Malandragem
Choreographer(s) : Tchouda, Bouba Landrille (France)
Present in collection(s): Maison de la Danse de Lyon
Malandragem
Choreographer(s) : Tchouda, Bouba Landrille (France)
Present in collection(s): Maison de la Danse de Lyon
Malandragem
Tchouda, Bouba Landrille
As with many hip-hop dancers, his learning begins in a self-taught way. In 1995, he decided to found the company Aca in Saint-Martin-d'Hères, with Habib Adel, dancer of the same generation. Their first creation, presented in 1996 as part of the Rencontres Danse Ville Danse in Paris, allows them to become a reference company in hip hop dance in the Rhône-Alpes region.
Influenced by urban and world culture, this artist enjoys many kinds of dance, including hip hop, capoeira and contemporary dance. For him, every genre of dance is a new world to tackle, to move in, to sweat in, to turn upside down, to help everyone find their humanity, to question the meaning of their future, their desires.
Like many hip-hop dancers, he was initially self-taught, but gradually began to explore other disciplines like capoeira and contemporary dance.
In 1995, he decided to found the dance company ACA in Saint-Martin-d'Hères, with one of his contemporaries, Habib Adel. Their first creation, presented in 1996 as part of the Rencontres Danse Ville Danse (Danse Ville Danse Encounters) in Paris, made their name as the urban dance company to be reckoned with in the Rhône-Alpes region.
It was during this time that Bouba met the choreographer Jean-Claude Gallotta, director of the CCN in Grenoble (National Choreography Centre). This meeting resulted in a duet called SMH. Choreographed by Jean-Claude Gallotta, this duet forms an integral part of the piece La rue (“The street”), presented by the Emile Dubois group in January 1997 at Suresnes.
His national and international tours – with Aca and Accrorap – have allowed Bouba to establish his reputation as a choreographer both in France and abroad.
In 2001, with Eric Mézino, he founded the Malka Company whose first show was Paroles de sable, paroles de vent (“Words of sand, words of wind”).
Source : Malka Company 's website
More information : ciemalka.com
Amala Dianor : danser pour donner à voir
Exposition virtuelle
Amala Dianor : danser pour donner à voir
Exposition virtuelle
Découvrez le travail du chorégraphe Amala Dianor à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The “Nouvelle Danse Française” of the 1980s
Parcours
The “Nouvelle Danse Française” of the 1980s
Parcours
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
Dance in Quebec: Collectivities in motion
Parcours
Dance in Quebec: Collectivities in motion
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
Ballet pushed to the edge
Parcours
Ballet pushed to the edge
Parcours
Ballet’s evolution from its romantic form until néo-classicism.
Female / male
Parcours
Female / male
Parcours
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Scenic space
Parcours
Scenic space
Parcours
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Reinterpreting works: Swan Lake, Giselle
Parcours
Reinterpreting works: Swan Lake, Giselle
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Dance and music
Parcours
Dance and music
Parcours
The relationship between music and choreographic works varies throught dance history.
Genres and styles
Parcours
Genres and styles
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Genesis of work
Parcours
Genesis of work
Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff