Le Cantique des cantiques
2018 - Director : Plasson, Fabien
Choreographer(s) : Lagraa, Abou (France)
Present in collection(s): Cie La Baraka / La Chapelle - Abou Lagraa & Nawal Aït Benalla
Le Cantique des cantiques
2018 - Director : Plasson, Fabien
Choreographer(s) : Lagraa, Abou (France)
Present in collection(s): Cie La Baraka / La Chapelle - Abou Lagraa & Nawal Aït Benalla
Le Cantique des cantiques
Creation for 6 dancers and 2 actresses.
"For the first time, I'm working on my choreography with a pre-existing poetic narrative. We have sought with Mikaël Serre what love means today, we have broadened the questions by confronting the text with our current problems, with intolerances, contradictions, with all the forms of hypocrisy of our societies when it's about love.
Source : Abou Lagraa
Lagraa, Abou
Born in Annonay, Abou Lagraa began dancing at the age of 16 before entering the Conservatoire National Supérieur de Musique et de Danse, Lyon. He began his career as a dancer at the S.O.A.P. Dance Theatre, Frankfurt with Rui Horta and became his assistant on a project at the Calouste Gulbenkian Centre, Lisbon. He was soon noticed and went on to work with Robert Poole, Denis Plassard and Lionel Hoche. His qualities as a performer have been rewarded twice: in 1998 by the 2nd Prize for performance at the Paris International Dance Competition, then in 2009 by the prize for Best Male Dancer, awarded by the International Movimentos Dance Prize. In 1997 he founded his own company, La Baraka.
Once again, recognition came quickly; numerous French venues programmed the young choreographer and he received proposals for collaboration. As a result, after 4 years as an associated artist at Bonlieu Scène Nationale in Annecy, since 2009 Abou Lagraa and his company have been hosted in production residency at Gémeaux Scène Nationale, Sceaux. The fame of the company spread rapidly beyond France's borders and tours followed one after the other, throughout Europe and also in the United States, Algeria, Tunisia and Indonesia… Alongside his work with the company, Abou Lagraa is regularly in demand by large organisations.
In 2001 he devised Fly, Fly for the CCN Ballet de Lorraine. This piece later was subsequently added to the repertoire of the ABC Dance Company of St Pölten in Austria.
In 2003 he devised a work for the second-year students of the Centre National de Danse Contemporaine, Angers, then in 2007 for the pupils of the Frankfurt Hochschule and the pupils of the Centre Méditerranéen de Danse Contemporaine, Tunis.
In 2006 his work entered the repertoire of the Paris Opéra Ballet with Le Souffle du Temps, a piece for 21 dancers, including 3 étoiles (Marie-Agnès Gillot, Manuel Legris, Wilfried Romoli). Then, in 2008, he composed Everyone's One at the invitation of Ballet Memphis (USA).
Since 2009, in association with the Algerian Ministry of Culture and th Algerian Agency for the Cultural Brilliance, he works, with Nawal Aït Benalla-Lagraa, in the elaboration of a “Mediterranean Cultural Bridge", the project of French-Algerian cooperation for the development of the dance and the artistic exchanges which will contain a program of Training and creation. In this frame, he sees confiding for July, 2009, the choreography of Closing ceremony of the 2nd Pan-African Festival of Algiers. In 2010, he creates the Ballet Contemporain d'Alger, under the Nawal Aït Benalla-Lagraa's educational responsibility, with a first piece NYA. The success of which ends in several national and international tours.
This piece was to be distinguished in 2011 when it was awarded the Grand Prix de la Critique as “Best Choreography of the Year”.
In 2016, he becomes the « Dream up » ambassador, an international arts-based education programme set up by the BNP Paribas foundation. This programme will help some 30,000 underprivileged or disabled children and teenagers to develop and find fulfilment by practising an artistic or creative activity.
In 2016, he becomes “Chevalier des arts et des lettres” nominated by the French ministry of culture.
Source : Cie La Baraka
More information : https://www.aboulagraa.fr/
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Le Cantique des cantiques
Choreography : Abou Lagraa
Interpretation : Danseurs : Pascal Beugré-Tellier, Ludovic Collura, Saül Dovin, Diane Fardoun, Charlotte Siepiora, Antonia Vitti // Comédiennes : Maya Vignando et Gaïa Saitta
Stage direction : Mikaël Serre
Set design : LFA – Looking for architecture
Text : Olivier Cadiot et Michel Berder – Edition Bayard (traduction)
Original music : Olivier Innocenti
Video conception : Giuseppe Greco
Lights : Fabiana Piccioli
Costumes : Carole Boissonet
Technical direction : Antoine de Gantho
Production / Coproduction of the choreographic work : Production Cie La Baraka // Coproduction La Maison de la Danse de Lyon, Les Gémeaux/Sceaux/scène nationale, Théâtre National de Chaillot, Grand Théâtre de Provence d’Aix-en-Provence, Bonlieu Scène Nationale Annecy, Movimentos Festwochen der Autostadt in Wolfsburg 2016 - Allemagne, Centre Chorégraphique National de Créteil et du Val-de-Marne, Compagnie Käfig – direction Mourad Merzouki dans le cadre de l’accueil studio // Partenaires : La compagnie a reçu l’aide à la production de la SPEDIDAM.
Production / Coproduction of the video work : Maison de la Danse, Lyon
La petite histoire de Numeridanse
Exposition virtuelle
La petite histoire de Numeridanse
Exposition virtuelle
Comment ce projet un peu fou a-t-il été créé ? Et par qui ? Voici une exposition virtuelle qui nous permettra de répondre à toutes les questions que vous pourriez vous poser sur Numeridanse, l’occasion aussi de vous raconter notre histoire, et surtout celle de la plateforme...
La Biennale de la danse
Exposition virtuelle
La Biennale de la danse
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Genres and styles
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Genres and styles
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Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
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Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
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At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Outdoor dances
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Outdoor dances
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Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
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The “Nouvelle Danse Française” of the 1980s
Parcours
The “Nouvelle Danse Française” of the 1980s
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In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Animal Kingdom, PAROLE DES PARTICIPANTS
Exposition virtuelle
Animal Kingdom, PAROLE DES PARTICIPANTS
Exposition virtuelle
Cette exposition virtuelle met en valeur les paroles et témoignages des différents participants du projet participatif ANIMAL KINGDOM, lancé en février 2020 avec la Akram Khan Dance Company.
Strange works
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Strange works
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Unconventional contemporary dance shows which reinvent the rapport to the stage.
When reality breaks in
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When reality breaks in
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Meeting with literature
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Meeting with literature
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Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
COLLECTION BAGOUET
Exposition virtuelle
COLLECTION BAGOUET
Exposition virtuelle
La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
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Genesis of work
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Genesis of work
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A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Dance and percussion
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Dance and percussion
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Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Contemporary Italian Dance : the 2000s
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Contemporary Italian Dance : the 2000s
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Panorama of contemporary dance practices in Italy during the 2000s.