Skin in the Grass
Merce Cunningham (1919-2009) was a leader of the American avant-garde throughout his seventy-year career and is considered one of the most important choreographers of our time. Through much of his life, he was also one of the greatest American dancers. With an artistic career distinguished by constant innovation, Cunningham expanded the frontiers not only of dance, but also of contemporary visual and performing arts.
His collaborations with artistic innovators from every creative discipline have yielded an unparalleled body of American dance, music, and visual art. Of all his collaborations, Cunningham's work with John Cage, his life partner from the 1940s until Cage's death in 1992, had the greatest influence on his practice. Together,
Cunningham and Cage proposed a number of radical innovations. The most famous and controversial of these concerned the relationship between dance and music, which they concluded may occur in the same time and space, but should be created independently of one another. The two also made extensive use of chance procedures, abandoning not only musical forms, but narrative and other conventional elements of dance composition - such as cause and effect, and climax and anticlimax. For Cunningham the subject of his dances was always dance itself. Born in Centralia, Washington on April 16, 1919, Cunningham began his professional
modern dance career at 20 with a six-year tenure as a soloist in the Martha Graham Dance Company. In 1944 he presented his first solo show and in 1953 formed
the Merce Cunningham Dance Company as a forum to explore his groundbreaking ideas. Over the course of his career, Cunningham choreographed more than 150 dances and over 800 “Events.” Dancers who trained with Cunningham and have gone on to form their own companies include Paul Taylor, Trisha Brown, Lucinda Childs, Karole Armitage, Foofwa d'Immobilité, and Jonah Bokaer. Cunningham's lifelong passion for exploration and innovation made him a leader in applying new technologies to the arts. He began investigating dance on fi lm in the 1970s, and choreographed using the computer program DanceForms during the latter part of his career. He explored motion capture technology to create décor for BIPED (1999), and his interest in new media led to the creation of Mondays with Merce. This webcast series provides a never-before-seen look at the Company and Cunningham's teaching technique with video of advanced technique class, Company rehearsal, archival footage, and interviews with current and former Company members, choreographers, and collaborators.
An active choreographer and mentor to the arts world until his death at the age of 90, Cunningham earned some of the highest honors bestowed in the arts. Among his many awards are the National Medal of Arts (1990) and the MacArthur Fellowship (1985). He also received the Jacob's Pillow Dance Award in 2009, Japan's Praemium Imperiale in 2005, the British Laurence Olivier Award in 1985, and was named Offi cier of the Legion d'Honneur in France in 2004. Cunningham's life and artistic vision have been the subject of four books and three major exhibitions, and his works have been presented by groups including the Ballet of the Paris Opéra, New York City Ballet, American Ballet Theater, White Oak Dance Project, and London's Rambert Dance Company.
Cunningham passed away in his New York City home on July 26, 2009. Always forward-thinking, Cunningham developed the precedent-setting Legacy Plan
prior to his death, to guide his Company and ensure the preservation of his artistic legacy.
The Cunningham Dance Foundation announces the fi nal, two-year Legacy Tour: a fi nal opportunity for audiences around the world to see Merce's choreography performed by the company he personally trained. Envisioned in the Legacy Plan as a celebration of Merce's lifetime of artistic achievement, the Tour will feature both
current repertory and historic revivals.
Malandain Ballet Biarritz
Compagnie James Carlès Danse & Co
Alex Hay, Grass Field
De Keersmaeker, Anne Teresa