If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse. 

"Comme nous le savons, l’une des plus importantes limitations du corps dans le ballet est qu’il danse sans voix, planant et défiant les lois de la gravité sans bruit.’’
(Bojana Kunst)

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Explanation of the term « State of the body » when it’s about dance.

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.