, the executive artistic director and choreographer of the 40+ year-old Denver-based artistic institution, Cleo Parker Robinson Dance. She leads a professional dance Ensemble, Youth Ensemble, a School of Dance, an International Summer Dance Institute, a 300 seat theatre that bears her name, and a myriad of community outreach programs. She continues to be the recipient of honors and awards from civic, community, and artistic organizations around the world, and is called on by a myriad of organizations and performance venues to bring her Ensemble for performances, and to conduct workshops, master classes, and motivational seminars. Her philosophy of “One Spirit, Many Voices” is reflected in all she does, and is the vision she brings to everyone she meets, everywhere she goes.

Robinson began teaching dance at the University of Colorado at the age of fifteen. She graduated from the Colorado Women's College (now Denver University), having focused on dance, education and psychology. She studied with legendary dancer and humanitarian Katherine Dunham and then founded her own company in 1970. The mission of this ensemble is to foster appreciation, access and the development of new audiences for dance. Robinson attempts to educate audiences about the rich heritage and ancestral gifts on which this predominately African American ensemble draws through a year-round dance school, an international summer dance institute and national and international performances. Robinson also seeks to ensure the arts are carried on by future generations. A program called Project Self-Discovery (PSD) demonstrates her commitment to youth outreach. PSD provides the arts to at-risk Denver youth as an alternative to gang activity, substance abuse and other tragic possibilities. The Cleo Parker Robinson Dance Ensemble has performed in prisons, and some inmates have worked for the company after release. Robinson firmly believes in the healing power of art and that dance is a universal language.

A master teacher/choreographer and cultural ambassador she has taught and performed with her Ensemble in such diverse places as Iceland, Singapore, Hawaii, Nassau, Belize, Israel, Egypt, Turkey, throughout Europe, and throughout the African continent. People of all ages and backgrounds have participated in Ms. Parker Robinson’s workshops and master classes at conservatories, universities and neighborhood dance centers worldwide Ms. Parker Robinson’s awards include the Colorado’s Governor’s Award for Excellence (1974), Denver’s Mayor’s Award (1979), induction into the Colorado Women’s Hall of Fame (1989) and the Blacks in Colorado Hall of Fame (1994). Recognized in Who’s Who in America Colleges and Universities she holds Honorary Doctorate from Denver University (1991), an Honorary Doctorate of Humane Letters from Colorado College (2003), and an Honorary Doctorate of Public Service from Regis University in Denver (2008). Ms. Parker Robinson was a long-standing member of the Board of Directors for the Denver Center for the Performing Arts, and in 1998 Cleo Parker Robinson Dance became an affiliate of the Center.

 

In 1998, President Clinton named Ms. Parker Robinson as one of two artists to be appointed to the National Council on the Arts where she served until 2005 as one of the two appointed members of the fourteen-member council in Washington D.C. In 2005, Ms. Parker Robinson received a Kennedy Center Medal of Honor during the Center’s “Masters of African American Choreographers” series. Also in 2005, Ms. Parker Robinson received the King M. Trimble Community Award for service to the Denver community.

 

Ms. Robinson received the first-ever Peaceful Heart Award from Mile-Hi Church, and was honored by the Colorado Gospel Hall of Fame, and the Metro State College Plain & Fancy Ball. In 2006, she received the “Jill” Award from the South Suburban Denver Chapter of Jack & Jill of America, Inc., honoring her work with young people. Also in 2006, Ms. Parker Robinson was honored as a “Pioneer In Black Dance” by the Dynamic Dance Festival in Atlanta, Georgia. In 2007, she received the Huntington’s Disease of America Distinguished Leadership Award., the “Fairfax B. Holmes Community Award” from The Denver Links, Inc. and the “Unsung Heroes Mountain Award” from African American Leadership Institute. In 2008, she was awarded the President’s Award of the Greater Metro Denver Ministerial Alliance, the Civil Rights Award of the Anti-Defamation League, and the Civil Rights Medallion of the Rachel B. Noel Distinguished Visiting Professorship program.

 

In 2009, Ms. Robinson received the Metropolitan State College of Denver’s Dr. Martin Luther King Jr. Peace Award for Service to the Community, and the Dr. Martin King Jr. / William “Bill” Roberts Outstanding Lifetime Achievement Award. Most recently, she was awarded the 2009 NEWSED Civil Rights Award, and the Dr. Martin Luther King Jr. Humanitarian Award from the Urban League of Metropolitan Denver (2010).

Robinson has collaborated with many people on diverse projects, from operas such as "Aida" and "Carmen" to commissions with mentor Maya Angelou. She has worked with Marin Alsop, conductor of the Colorado Symphony Orchestra, on such pieces as "Porgy and Bess" and Stravinsky's "The Firebird". She has been granted choreography fellowships from the Colorado Council on the Arts, the National Endowment for the Arts, and the Lila Wallace Foundation, among others. Robinson was featured in the Gordon Parks film, "Run Sister Run". She serves as first vice president of the International Association of Blacks in Dance and as a Denver Center for the Performing Arts Board of Trustees member.

Sources: The history makers ; Cleo Parker Robinson Dance

More information

cleoparkerdance.org

Carlès, James

Since 2016, James Carlès has made the choice to make available to the public a selection of its videos.

Barrel House Blues

Choreography : Katherine Dunham - Reconstruction d'après la partition Laban : Sylvie Duchesne - Coaching : Cléo Parker Robinson - Supervision : Marie-Christine Dunham-Pratt

Additionnal music : Jess Stacy

Duration : 8 minutes

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