Créations de spectacles, performances participatives et installations mêlant danse contemporaine et arts numériques interactifs. Une constante dialectique entre le corps vivant (vécu) et le corps visuel (donné à voir ou virtuel). Une exposition proposée par Jean-Marc Matos, chorégraphe de la compagnie K. Danse.

Une exposition virtuelle proposée par notre contributeur VIADANSE - CCN de Belfort en Bourgogne-Franche-Comté.

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

 Here is a sample of extracts illustrating burlesque figures in Performances.

 Presentation of the Round’s figure in choreography.

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Explanation of the term « State of the body » when it’s about dance.

 Ballet’s evolution from its romantic form until néo-classicism.

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.

La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.