Skip to main content
Back to search
  • Add to playlist

O Senseï

« Ohno's art is so unique that in the language of Butoh itself, he is Butoh, a sort of hyphen between the worlds of the living and the dead. My experience with Ohno was a deep, radical revolution, involving my entire being. I took my entire choreographic vocabulary and language, accumulated over so many years –and chose to start over, tabula rasa. »
Catherine Diverrès

Source : Rencontres chorégraphiques internationales de Seine-Saint-Denis

Diverrès, Catherine

Catherine Diverrès has said, “Conscience, our relationship with others, this is what creates time”, ever since her first choreographic creation. She is a sort of strange meteor, appearing in the landscape of contemporary dance in the mid-80’s. She stood out almost immediately in her rejection of the tenets of post-modern American dance and the classically-based vocabularies trending at that time. She trained at the Mudra School in Brussels under the direction of Maurice Béjart, and studied the techniques of José Limón, Merce Cunningham and Alwin Nikolais before joining the company of Dominique Bagouet in Montpellier, then deciding to set out on her own choreographic journey.

Her first work was an iconic duo, Instance, with Bernardo Montet, based upon a study trip she took to Japan in 1983, during which she worked with one of the great masters of butoh, Kazuo Ohno. This marked the beginning of the Studio DM. Ten years later she was appointed director of the National Choreographic Center in Rennes, which she directed until 2008.

Over the years, Catherine Diverrès has created over thirty pieces, created her own dance language, an extreme and powerful dance, resonating with the great changes in life, entering into dialogues with the poets: Rilke, Pasolini and Holderlin, reflecting alongside the philosophers Wladimir Jankelevich and Jean-Luc Nancy, focusing also on the transmission of movement and repertoire in Echos, Stances and Solides and destabilising her own dancing with the help of the plastician Anish Kapoor in L’ombre du ciel.

Beginning in 2000, she began adapting her own style of dance by conceiving other structures for her creations: she improvised with the music in Blowin, developed projects based on experiences abroad, in Sicily for Cantieri, and with Spanish artists in La maison du sourd. Exploring the quality of stage presence, gravity, hallucinated images, suspensions, falls and flight — the choreographer began using her own dance as a means of revealing, revelation, unmasking, for example in Encor, in which movements and historical periods are presented. Diverrès works with the body to explore the important social and aesthetic changes of today, or to examine memory, the way she did in her recent solo in homage to Kazuo Ohno, O Sensei.

And now the cycle is repeating, opening on a new period of creation with the founding of Diverrès’ new company, Association d’Octobre, and the implantation of the company in the city of Vannes in Brittany. Continuing on her chosen path of creation and transmission, the choreographer and her dancers have taken on a legendary figure, Penthesilea, the queen of the Amazons, in Penthésilée(s). In returning to group and collective work, this new work is indeed another step forward in the choreographer’s continuing artistic journey.


Source: Irène Filiberti, website of the company Catherine Diverrès


More information: compagnie-catherine-diverres.com

Riolon, Luc

After studies of mathematics preparatory class and medecine studies, Luc Riolon begins to make films within the framework of his Faculty of Medicine, then met the famous choreographers of the 80s (Maguy Marin, Mark Tompkins, Josef Nadj, Daniel Larrieu Daniel, Odile Duboc, Josette Baiz, Angelin Prljocaj, etc.) with whom he shoots numerous films (re-creation for the camera, the illegal securements). In the 80s with the American choreographer Mark Tompkins he introduces the video on the stage, broadcasting live on big screens the images which he shoots with his camera by being on the stage with the dancers, mixing live images and pre-recorded images. With Daniel Larrieu he participates in the creation of the famous show WATERPROOF, the contemporary choreography which takes place in a swimming pool, by filming live) the dancers dancing in the water and mixing the live images with pre-recorded underwater images. This choreography has been shown in many countries (USA, Canada, Spain, England…)
Then he collaborates during 10 years with the famous french TV producer Eve Ruggieri for her programs" Musics in the heart ". He shoots with her of numerous documentaries about classical music, opera singers and dance. From 1999 he directs documentaries of scientific popularization, by following researchers attached to the resolution of a particular ecologic enigma. These two artistic and scientific domains which can seem separated are nevertheless, for Luc Riolon, connected by the same approach : the deep desire to understand the world, by the art or by the scientific research, and to restore it to the largest number. Among his recent scientific documentaries, we can quote for example " The Enigma of the Black Caiman ", Living and dying in the swamp " or " The Nile delta: The end of the miracle ". “Chernobyl, a natural history ? “ These documentaries of scientific popularization recently have been awarded in international festivals.


Source: Vimeo

O Senseï / Stance II

Choreography : Catherine Diverrès

Original music : Keiji Haino, Seijiro Murayama, Frédéric Chopin, Ingrid Caven, J.S. Bach

Lights : Marie-Christine Soma

Costumes : Cidalia da Costa

Other collaborations : Collaboration artistique et scénique : Laurent Peduzzi. Remerciements : Collectif Rennes Métropole

Production / Coproduction of the choreographic work : Compagnie Catherine Diverrès / Association d'octobre. Les Hivernales, Centre national de la danse - Pantin, Rencontres chorégraphiques internationales de Seine-Saint-Denis, Musée de la danse - Centre chorégraphique national de Rennes et de Bretagne, Centre chorégraphique national de Caen / Basse-Normandie dans le cadre de l'accueil-studio.

Our videos suggestions
05:11

Le Visiteur

Martin-Gousset, Nasser (France)

  • Add to playlist
05:06

Transaction

Alzghair, Mithkal (France)

  • Add to playlist
08:02

DECADES

DECADES (France)

  • Add to playlist
10:54

Desert Widow

Guyon, Jil (United States)

  • Add to playlist
08:51

Revue macabre

Richard, Aurélien (France)

  • Add to playlist
04:06

Au-delà

Bidiefono, DeLaVallet (Au-delà)

  • Add to playlist
01:04:50

Ushio Amagatsu, éléments de doctrine

Amagatsu, Ushio (France)

  • Add to playlist
58:31

La jeune fille et la mort

Lebrun, Thomas (France)

  • Add to playlist
03:09

Los Muertos

Los Muertos (France)

  • Add to playlist
05:00

La Danseuse malade

Charmatz, Boris (France)

  • Add to playlist
05:42

L'oubliée

Yano, Hideyuki (France)

  • Add to playlist
05:20

L'Amour sorcier

Malandain, Thierry (France)

  • Add to playlist
09:53

Voyage organisé

Bagouet, Dominique (France)

  • Add to playlist
57:55

So Schnell

Bagouet, Dominique (France)

  • Add to playlist
01:12:44

Les Larmes de Marco Polo

Gallotta, Jean-Claude (France)

  • Add to playlist
03:16

La Bossa Fataka de Rameau

Hervieu, Dominique (France)

  • Add to playlist
04:01

Cher Ulysse

Gallotta, Jean-Claude (France)

  • Add to playlist
Our themas suggestions

Strange works

Parcours

Centre national de la danse

Strange works

Parcours

 Unconventional contemporary dance shows which reinvent the rapport to the stage.  

Discover
Know more

The committed artist

Parcours

Anne Décoret-Ahiha

The committed artist

Parcours

In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.

Discover
Know more

La Biennale de la danse

Exposition virtuelle

Biennale de la danse

La Biennale de la danse

Exposition virtuelle

La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more