Hors-champ
2014 - Director : Plasson, Fabien
Choreographer(s) : Noiret, Michèle (Belgium)
Present in collection(s): Maison de la danse , Saisons 2010 > 2019
Video producer : Maison de la Danse de Lyon
Integral video available at Maison de la danse de Lyon
Hors-champ
2014 - Director : Plasson, Fabien
Choreographer(s) : Noiret, Michèle (Belgium)
Present in collection(s): Maison de la danse , Saisons 2010 > 2019
Video producer : Maison de la Danse de Lyon
Integral video available at Maison de la danse de Lyon
Hors-champ
A couple is invited to dine in Lise's villa, in an upscale suburb. As soon as they are seated in the living room, the butler and the guest recognize each other. Dinner will never take place. A scent of mystery, anguish, violence sets in. Brutal images that plunge you into the heart of a drama that we will never know if it is a lived reality, a film shoot or a nightmare. Hors-champ is a dance, theatrical and cinematographic spectacle. The choreography blends into the drama and the characters move endlessly from screen to stage. Between victim and executioner, in a noxious atmosphere that harks back to any totalitarian regime, Hors-champ unwinds its twists and turns.
Source : Maison de la Danse' program - 2014
Noiret, Michèle
After graduating from the Mudra School in Brussels founded by Maurice Béjart, Michèle Noiret met Karlheinz Stockhausen. She studied the composer's gesture notation system and worked with him as a soloist for fifteen years. During this rigorous, precise experience she founded her own company in 1986. She is the author of more than 30 choreographies, each of which provides access to a singular world that is poetic but always unsettling. Since 1997 she has introduced interactive technologies of sound and image in to her choreographic researches, questioning our perceptions of time and space. Using these tools, she likes to mix things up and spread discord. She has also always devoted a major part of her research to developing a fine, precise, altogether personal choreographic writing. The creation of a genuine dance-cinema and the construction of choreographic characters are other traits of her work. Since 2006 she has been an associate artist at the Théâtre National in Brussels. Michèle Noiret is a member of the Académie royale de Belgique.
Source : Michèle Noiret
More information : michele-noiret.be
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Hors-champ
Artistic direction / Conception : Michèle Noiret
Artistic direction assistance / Conception : Dominique Duszynski
Choreography : Michèle Noiret
Interpretation : Juan Benitez, David Drouard, Isael Mata, Marielle Morales, Zoi Efstathiou
Stage direction : Michèle Noiret
Set design : Sabine Theunissen, Caroline Goradesky
Text : Michèle Noiret
Original music : Todor Todoroff
Additionnal music : Bernard Hermann, Danger Mouse
Video conception : Théo Dieupart, Benoît Gillet
Lights : Xavier Lauwers, Marc Lhommel
Costumes : Greta Goiris, Ateliers du Théâtre National, Bruxelles
Settings : Ateliers du Théâtre National, Bruxelles
Technical direction : Christian Halkin
Production / Coproduction of the choreographic work : Compagnie Michèle Noiret - Tandem asbl et Blackmoon Productions
Production / Coproduction of the video work : Maison de la Danse de Lyon - Fabien Plasson, 2014
À corps et à cris
Exposition virtuelle
À corps et à cris
Exposition virtuelle
"Comme nous le savons, l’une des plus importantes limitations du corps dans le ballet est qu’il danse sans voix, planant et défiant les lois de la gravité sans bruit.’’
(Bojana Kunst)
Dance and performance
Parcours
Dance and performance
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
Avec cette exposition virtuelle et à travers la démarche du tandem fraternel, pénétrons dans le monde des BEN AÏM et dans l’univers de leur dernière pièce : FACÉTIES.
Dance and visual arts
Parcours
Dance and visual arts
Parcours
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
Rituals
Parcours
Rituals
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.
Dance and music
Parcours
Dance and music
Parcours
The relationship between music and choreographic works varies throught dance history.
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
The “Nouvelle Danse Française” of the 1980s
Parcours
The “Nouvelle Danse Française” of the 1980s
Parcours
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Meeting with literature
Parcours
Meeting with literature
Parcours
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
COLLECTION BAGOUET
Exposition virtuelle
COLLECTION BAGOUET
Exposition virtuelle
La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
La Biennale de la danse
Exposition virtuelle
La Biennale de la danse
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Dance and percussion
Parcours
Dance and percussion
Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
The committed artist
Parcours
The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.