We are Numeridanse : Yuval Pick
We are Numeridanse
Artists, companies, institutions, these structures bring to the platform their audiovisual heritage, their knowledge, their expertise in favor of the choreographic art. For the platform's 10th anniversary, it was important and necessary to put the contributors of Numeridanse in the spotlight!
In order to celebrate them and so that Numeridanse users get to know them better, we have invited our contributors to answer a series of questions about their works, their inspirations, their desire for collaborations, their creation anecdotes.
Discover these artists in the We are Numeridanse collection!
Appointed director of the Centre Chorégraphique de Rillieux-la-Pape in August 2011, Yuval Pick has had a long career as a choreographer, a dancer and a teacher.
He first trained at the Bat-Dor Dance School in Tel Aviv, then joined the Batsheva Dance Company in 1991. Four years later he left to begin working as an international guest artist with, among others, Tero Saarinen, Carolyn Carlson and Russel Maliphant.
In 1999 he joined the Opera Ballet of Lyon, and founded his own company, The Guests, in 2002.
Since then he has created a strong repertory of works marked by their elaborated, layered movement vocabulary, accompanied by commissioned scores by ranking composers.
In his work the relationships between individuals and group(s) are often highlighted and challenged.
He created Popular Music (2005), Strand Behind (2006) for the Agora Festival (IRCAM) and the National Conservatory of music and dance (CNSMD) in Lyon, /Paon/ (2008) for the Junior Ballet in Genève and 17 drops. In 2010, he created Score and then The Him for the Junior Ballet of the National Conservatory music and dance (CNSMD) in Paris and the trio PlayBach at the invitation of Carolyn Carlson.
In 2012, No play hero, with the music of David Lang and Folks for the Biennale of Danse in Lyon. Then, two creations in 2014, the duet loom with the music of Nico Muhly and Ply piece for five dancers with the american composer Ashley Fure.In 2015, he creates Apnée (corps vocal) for four dancers and six singers and then Are friends electric? for six dancers around the music of Kraftwerk.
In 2016, Yuval Pick was commissioned to create a work in a national historical building: Hydre in the the Royal Monastery of Brou.
FOLLOW CCNR ON FACEBOOK
After training in video editing, Tiffanie Deschamps made her debut in television. From the start, she never ceased to build bridges between her work as an audiovisual editor and her activities as light manager and assistant director for live shows with the Mac Guffin collective. Co-founder and co-director of the Théâtre de l'Uchronie in Lyon since 2013, she naturally comes to portray theatrical and choreographic pieces, and to tell the dance, in particular within the Maison de la Danse de Lyon and during cultural events such as the Lyon Dance Biennale.
CCNR - Centre chorégraphique national de Rillieux-la-Pape
Upon his arrival to the National Choreographic Center Yuval Pick founded a new dance company and developed a rich repertory of works marked by their elaborated movement vocabulary, accompanied by worldly named composers. In 2012, No play hero, with the music of David Lang and Folks for the Biennale of Dance in Lyon. Then, two creations in 2014, the duet loom with the music of Nico Muhly and Ply piece for five dancers with the American composer Ashley Fure. In 2015, he creates Eddies for four dancers with a dialogue between medieval and electronic music and then Are friends electric? for six dancers inspired by the music of Kraftwerk.In 2016, Yuval Pick was commissioned to create a site-specific project for the Centre des Monuments Nationaux, In France. This project, Hydra, is presented since all over the world in museums, historical monuments and festivals.In January 2018, he creates Acta est fabula in Chaillot – Théâtre National de la Danse, and a year later, he creates a new version for young audience: Lil’Acta. In January 2020, he will present his new creation, In D minor for nine dancers, in St-Nazaire’s national theater, and will create a piece for the Lyon’s Opera ballet in April 2020.
“My choreographic research is guided by the idea that each human-being has innate knowledge that dance has the power to unveil.” Yuval Pick
We are Numeridanse
Artistic direction / Conception : Numeridanse
Additionnal music : "Alive Inside" - Reaktor
Video conception : Ladydinde
Production / Coproduction of the video work : Maison de la Danse
Carolyn Carlson, a woman of many faces
Dance to exist
Animal Kingdom, participant's words
Noé Soulier Rethinking our movements
The national choreographic centres
The Dance Biennale
40 years of dance and music
les ballets C de la B and the aesthetic of reality
Yield Variations on dissuasive urban furniture
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
A Numeridanse Story
30 YEARS OF GRENADE
Meeting with literature
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
When reality breaks in
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Body and conflicts
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.