Skip to main content
Back to search
  • Add to playlist

Trisolistice

Numeridanse 2009

Choreographer(s) : Omerzo, Irma (Croatia)

Present in collection(s): Numeridanse

Video producer : Marmot

en fr

Trisolistice

Numeridanse 2009

Choreographer(s) : Omerzo, Irma (Croatia)

Present in collection(s): Numeridanse

Video producer : Marmot

en fr

Trisolistice

3 female solos were suggested to a producer as working material for an experimental dance film. While considering the distinct temporalities of dance performance here and now in relation to time and film, we opted for a radical choice: to make a dance film using only a stills camera. This play of perception allowed another quality of the original work, that of the dance, to be seen.

In Trisolistice dance sets out to encounter events specific to urban exteriors, and the stills camera is a counterweight to the temporal fluidity.

Source: Irma Omerzo

Omerzo, Irma

Irma Omerzo was born in 1969 in Zagreb where she presently lives.
After collaboration with the choreographer Andy Degroat in France, she entered the Company DCA (1993-2001), under the artistic direction of Philippe Decouflé. She danced in the performances: Petites pièces montées, Denise, Decodex, Ceremonie de Festival de film à Cannes, Abracadabra, Triton 2ter, Shazam. She worked as a choreographer’s assistant in the performances: Shazam, Cyrk 13 and Tricodex. From 2003 till 2005 she was a member of the F.V. Company in France under the artistic direction of François Verret. She danced in the performance “Chantier Musil”.
 
In 2001 she has founded an artistic organisation MARMOT, whose projects become more and more recognised at the international contemporary dance scene, where they often represent Croatian dance scene for the first time.
She is the author of the conceptual and socially engaged dance projects: “Some strange kind”, “Questionnaire for the dance audience”, “The dance space”, “ All for 10 Kunas “ and of the research project “Let’s go on with movement! “.
Together with Damir Bartol Indoš and Vili Matula she is the co-author of the theatre performance “Swinging” (2001) and “Who are you and what gives you the right?” (2011). she collaborates with the visual artists Igor Grubić, as a choreographer on internationally awarded video work “East side story“, and with Boris Greiner in experimental films “November” and “Secret agent L. Flint”.
She works as a movement assistant in theatre performances, as well as performances for children directed by: Robert Waltl, Mislav Brečić, Senka Bulić, Zlatko Sviben, Oliver Frljić, Aleksandar Popovski …
In 2011, on the occasion of the tenth anniversary of MARMOT, she got the price of the Croatian Association of Dance artists (UPUH) for her choreographic and pedagogic work, as well as for her involvement in the improvement of the position of dancers and the contemporary dance scene in general.
In 2012 she received the special price „Zlatni smijeh“ at the festival “Dani satire” for the choreography in the performance „Prolazi sve“ by Dubravko Mihanović, directed by Oliver Frljić.
 
For many years she has held workshops and dance classes in Croatia and abroad (France, USA, Japan, Slovenia, Ukraine, Estonia…)
She uses Feldenkrais Method as a principal means of broadening her knowledge about the human body and its potentials, in her artistic as well as pedagogical work. As a certified educator she gives regular ATM and FI sessions as well as Feldenkrais workshops.

Source : Irma Omerzo ’s website


More information : irmaomerzo.com

Trisolistice

Artistic direction / Conception : Irma Omerzo

Choreography : Irma Omerzo

Interpretation : Roberta Milevoj, Silvia Marchig, Zrinka Šimičić

Sound : Ivan Marušić Klif

Other collaborations : la photographie Jasenko Rasol le montage Goran Rukavina

Production / Coproduction of the video work : Production MARMOT 2009 // Avec le soutien et la collaboration de Service Culturel de la ville de Zagreb et le ministère de la culture de la Croatie

Duration : 7'

Our videos suggestions
03:46

La Valse de Vaslav

Tompkins, Mark (France)

  • Add to playlist
04:07

Icons

Tompkins, Mark (France)

  • Add to playlist
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
03:07

Skin

Tchouda, Bouba Landrille (France)

  • Add to playlist
01:57

Walk

  • Add to playlist
06:24

Colin Dunne & eRikm Project

Dunne, Colin (France)

  • Add to playlist
05:05

Locus Focus

Tanaka, Min (France)

  • Add to playlist
48:04

Peuplé, dépeuplé

Ben Aïm, Christian & François (France)

  • Add to playlist
02:13

Peuplé, dépeuplé

Ben Aïm, Christian & François (France)

  • Add to playlist
03:17

Ferry

Keller, Jennifer (United States)

  • Add to playlist
02:40

Cartes postales de Chimère

Bédard, Louise (Canada)

  • Add to playlist
03:42

Primavera

Senatore, Ambra (France)

  • Add to playlist
45:33

The Leaf [outside]

Huynh, Emmanuelle (France)

  • Add to playlist
08:04

Yellow Towel

Michel, Dana (France)

  • Add to playlist
07:07

Its not a thing

Gaskin, Keyon (France)

  • Add to playlist
06:30

Sorrow Swag

Lewis, Ligia (France)

  • Add to playlist
03:41

Heimat - focus

Brabant, Jérôme (Reunion)

  • Add to playlist
03:37

Couleurs de femmes

Chane, Yun (Reunion)

  • Add to playlist
06:25

Body Without A Brain

Rianto (Indonesia)

  • Add to playlist
Our themas suggestions

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

K. Danse's artistic partners

Exposition virtuelle

fr/en/

Dyptik Company

Exposition virtuelle

fr/en/

Animal Kingdom, participant's words

Exposition virtuelle

fr/en/

Yield Variations on dissuasive urban furniture

Exposition virtuelle

fr/en/

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times


Parcours

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

The “Nouvelle Danse Française” of the 1980s

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Parcours

fr/en/

Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/

James Carlès

Exposition virtuelle

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Butoh

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more