Jean Weidt - Physical encounters
2013
Choreographer(s) : Wirthmüller, Britta (Germany)
Present in collection(s): Dachverband Tanz Deutschland e.V.
Jean Weidt - Physical encounters
2013
Choreographer(s) : Wirthmüller, Britta (Germany)
Present in collection(s): Dachverband Tanz Deutschland e.V.
Jean Weidt, Physical encounters
The forgotten "red" dancer Jean Weidt (1904-1988) was driven by communist beliefs and obsessed with dance. In the center of his choreographic work was the unequivocal representation of political content on the basis of exemplary narratives. "Physical encounters" accesses the quality of movement and plasticity of Weidt's material and removes the didactic action from this embodiment. By ablating the ideological layers and transferring the masculine and at the same time sensual movement material onto three female bodies the from today's perspective resistive components of the work Jean Weidt become visible: a subtle network of physical self-assertion of masculine strength and sensuality.
Source: Jean Weidt wordpress
Wirthmüller, Britta
Britta Wirthmüller (*1981) After her diploma in Dance at the Palucca Schule Dresden she studied from 2006 to 2008 in the MA course “Performance Studies“ at the University of Hamburg. In 2009 she received the Dance Research NRW scholarship for her research project Bodies on the borders of reality. She works as a performer, dancer and choreographer in different collaborations a.o. with Lilo Nein, the artist twin deufert&plischke, the collective Pandora Pop and Petra Zanki. Since 2007 the stage performances “Rekonstruktions_maschine (2007, in cooperation with Lilo Nein) and „Kissing Elisabeth“ (2008) were created. Together with Petra Zanki she developed the choreographic guided city tour “The Silent Walk“ (2010) and the cycle “Antibodies“ with the pieces “Holding on to...“ (2009), “Vierfüßer“ (2010), “Paces“ (2011) and "Stumbling Dance" (2012). 2009 she was a guest teacher at the Institute for Theatre Studies at the University of Leipzig. In 2013 she collaborated with Angelika Thiele and Maria Walser for the choreographic work “Jean Weidt – Physical Encounters“, a physical appropriation of the choreographies of the German expressionist dancer Jean Weidt. From 2011 until 2015 she continuously worked and taught at the HZT Berlin. Since April 2015 she holds a post as an artistic research associate. In her artistic research she deals with the transformation, adaptation and appropriation of movement in choreographic as well as in other artistic practices and processes.
Source: Berlin University of the Arts 's website
More information : hzt-berlin.de
Jean Weidt - Physical encounters
Artistic direction / Conception : Britta Wirthmüller
Choreography : Britta Wirthmüller, Amgelika Thiele, Maria Walser
Interpretation : Amgelika Thiele, Maria Walser
Artistic consultancy / Dramaturgy : Jessica Buchholz
Lights : Thomas Achtner
Production / Coproduction of the choreographic work : Kristina Patzelt
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Write the movement
Webdoc
Write the movement
Webdoc
COLLECTION BAGOUET
Exposition virtuelle
COLLECTION BAGOUET
Exposition virtuelle
La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.
Charles Picq, réalisateur en danse
Exposition virtuelle
Charles Picq, réalisateur en danse
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
Parcours
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
Parcours
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Artistic Collaborations
Parcours
Artistic Collaborations
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Outdoor dances
Parcours
Outdoor dances
Parcours
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
Dance and percussion
Parcours
Dance and percussion
Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Dance and performance
Parcours
Dance and performance
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
Vidéo-danses mexicaines
Exposition virtuelle
Vidéo-danses mexicaines
Exposition virtuelle
Une sélection de vidéo-danses mexicaines réalisée par le festival AGITE Y SIRVA (https://www.agiteysirva.com/).
Carolyn Carlson, a woman of many faces
Exposition virtuelle
Carolyn Carlson, a woman of many faces
Exposition virtuelle
Comment raconter la vie et l’œuvre d'une femme qui a marqué la danse et les danseurs dans tant de villes, à tant d'époques et de tant de façon différentes ? Une exposition en quatre chapitres qui retraverse l'histoire de cette femme-artiste.
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
Avec cette exposition virtuelle et à travers la démarche du tandem fraternel, pénétrons dans le monde des BEN AÏM et dans l’univers de leur dernière pièce : FACÉTIES.
Genres and styles
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Genres and styles
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Female / male
Parcours
Female / male
Parcours
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Reinterpreting works: Swan Lake, Giselle
Parcours
Reinterpreting works: Swan Lake, Giselle
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
The committed artist
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The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Butoh
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Butoh
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On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,