Barbakan
2008 - Director : Gaál, Mariann
Present in collection(s): Maison de la danse , Saisons 2000 > 2009
Video producer : Mariann Gaál
Integral video available at Maison de la danse de Lyon
Barbakan
2008 - Director : Gaál, Mariann
Present in collection(s): Maison de la danse , Saisons 2000 > 2009
Video producer : Mariann Gaál
Integral video available at Maison de la danse de Lyon
Barbakan
BARBAKAN
The Barbakan is a contemporary musical dance film made up of four movements.
The piece describes the relationship of two contrastring characters, they loneliness, similarities and differences. The original musical idea of the piece by András Párniczky was developed into a two-part rhythmic composition by Samu Gryllus. What constitute the very essence of this polyrhythmic composition is the dancers'moves and the sound effects thus evoked.
Source : Mariann Gaál
Credits
Inward dancer Anna Réti Outward dancer Flóra Domokos
Director, choreographer Mariann Gaál Composer Samu gryllus
Cinematographer Dániel reich Editor Gábor Kertai
Music supervisor András Párniczky Production manager Péter Fülöp
Sound engineer Zoltán Karaszek, György Lőrincz Sound editor Kiss Atilla
Playback technician Géza Takács Gaffer László Blahó
Camera assistant Gábor Kertai Dolly grip Itván Reiter
Make-up Dóra Horváthné Kertai
Assistant Péter Ákos Gyurika, Dániel Reiter transporter : Csaba B. Kiss
Producers Balázs Lóth, Mariann Gaál
More information
Updating : September 2013
Gaál, Mariann
POSITIONS
2002
Teacher of Hungarian Dance Academy, (Budapest, Hungary) Modern Dance
Teacher department Subjects theory and practice: Improvisation, European Modern Technique, Creative Children dance method
2009-2010
Teacher at the hungarian University of Theater Film and Television
2008
Accauntable of the dance department of Performershouse, Silkeborg, Denmark
2006-2007
Accauntable of Modern dance teacher department, Budapest at the Hungarian Dance Academy
2005-2006
Teacher of the Budapest Dance School
2005-2007
Curator of the National Cultural found –Dance College
2004-2007
Teacher of the Apacai Csere Janos Univerity Gyor, subject: movement analysis, creative children dance
2002-2005
Theacher of the Art of Movement studio, subject: improvisation
2002-2004
Teacher and program manager of the Secondary School of Arts, Dancing
Department, (Pecs, Hungary) Subjects: Graham technique, European modern technique, contact dance and improvisation, pilates technique
EDUCATION
2008- DLA Studies at the University of Theater Film and Television, theme: Dance Films
2006-2008 -MA
Semmelweis University Faculty of Physical Education and Sport Sciences, Health studies
2005-2007
Yoga instructor, International Wellness Institute, Padma joga studio, Budapest, Hungary
1998-2002 - BA
Rotterdamse Dansacademie (Rotterdam, Holland) graduated in 2002, Study: Teachers' Department, Specialisations: Modern Dance - Improvisation-Composition
1997-1998
Dance Therapy Education under the leadership of Wilfriedf Gurntler (CITA-Munich, Germany)
Continuing my studies at the university in Hungary, Working as a dance chritic for art magazines in Hungary (Balkon, Ellenfeny, Jump)
1996-1997
Beers Dance Academy (Wienna, Austria), T-junction (Wienna, Austria)
1995-1998
Pazmany Peter Catholic University, Faculty of Arts)Piliscsaba, Hungary, Study: art philosophy, literature, art-therapy
1991-1995
Secondary School of Arts, Dancing Department, (Pecs, Hungary)
PRODUCTIONS
Abroad
Own Choreograpies
1999. Name it (Rotterdamse Dansacademie)
2001. Mozart: Zauberflote (Rotterdamse Conservatorium)
2002. Classic duett (Rotterdamse Conservatorium)
2002. Brecht: Dreigroschen Oper - Muziektheater Hollandse Diep Production (Rotterdamse Schouburg, etc.).
2008. Behind Seven- Performershouse, Silkeborg Denmark
Own dancefilms
2012 INSIDE, coproduction with Mu Terminal
2010 Remembering, best dance movie, best camera man on Vestdecourt, Spain, and on screen in many European Festivals
2008 Barbakan,(brodcastied on Duna Television, and in 27 countries world wide
2002. Door Quatrologie, premier: 2001, Rotterdamse Dansacademie;
In Hungary
Own choreograpies
2011. Danse Macabre, for the Balett of Pecs, National Dance Theater
2010. OTT- MU terminal, Mu Theater, Budapest
2008. Chance operation, for the Balett of Pecs, 2.nd International Dance Festival, Pecs
2007. Papir-ollo-… Hungarian Institution, Berlin
2006. Ko- Papir-…, Mu Theater, Autumn Festival Budapest
2003. Harmas Fuggelek Mu Theatre, Budapest, House of Arts, Pecs
2004. Triplex Millenaris Theatre, Budapest
2012. React -Space installation together with Budapest University of Technology and Economics
2013. Időprés- Photo exhibition with David Kecskeméti
Children plays
2003. Keszekusza -choreographer at the Third Theater, Pecs
2004. Meseeurópa- choreographer at the Third Theater, Pecs
2012. Gepetto babuja-choreographer at the Ciroka Puppet Theater, Kecskemet
2013. Okos lány- choreographer at the Vojtina Puppet Theater, Debrecen
2013. Kis Mukk- choreographer at the Budapest Puppet Theater, Budapest
Qudus Onikeku - Reclaim a forgotten memory
New breath : 21st century youth enters the world of dance
K. Danse's artistic partners
Mexican Video Dance
Strange works
Unconventional contemporary dance shows which reinvent the rapport to the stage.
Dancing bodies
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Ballet pushed to the edge
Ballet’s evolution from its romantic form until néo-classicism.
When reality breaks in
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
La part des femmes, une traversée numérique
States of the body
Explanation of the term « State of the body » when it’s about dance.
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Dance and visual arts
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.
Rituals
Discover how the notion of ritual makes sense in various dances through these extracts.
James Carlès
Scenic space
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Charles Picq, dance director
Pantomimes
Presentation of Pantomimes in the different types of dance.
Dance and music
The relationship between music and choreographic works varies throught dance history.