The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!  

Avec cette exposition virtuelle et à travers la démarche du tandem  fraternel, pénétrons dans le monde des BEN AÏM et dans l’univers de leur  dernière pièce : FACÉTIES. 

Comment raconter la vie et l’œuvre d'une femme qui a marqué la danse et les danseurs dans tant de villes, à tant d'époques et de tant de façon différentes ? Une exposition en quatre chapitres qui retraverse l'histoire de cette femme-artiste. 

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Explanation of the term « State of the body » when it’s about dance.

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.