Hostias
2020 - Director : Maalem, Heddy
Present in collection(s): Heddy Maalem
Integral video available at Maison de la danse de Lyon
Hostias
2020 - Director : Maalem, Heddy
Present in collection(s): Heddy Maalem
Integral video available at Maison de la danse de Lyon
Hostias
Solo, man
Maalem, Heddy
Choreographer, teacher, discoverer of talents recognized on the national and international scenes, Heddy Maalem decides, in 2017, to recover his creative freedom by putting an end to his choreographic company after several tours of the world with his creations (Black Spring, The Rite of spring, But the Devil is walking by our side, Praise of the mighty kingdom ...). In the intimacy of his studio and during many travels, he renews his relationships with the interpreters by conducting videographic research. He directed the film "Abroad, portraits of dancers" and the collection "Collateral beauties".
Hostias
Artistic direction / Conception : Heddy Maalem
Interpretation : Soleyman Maalem
The “Nouvelle Danse Française” of the 1980s
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
James Carlès
Dance and performance
Here is a sample of extracts illustrating burlesque figures in Performances.
Dance and music
The relationship between music and choreographic works varies throught dance history.
“Dansons Maintenant”! A contemporary dance festival in Benin
Why do I dance ?
Artistic Collaborations
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Mexican Video Dance
Outdoor dances
Stage theater and studio are not the only places of work or performance of a choreographic piece. Sometimes dancers and choreographers dance outside.
The contemporary Belgian dance
This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.
Scenic space
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Contemporary techniques
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Carolyn Carlson, a woman of many faces
The Dance Biennale
Reinterpreting works: Swan Lake, Giselle
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Female / male
A walk between different conceptions and receptions of genres in different styles and eras of dance.