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Ghazeia paints the portrait of two Egyptian women, social opposites, but both victims of the general stigmatisation and hypocrisy: Lucy is the most famous belly dancer in Cairo, while Sabah dances in the country and performs at weddings and baptisms with her husband.
Dance or the hard apprenticeship of freedom and the emancipation from the eyes of men. Dance or the free exercise of seduction, without possible medium of exchange: neither conjugal nor commercial. Finally, dance or the sublimed expression of femininity, without impediment or restraint. Although aware of the uniqueness of their status and their consequent isolation, Lucy and Sabah are not prepared to give up their sole ally: the act of dancing. It is as though the rigours of Islam and the rigidity of North African traditions had been invented so that this belly dance, formerly reserved for women “of ill-repute” could deploy itself, undulating and provocative.
Source : Fabienne Arvers
Artistic direction / Conception : Safaa Fathy
Production / Coproduction of the video work : Gloria Films Production, Selena audiovisuel, Canal+
Duration : 50'
Webdoc
Webdoc
Webdoc
Webdoc
Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Depuis sa création en 1984, la Fondation BNP Paribas soutient les arts de la scène. Attentive à la qualité de son engagement auprès de ses partenaires, elle veille à accompagner leurs projets dans la durée. Découvrez les engagements de la Fondation.
Exposition virtuelle
Exposition virtuelle
Dominique Bagouet a créé plus de 45 pièces en 15 ans. Certaines ont marqué le paysage chorégraphique entre 1980 et 1992, année de sa disparition. Cette collection montre les œuvres les plus emblématiques et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet créée par ses interprètes aprè
Parcours
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Webdoc
Webdoc
Parcours
Parcours
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
Parcours
Parcours
Parcours
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
Parcours
Parcours
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Parcours
Parcours
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Parcours
Parcours
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
Parcours
Parcours
Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.
Parcours
Parcours
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.