Skip to main content
Add video to a playlist

Title

Choreographer

The video has been added successfully.

You must be a member to enjoy all functionalities Login Register
You must be a member to view this playlist Login Register
Delete my video history Are you sure you want to delete the history?
Delete my search history Are you sure you want to delete the history?
Create a playlist
The description is limited to to a length of 500 characters
You can now make your playlists public! To do that, please visit your personnal account

Attention !
This video contains violence or nudity
Edit the playlist
The description is limited to to a length of 500 characters
Delete the playlist Are you sure you want to delete the playlist ?
Share this playlist
Configure access Keep your playlist private
(Only you can see it)
Make your playlist public
(and share it with the rest of users)
Configure access
Share Address Share by e-mail Send
Help By default, the search engine returns results for all founded words. For an advanced search, please use ":"
(eg: ":hiphop && breakdance")

You can use thoses operators :
AND (&&), OR (||), NOT, (! or -)

To use the NOT operator correctly, the second word needs to be written just after the exclamation mark, without space (e.g. ":merzouki !hip hop").


Documents
  • Add to playlist
  • Remove from your favorites Add to your favorites

Merce Cunningham 1919-2009, La danse en héritage


2012 - Director : Rebois, Marie-Hélène

Choreographer(s) : Cunningham, Merce (United States)

Video producer : Daphnie Production, Arte France, AVRO, Centre Pompidou

en fr

Merce Cunningham 1919-2009, La danse en héritage


2012 - Director : Rebois, Marie-Hélène

Choreographer(s) : Cunningham, Merce (United States)

Video producer : Daphnie Production, Arte France, AVRO, Centre Pompidou

en fr

Merce Cunningham 1919-2009, La danse en héritage

After the death of Merce Cunningham in 2009, his company prepared its dissolution to let the Merce Cunningham Trust manage the choreographer’s legacy. Marie-Hélène Rebois follows the last tour paying tribute to the man who was undeniably one of the major artists of the 20th century. Alternating rehearsal periods, images from archives, and interviews, her film raises the issue of the transmission of a truly intangible heritage. 

 It is Merce Cunningham himself who wanted a foundation to take over from the company. Created in 1954, the company has seen several generations of dancers come and go. For this tribute tour through a number of cities world-wide, the last artists to have worked on his choreographies reassemble the emblematic pieces that, from Suite for Five (1956) to CRWDSPCR (1993), illustrate the evolution of his work, in the course of his encounters with the leading musicians and visual artists of his time – Cage, Warhol, Johns, Rauschenberg – and technological breakthroughs – the Life Forms software. In front of Marie-Hélène Rebois’s camera, his close collaborators ask themselves how they can perpetuate a technique entirely turned towards experimentation. As although, after this last tour, many sources – notes, photographs, films, videos- will continue to reveal Cunningham’s constant taste for all that’s new, nothing will replace the dancers’ presence on the stage. 

RainForest

The title for "RainForest" came from Cunningham’s childhood memories of the Northwest, and the rainforest in the Olympic Peninsula. "RainForest"  differed from Cunningham’s other pieces in that, with the exception of  Cunningham, each of the six dancers performed his or her role, then left  the stage and never returned. Andy Warhol agreed to let Cunningham use  his installation "Silver Clouds"--a number of Mylar pillows  filled with helium, so that they floated freely in the air. The dancers  wore flesh-colored leotards and tights, which Jasper Johns (uncredited)  cut with a razor blade, to give the costumes a roughened appearance. The  music was by David Tudor, and evoked the chirping and chattering of  birds and animals.

RainForest was first performed by the Merce Cunningham Dance Company on March 9, 1968 in Buffalo, New York.


Source : Ballet de Lorraine

Cunningham, Merce

Born in Centralia, Washington on April 16, 1919, Cunningham began his  career as a modern dancer at the age of 20, dancing for six years with  the Martha Graham Dance Company. He presented his first recital in 1944,  and formed the Merce Cunningham Dance Company in 1953. The company was a  living canvas for his experimentation and the creation of his unusual  pieces.
 Over his long career he  choregraphed more than 150 pieces and more than 800 Events. Many dancers  studied and worked with Cunningham before founding their own companies,  among them Paul Taylor, Trisha Brown, Lucinda Childs and Karole  Armitage ... He collaborated with many artists; his collaboration with  John Cage had the most influence on his practice.
 Together Cunningham and Cage  proposed a series of radical innovations in dance. The most famous and  controversial of these dealt with the relationship between dance and  music, able to co-exist in the same space and time but needing to be  conceived independently of each other.
 Cunningham continued to  experiment and innovate throughout his life, and he was one of the first  to use new technologies in his own art form. He choreographed and  taught almost until the day he died, July 26, 2009, and received many  awards and accolades. Cunningham’s life and work have inspired the  publication of four books and three important exhibitions; several of  his pieces have been presented by other prestigious companies such as  American Ballet Theatre, the Ballet de Lorraine, the New York City  Ballet, the Paris Opera Ballet, the Rambert Dance Company in London and  the White Oak Dance Project.


Source: CCN-Ballet de Lorraine


More information: www.mercecunningham.org

Rebois, Marie-Hélène

Marie-Hélène Rebois is a French director born in Nancy. Alongside literary studies (literature preparatory studies for “les grandes écoles”, a Master’s in literature, history of art and philosophy) and theatrical training with the director Jean-Marie Villégier and the Festival international de théâtre de Nancy, her home town, Marie-Hélène Rebois produced her first short films and became a filmmaker. In her films, she develops her favourite themes, always related to the expression of social issues and artistic creation, where family sagas, interior journeys, religion, writing, music, painting, opera and dance play a large role.
 She collaborated in the educational work of the production department of La Femis from 1992 to 1997. She worked for one year with the Montpellier Danse Festival to produce a film on the history of the festival (Montpellier Danse 1980-2000) and a special evening for Arte (Montpellier Danse 2000, points de vue d'Afrique). This programme received a special mention at the 11th Grand Prix international video danse. In 2003, her film Ribatz, Ribatz ou le Grain du temps was awarded the French selection prize at the Festival international de cinéma de Marseille. She also produced for the Conservatoire national supérieur de musique et de danse de Paris a film on the analysis of the body in danced movement: Le Geste créateur as well as, for the SACD (Society of Dramatic Authors and Composers), a short film on a circus act Rondeau pour un fardeau, a piece with lifts, together with portraits of the pianist Vanessa Wagner, the choreographer Jean-Claude Gallotta, and the Italian puppeteer Laura Kibel. In Dialogue avec les fauves, broadcast on Arte, she shows just how far man can go in communication with wild animals, with what language and with what gestures. Noces d'or, la mort du chorégraphe, broadcast on France 2, is the last part of the trilogy that Marie-Hélène Rebois imagined and started after the death of the French choreographer Dominique Bagouet (the first two parts were Histoire d'une transmission, So Schnell à l'Opéra, 1999, and Ribatz, Ribatz ou le Grain du temps, 2003). She has since produced three documentaries for Arte: Maguy Marin, la danse cachée; Montpellier Danse, 1980-2010, Zigzag, for the 30 years of the Montpellier Danse Festival and Merce Cunningham, la danse en héritage, where she follows the last tour paying tribute to the man who was one of the leading artists of the 20th century. Alternating rehearsal periods, images from archives, and interviews, her film raises the issue of the transmission of a truly intangible heritage. In 2016, her last film, Dans les pas de Trisha Brown, was selected for the Festival international de cinéma de Marseille.


Sources : Ardèche Image ; Film-documentaire.fr ; CMCA

Merce Cunningham 1919-2009

Choreography : Merce Cunningham

Interpretation : Merce Cunningham Dance Company

Production / Coproduction of the video work : Marie-Hélène Rebois (réalisation), Daphnie Production, Arte France, AVRO, Centre Pompidou

Duration : 56'

Our videos suggestions
02:55

Relâche

Börlin, Jean (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
41:18

Henriette & Matisse

Kelemenis, Michel (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
25:24

Les Formes à croquer

Kelemenis, Michel (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
02:51

Steve Paxton, Physical Things

Paxton, Steve (United States)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
03:11

Ô mon corps

Lagraa, Abou (Algeria)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
07:51

Lied Ballet - Creation to the Maison de la Danse

Lebrun, Thomas (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
07:13

Bonhomme de vent

Charmatz, Boris (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
07:05

Nervures

Lambert, Fabrice (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
08:04

Morgan's last chug - Création à la Maison

Gat, Emanuel (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
07:53

En quête de danse

De Nercy, Laura (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
08:28

Les Pieds sur scène

Les Pieds sur scène (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
06:33

La Danse aux poings de Mourad Merzouki

Merzouki, Mourad (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
20:39

Le Spectre de la danse

Le Spectre de la danse (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
16:03

Aurore

Aurore (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
02:55

Dix Anges vu par Charles Picq

Bagouet, Dominique (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
07:50

Collusion

Groud, Sylvain (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
27:11

La danse du temps

Chopinot, Régine (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
05:09

Micro

Rigal, Pierre (France)

  • Add to playlist
  • Remove from your favoritesAdd to your favorites
Our themas suggestions

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

Céline Roux

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity!  

Discover
Know more

Charles Picq, réalisateur en danse

Exposition virtuelle

Maison de la Danse de Lyon

Charles Picq, réalisateur en danse

Exposition virtuelle

Rencontre avec Charles Picq, réalisateur et vidéaste de la danse. 

Discover
Know more

Dance and visual arts

Parcours

Marie-Thérèse Champesme

Dance and visual arts

Parcours

Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.

Discover
Know more

How to become a dance spectactor ?

Webdoc

Guisgand, Philippe ; Guisgand, Sébastien

How to become a dance spectactor ?

Webdoc


Discover
Know more

40 ans de rock et danse

Exposition virtuelle

Maison de la Danse de Lyon

40 ans de rock et danse

Exposition virtuelle

Chic planète, dansons dessus, oh oh oh

Chic planète, dansons dessus, oh oh oh

Chic planète, dansons dessus...

Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more