The spectator's moment (2020): Peeping Tom
2020 - Director : Plasson, Fabien
Choreographer(s) : Carrizo, Gabriela (Spain) Chartier, Frank (France)
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la Danse de Lyon
The spectator's moment (2020): Peeping Tom
2020 - Director : Plasson, Fabien
Choreographer(s) : Carrizo, Gabriela (Spain) Chartier, Frank (France)
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la Danse de Lyon
The Spectator's Moment
The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
© Maison de la Danse de Lyon
Carrizo, Gabriela
Gabriela Carrizo (b. 1970, Córdoba – AR) was ten years old when she started dancing at a multidisciplinary school that had what was at the time the only group of contemporary dance for children and teenagers. Under Norma Raimondi’s direction, the school went on to become Córdoba’s University Ballet, where Gabriela danced for a couple of years, and where she created her first choreographies. She moved to Europe when she was nineteen, and over the years she worked with Caroline Marcadé, Les Ballets C de la B ( "La Tristeza Complice", 1997, and "Iets op Bach", 1998), Koen Augustijnen ("Portrait intérieur", 1994) and Needcompany ( "Images of Affection", 2001). She never stopped working on her own choreographies, and these years saw the production of a solo piece, "E tutto sará d’ombra e di caline", and "Bartime", a collaboration with Einat Tuchman and Lisi Estaras. She also created the choreography for the opera "Wolf" (2002), by Les Ballets C de la B. She plays a leading role in Fien Troch’s movie "Kid" (2012), and in 2013 she created the short piece "The missing door" (2013) for the Nederlands Dans Theater – NDT 1 in The Hague. In 2015, Carrizo created "The Land", a collaboration with the Munich Residenztheater. Gabriela has been the artistic director of Peeping Tom, along with Franck Chartier, since they co-founded the company in 2000.
Source : Peeping Tom's website
More information :
Chartier, Frank
Franck Chartier (°1967, Roanne, FR) started dancing when he was eleven, and at the age of fifteen his mother sent him to study classical ballet at Rosella Hightower in Cannes. Upon graduating, he joined Maurice Béjart’s Ballet du 20ème Siècle, where he worked between 1986 and 1989. For the following three years he worked with Angelin Preljocaj, dancing in Le spectre de la rose at the Opéra de Paris. He moved to Brussels in 1994, to dance in Rosas’ production "Kinok" (1994), and he stayed on, working on duos with Ine Wichterich and Anne Mouselet, as well as in productions by Needcompany ( "Tres", 1995) and Les Ballets C de la B: "La Tristeza Complice" (1997), "Iets op Bach" (1997) and "Wolf" (2002). More recently, Franck has adapted Peeping Tom’s "32 rue Vandenbranden" for the Göteborg Opera: "33 rue Vandenbranden" (2013), and created the choreography for the opera Marouf, savetier du Caire, by Jérôme Deschamps, at the Opéra Comique de Paris (2013). October 1st 2015 marked the premiere of "The lost room" in The Hague (NL), a second collaboration with Nederlands Dans Theater after Carrizo’s 2013 "The missing door". Franck has been the artistic director of Peeping Tom, along with Gabriela Carrizo, since they co-founded the company in 2000.
Source: Peeping Tom's website
More information :
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Peeping Tom
Gabriela Carrizo (I/AR) and Franck Chartier (F) founded Peeping Tom in 2000. Together they created a first location project that was taking place in a trailer home, Caravana (1999), with would-be long-time collaborator Eurudike De Beul, followed by the film Une vie inutile (2000).
Peeping Tom’s hallmark is a hyperrealistic aesthetic anchored to a concrete set: a garden, a living room and a basement in the first trilogy ( Le Jardin , 2002; Le Salon , 2004; and Le Sous Sol , 2007), two trailer homes in a snow-covered landscape in 32 rue Vandenbranden (2009), or a burned theatre in A Louer (2011). In these, the directors create an unstable universe that defies the logic of time and space. Isolation leads to an unconscious world of nightmares, fears and desires, which the creators deftly use to shed light on the dark side of a character or a community. The huis clos of family situations remains for Peeping Tom a major source of creativity. The company has started working on a second trilogy – Vader (Father), Moeder (Mother), Kinderen (Children) – around this theme, with Vader (Father) already having premiered.
In 2005, Le Salon was awarded the Prix du Meilleur Spectacle de Danse (Best Dance Show Prize) in France. In 2007, the company received the Mont Blanc Young Directors Award during the Salzburg Festival and the Patrons Circle Award at the Melbourne International Arts Festival. The pieces Le Sous Sol , A Louer and Vader (Father) all got selected for the Theaterfestival, which gathers the most remarkable shows of the past season in Belgium and The Netherlands. In 2013, A Louer was nominated for the prestigious Ubu Awards in Italy, in the category Best Performance in Foreign Language, during the theatrical season 2012-2013. 32 rue Vandenbranden was elected Best Dance Show of the Year 2013 in São Paulo (BR) by magazine Guia Folha and won in 2015 a prestigious Olivier Award, in the category 'Best New Dance Production'.
Peeping Tom's latest production, Vader (Father), is the first part of the trilogy Father-Mother-Children. It premiered on 10 May 2014 in Theater im Pfalzbau (Ludwigshafen, DE). Apart from being in the official selection of the Theaterfestival 2015, it was also elected Best Dance Performance of 2014 by Dutch newspaper NRC Handelsblad. The jury of the 'Premios de la Crítica Barcelona' awarded Vader in its turn with a first prize in the category 'Best International Dance Production of 2014'.
Source: Peeping Tom
More information : peepingtom.be
Dance and performance
Parcours
Dance and performance
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Here is a sample of extracts illustrating burlesque figures in Performances.
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Exposition virtuelle
La petite histoire de Numeridanse
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La Biennale de la danse
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Genres and styles
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Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
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Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
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Outdoor dances
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Parcours
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
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Exposition virtuelle
La Fondation BNP Paribas
Exposition virtuelle
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The “Nouvelle Danse Française” of the 1980s
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The “Nouvelle Danse Française” of the 1980s
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Meeting with literature
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Webdoc
Why do I dance ?
Webdoc
Body and conflicts
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Body and conflicts
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COLLECTION BAGOUET
Exposition virtuelle
COLLECTION BAGOUET
Exposition virtuelle
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[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
(LA)HORDE : RÉSISTER ENSEMBLE
Exposition virtuelle
(LA)HORDE : RÉSISTER ENSEMBLE
Exposition virtuelle
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Genesis of work
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Genesis of work
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A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff