The choreographer has created this piece for 8 dancers as part of the year of France / Brazil in 2009. A singular choreographic writing with bodies from hip hop, which offer a piece that cleverly breaks with the "battle" style by incarning living paintings "à la" Édouard Hooper. A Brazilian languorous show - saudade - that gives a subtle piece full of inventions and visual creations. From tenderly aerial duets to powerful acrobatic solos and insolent energy, the dances are telescoped in an original choreographic language, where the gestures are fluid, light and poetic.
Source : Cie Malka
Tchouda, Bouba Landrille
As with many hip-hop dancers, his learning begins in a self-taught way. In 1995, he decided to found the company Aca in Saint-Martin-d'Hères, with Habib Adel, dancer of the same generation. Their first creation, presented in 1996 as part of the Rencontres Danse Ville Danse in Paris, allows them to become a reference company in hip hop dance in the Rhône-Alpes region.
Influenced by urban and world culture, this artist enjoys many kinds of dance, including hip hop, capoeira and contemporary dance. For him, every genre of dance is a new world to tackle, to move in, to sweat in, to turn upside down, to help everyone find their humanity, to question the meaning of their future, their desires.
Like many hip-hop dancers, he was initially self-taught, but gradually began to explore other disciplines like capoeira and contemporary dance.
In 1995, he decided to found the dance company ACA in Saint-Martin-d'Hères, with one of his contemporaries, Habib Adel. Their first creation, presented in 1996 as part of the Rencontres Danse Ville Danse (Danse Ville Danse Encounters) in Paris, made their name as the urban dance company to be reckoned with in the Rhône-Alpes region. It was during this time that Bouba met the choreographer Jean-Claude Gallotta, director of the CCN in Grenoble (National Choreography Centre). This meeting resulted in a duet called SMH. Choreographed by Jean-Claude Gallotta, this duet forms an integral part of the piece La rue (“The street”), presented by the Emile Dubois group in January 1997 at Suresnes.
His national and international tours – with Aca and Accrorap – have allowed Bouba to establish his reputation as a choreographer both in France and abroad.
In 2001, with Eric Mézino, he founded the Malka Company whose first show was Paroles de sable, paroles de vent (“Words of sand, words of wind”).
Source : Malka Company 's website
More information : ciemalka.com
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Choreography : Bouba Landrille Tchouda
Interpretation : Aïda Boudrigua, Amaury Réot ou Si’mhamed Benhalima , Vilson Dos Reis Silva, Bouba Landrille Tchouda, José Antonio Santo Alves, Rodolfo Moraes Espindola, Rafael Nascimento Brito, Ricardo Venancio de Oliveira
Set design : Rodrigue Glombard
Original music : Manuel Wandji
Lights : Fabrice Crouzet
Costumes : Claude Murgia
Sound : Éric Jury
Production / Coproduction of the choreographic work : coproduction la Rampe-Échirolles, Château rouge -Annemasse, Grand Angle - Voiron, CCN de Grenoble avec le soutien de la ville d’Échirolles, le Conseil Général de l’isère, la Région Rhône-Alpes, la DRAC Rhône-Alpes / Ministère de la Culture, l’ADAMI , l’Alliance française de Sao Luis, le SCEMA , secrétariat d’état à la culture du maranhao et culturesfrance
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Hip hop on French theater stages
The BNP Paribas Foundation
The national choreographic centres
Amala Dianor: dance to let people see
40 years of dance and music
les ballets C de la B and the aesthetic of reality
Dance and floors
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,