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Femme Histoire d'un corps contraint

TEASER

Nawel Oulad 2020 - Director : Sgambato, Antonin

Choreographer(s) : Oulad, Nawel (France)

Present in collection(s): Nawel Oulad , Femmes

en fr

Femme Histoire d'un corps contraint

TEASER

Nawel Oulad 2020 - Director : Sgambato, Antonin

Choreographer(s) : Oulad, Nawel (France)

Present in collection(s): Nawel Oulad , Femmes

en fr

Femme, histoire d'un corps contraint

"Femme, histoire d’un corps contraint” "is a play by Cie Nawel Oulad. With this creation she questions the identities associated with women. An identity is always social, cultural, political, when it concerns the female body it also becomespoetic, that of a body deeply connected to nature and its cycles. "Woman" summons conscious and unconscious images gradually sliding from everyday to sensitive. The gestures and the setting up question our own mental constructions in order to overcome them. woman guardian of traditions, to one seeking to emancipate oneself from them by listening to her body.This piece is an invitation to enter, to open a door to the inner world of woman ... of women.

Oulad, Nawel

Nawel grew up between her mother’s painting studio and the film sets where her father worked. In addition to pictorial universe, dance, theater and music, which she has been practicing for six years at the Conservatoire, have led her to nourish a sensitive thought that expresses itself through art. Curious to understand the history of her ancestors, she completed her dance training with university studies in sociology and visual arts.


 Convinced of the importance of creation and bodily awareness in the development of the human being, she obtained her Diploma of Psychopedagogy of the danced movement at Freedancesong. There, she will also complete her training in contemporary, classical and jazz dance, and the discovers African dances and Dunham technique. 

It is the meeting with the choreographer Christian Bourigault, then in residence at the University Paris Nanterre, which will be decisive for her career. She will find in his contemporary dance the committed body she sought, the possibility of reconciling the humanities and art. She will perform in 6 of Christian Bourigault’s creations, then joins the RIDC - Rencontres Internationales de Danse Contemporaine - where she obtains her State Diploma of contemporary dance teacher in 2012. She then participates as a dancer-interpreter to the resumption of Sans objet (“Irrelevant») with Mie Cocquempot , Co. K622, to Vertige délicieux («Delightful Vertigo») in Claire Jenny’s Point Virgule Company, Aublick by the Impact Company, and various creations of the Théoréma Company.


 In 2010 she founded the dance department of the association L’Envolée Bleue where she gave workshops, set up photo dance outings and created her first performances mixing dance and painting as well as her solo «Métis, terre damnée». 

The foundations of her work arise and the artistic and educational projects are linked together, leading her to set up her company. The history of art and sociology are at the heart of her work. Identity research, urbanity, memory and the place of the individual in the group are all recurring themes in her creations. 

She does not hesitate to go and meet other arts during performances in the most diverse places, in an always renewed dance. From the production of video-dance films to the installation of filmic devices, this medium accompanies and complements her choreographic and scenographic design research as well as En corps hors cadre («Embodied, out of frame») exposed in the month of the photo Off 2010 at La Fonderie de l’Image, or with the CINEMADANSE cycle inaugurated in 2015, by making the film Quitter le bitume (“Leaving concrete”) presented in various festivals. 


She works with several theater companies as well as a coach in the preparation of the actor as an actress (Cie Aziadé, KOTB collective, Guillaume Segouin, collective Theôrema.) 

In 2014, she created the annual festival L’Appel de la Lune («The Call of the Moon»), inviting artists and researchers to meet on a topic related to women. In 2015 she became a member of the UNESCO International Dance Council.

Pinon, Léo

Sgambato, Antonin

director

Cie Nawel Oulad

Created in 2011, the Nawel Oulad Company conducts contemporary dance projects in close connection with the visual arts and the humanities. The troupe federates around hybrid artistic projects, shows but also performances, installations, and films. Today the company has created and performed 5 shows, 5 performances and many video-dances including two movies.
 

website www.naweloulad.com .

 

Partenaires de la compagnie:
Conseil départemental de Seine Saint Denis /
Centre National de la Danse Pantin Mad /
Ménagerie de Verre StudioLab /
La Belle Orange bureau de production et diffusion /
Maison du théâtre et de la danse /
Centre Louis Lumière /
Ville d'Epinay Sur Seine
Pleine image /
​Palais de la Femme /
Sur les toits production

Pleine Image Production

Pleine Image has been producing films and photographs with passion for over six years. Our collaborators bring to life unique and meaningful worlds through images.

We lead a team of technicians and experienced artists, united by a common desire to tell strong human stories and to satisfy their taste for challenge and innovation.

Pleine Image offers a complete and integrated service, from writing, design, to the provision of technical equipment and post-production. All this allows our customers to confidently entrust us with all of their achievements.

Femme, histoire d'un corps contraint- TEASER

Choreography : Nawel Oulad

Interpretation : Anna Maget, Paula Martinez Takegami, Yehoudit Cohen, Mélody Manceau

Original music : Klauss P Leo Pinon

Video conception : Antonin Sgambato

Lights : Manuella ROndeau

Costumes : Martine Briand

Sound : Klauss P

Production / Coproduction of the choreographic work : Cie Nawel Oulad

Production / Coproduction of the video work : Pleine image

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