L'Homme qui danse
2004 - Directors : Urréa, Valérie - Boisseau, Rosita
Present in collection(s): Ministère de la Culture , CNC - Images de la culture
Video producer : Les Films Pénélope, Arte France
L'Homme qui danse
2004 - Directors : Urréa, Valérie - Boisseau, Rosita
Present in collection(s): Ministère de la Culture , CNC - Images de la culture
Video producer : Les Films Pénélope, Arte France
L'Homme qui danse
Angelin Preljocaj, Christian Bourigault, Dimitri Chamblas, Mark Tompkins, François Verret, Alain Buffard, Kader Belarbi, Josef Nadj, Philippe Decouflé... all these faces of artists, solely male, appear in turn on the screen. This patiently matured project, by the dance critic Rosita Boisseau and the director Valérie Urréa, groups extracts of pieces and interviews around the same issue: the male and dance.
This documentary moves forward progressively around the same angle of vision. By questioning these “men who make contemporary dance”, experienced interpreters and choreographers, around the same figure, man and his identity, Rosita Boisseau reveals a dual movement. How are male choreographers confronted with this issue in their artistic approach? Do they seek to get away from gender stereotypes? The various personalities approached to cover this theme, rarely treated in dance, testify to a way of thinking that moves from the intimate to the creation of works. Between the images of performances, insightfully chosen, each evokes something of what he thinks about the subject. From the quality of a gesture to the playing with stereotypes, from the imprint of a cultural identity to the father figure.
Source : Irène Filiberti
Urréa, Valérie
Back in 1987, after having completed her studies at the Ecole nationale supérieure Louis-Lumière, Valérie Urréa began asserting her passion for visual and performing arts. Documentaries, live recordings, fictions, from 'Bruit Blanc' to 'L’Homme qui Danse', all of Valerie Urréa’s films, which are principally coproduced by ARTE, explore highly-sensitive themes such as autism, masculinity and issues concerning race, through artistic visions. Her multiple award-winning films are regularly presented in international festivals. She was guest-artist twice for the Commission Image Mouvement de la Délégation des Arts Plastiques (Image/Movement Commission of the French Visual Arts Delegation). At the same time, she was a teacher for several years at the École Supérieure des Arts Visuels (ESAV - Higher Institute for Visual Arts) in Marrakech, specializing in the relationships between images and performing arts.
Source : Valérie Urréa
Boisseau, Rosita
Rosita Boisseau is a critic, a specialist in dance at Le Monde and Télérama. She is the author of three monographs: Montalvo Hervieu (Textuel, 2009), Philippe Decouflé (Textuel, 2003) and Régine Chopinot (Armand Colin, 1990), and Panorama of contemporary dance (Textuel, 2006, reed., 2008).
Source : Télérama
L'homme qui danse
Artistic direction / Conception : Rosita Boisseau, Valérie Urréa
Production / Coproduction of the video work : Les Films Pénélope, Arte France, CNC, CNDP, Ministère des affaires étrangères, TV5, Procirep
Duration : 59'
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
Reinterpreting works: Swan Lake, Giselle
Parcours
Reinterpreting works: Swan Lake, Giselle
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
COLLECTION BAGOUET
Exposition virtuelle
COLLECTION BAGOUET
Exposition virtuelle
La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.
Write the movement
Webdoc
Write the movement
Webdoc
Artistic Collaborations
Parcours
Artistic Collaborations
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Dance and performance
Parcours
Dance and performance
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
Female / male
Parcours
Female / male
Parcours
A walk between different conceptions and receptions of genres in different styles and eras of dance.
La petite histoire de Numeridanse
Exposition virtuelle
La petite histoire de Numeridanse
Exposition virtuelle
Comment ce projet un peu fou a-t-il été créé ? Et par qui ? Voici une exposition virtuelle qui nous permettra de répondre à toutes les questions que vous pourriez vous poser sur Numeridanse, l’occasion aussi de vous raconter notre histoire, et surtout celle de la plateforme...
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
Carolyn Carlson, a woman of many faces
Exposition virtuelle
Carolyn Carlson, a woman of many faces
Exposition virtuelle
Comment raconter la vie et l’œuvre d'une femme qui a marqué la danse et les danseurs dans tant de villes, à tant d'époques et de tant de façon différentes ? Une exposition en quatre chapitres qui retraverse l'histoire de cette femme-artiste.