Indeed, in 2008, on Nawal Ait Benalla-Lagraa's initiative, Abou Lagraa left to Algeria to try to find his roots, his past. As evidence the 2 artists decided to work on it, to commit themselves by creating "The French-Algerian Mediterranean Cultural Bridge" there.
Meeting the dancers of the Contemporary Ballet of Algiers, getting involved in working with them (the outcome being the creation of Nya in 2010 then Universe Africa – tribute to Nina Simone in 2012) rediscovering the daily life in a country where so much remains to be done, all this could not leave Abou Lagraa untouched. He is indeed so similar and yet so different.
El Djoudour is the third creation with the Algerian dancers.
For this show, Abou Lagraa drew his inspiration from his Algerian roots. As a western dancer and choreographer, French, North African, he would like to focus this creation on his own perception of the body in Muslim culture (and not of the Muslim faith), a body marked by modesty and respect of privacy.
Strongly marked by frustration with separation between men and women, Abou Lagraa shows in El Djoudour a range of relations between the two sexes, far from the usual clichés.
The show opens on an empty space, a public square (" El Fada " in Arabic) structured by metal racks that define the space of men and women. Lagraa shows the tensions from the frustration of not being able to share the same space, to touch each other. The bodies confront themselves, are free, the lines move, sensuality is revealed.
To guide his creative process, Abou Lagraa refers to two basic elements of oriental culture: water (instrument of purification and source of life) and earth (the one from which we come from, which feeds our roots). The dancers are as protected by land and water, wrapped in a symbolic garment that allows finally them to touch each other, preserving their modesty and their freedom.
This body language honours the original features of generosity, sharing and brotherhood of the oriental culture.
The dance in El Djoudour reveals the ambivalence between feminity and masculinity, it’s a dance of body states, a total commitment.
The composer Olivier Innocenti's subtle music supports this idea of “no man’s land”. Algerian singer Houria Aïchi honors and refers to the sacred past. Contemporary music mixed sacred songs provides the link between narrative and abstraction, the organic and the spiritual, the past and the present. These collaborators joined Abou Lagraa’s never-ending quest which is as spiritual as it is artistic. He’s looking for poetry of human relationships.
El Djoudour comes from the choreographer’s roots, his personal history and his vision of Muslim culture while operating a syncretism with other horizons represented by fourteen dancers with different stories and personal experiences, from multiple ethnics origins (Algerians, Indians, French, Cameroon, Sweden, Comoros). This diversity of body proposes a new interpretation of the body in the oriental culture.
El Djoudour is like a mirror in which we can look at ourselves to see and love others.
Source : Abou Lagraa
En savoir plus : www.aboulagraa.fr
Born in Annonay, Abou Lagraa began dancing at the age of 16 before entering the Conservatoire National Supérieur de Musique et de Danse, Lyon. He began his career as a dancer at the S.O.A.P. Dance Theatre, Frankfurt with Rui Horta and became his assistant on a project at the Calouste Gulbenkian Centre, Lisbon. He was soon noticed and went on to work with Robert Poole, Denis Plassard and Lionel Hoche. His qualities as a performer have been rewarded twice: in 1998 by the 2nd Prize for performance at the Paris International Dance Competition, then in 2009 by the prize for Best Male Dancer, awarded by the International Movimentos Dance Prize. In 1997 he founded his own company, La Baraka.
Once again, recognition came quickly; numerous French venues programmed the young choreographer and he received proposals for collaboration. As a result, after 4 years as an associated artist at Bonlieu Scène Nationale in Annecy, since 2009 Abou Lagraa and his company have been hosted in production residency at Gémeaux Scène Nationale, Sceaux. The fame of the company spread rapidly beyond France's borders and tours followed one after the other, throughout Europe and also in the United States, Algeria, Tunisia and Indonesia… Alongside his work with the company, Abou Lagraa is regularly in demand by large organisations.
In 2001 he devised Fly, Fly for the CCN Ballet de Lorraine. This piece later was subsequently added to the repertoire of the ABC Dance Company of St Pölten in Austria.
In 2003 he devised a work for the second-year students of the Centre National de Danse Contemporaine, Angers, then in 2007 for the pupils of the Frankfurt Hochschule and the pupils of the Centre Méditerranéen de Danse Contemporaine, Tunis.
In 2006 his work entered the repertoire of the Paris Opéra Ballet with Le Souffle du Temps, a piece for 21 dancers, including 3 étoiles (Marie-Agnès Gillot, Manuel Legris, Wilfried Romoli). Then, in 2008, he composed Everyone's One at the invitation of Ballet Memphis (USA).
Since 2009, in association with the Algerian Ministry of Culture and th Algerian Agency for the Cultural Brilliance, he works, with Nawal Aït Benalla-Lagraa, in the elaboration of a “Mediterranean Cultural Bridge", the project of French-Algerian cooperation for the development of the dance and the artistic exchanges which will contain a program of Training and creation. In this frame, he sees confiding for July, 2009, the choreography of Closing ceremony of the 2nd Pan-African Festival of Algiers. In 2010, he creates the Ballet Contemporain d'Alger, under the Nawal Aït Benalla-Lagraa's educational responsibility, with a first piece NYA. The success of which ends in several national and international tours.
This piece was to be distinguished in 2011 when it was awarded the Grand Prix de la Critique as “Best Choreography of the Year”.
In 2016, he becomes the « Dream up » ambassador, an international arts-based education programme set up by the BNP Paribas foundation. This programme will help some 30,000 underprivileged or disabled children and teenagers to develop and find fulfilment by practising an artistic or creative activity.
In 2016, he becomes “Chevalier des arts et des lettres” nominated by the French ministry of culture.
Source : Cie La Baraka
More information : https://www.aboulagraa.fr/
Choreography : Abou Lagraa
Choreography assistance : Nawal Ait Benalla-Lagraa
Interpretation : Nawal Ait Benalla-Lagraa, Ali Brainis, Sarah Cerneaux, Nassim Feddal, Laurent Jocelyn, Oussama Kouadria, Bilel Madaci, Marion Renoux, Fanny Sage, Féroz Sahoulamide, Tanné Uddén, Angela Vanoni, Bernard Wayack Pambe, Zoubir Yahiaoui
Set design : Abou Lagraa
Original music : Houria Aïchi, Olivier Innocenti
Lights : Nicolas Faucheux
Production / Coproduction of the choreographic work : Cie La Baraka, Grand Théâtre de Provence – Marseille Provence 2013 / Capitale Européenne de la Culture Les Gémeaux / Sceaux / Scène Nationale Théâtre National de Chaillot, Holland Festival / Amsterdam, La Coursive, Scène Nationale / La Rochelle Le Théâtre* / Scène Nationale de Narbonne
Duration : 70'
LE BALLET DE LA NUIT - Second Watch - The Mute Comedy of Amphitryon (6)
LE BALLET DE LA NUIT - Second Watch - The Mute Comedy of Amphitryon (6) (Spain)
Unconventional contemporary dance shows which reinvent the rapport to the stage.
LE BALLET DE LA NUIT
LE BALLET DE LA NUIT
Film collectif composé de 13 segments d'une heure, basé sur Le Ballet Royal de la Nuit de 1653. Des artistes de vidéo-danse en provenance de divers pays ont relevé le défi du Centre de Vidéo Danse de Bourgogne de réaliser chacun un film venant illustrer une heure de la nuit, en s'appuyant sur des oeuvres musicales électroacoustiques composées exclusivement pour le projet.
The committed artist
The committed artist
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Genres and styles
Genres and styles
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
This parcours presents different video extracts in which hands are the center of the mouvement.
Une sélection de vidéo-danses mexicaines réalisée par le festival AGITE Y SIRVA (https://www.agiteysirva.com/).
Why do I dance ?
Why do I dance ?