Spanning a dancer's pregnancy, the film depicts the changes of a dancer's movement.

The story of life emerges through a repeated phrase of movement.

Source : Julie Charrier

After classical dance training (the conservatory in Toulouse, Centre International Rosella Hightower), she turned to contemporary dance, joining the Centre National de Danse Contemporaine in Angers. She would then perform successively for Philippe Découflé, Odile Duboc, Yvann Alexandre, the Cie Linga in Lausanne, Yann Lheureux, Christine Van Maerrem and Flavio Tortoli, Christophe Haleb. She founded the group "Les Filles", based on electronic music-dance research. "Les Filles" would later work with, among others, Laurent Garnier, Jeff Mills, and Aphex Twin.    

She also created video-dance projects, "Elle s’Habille Comme une Fleur" would receive an award at the festival "Dance on Screen " in London and "Dance on Camera" in New York. "Zyeux”, presented during La Nuit Blanche Paris, would be backed by the CCN in Créteil and the Ballets de Marseille. She graduated with a degree in teaching dance and teaches at the dance workshops at the TGP in Saint Denis. She also develops projects between the CND and the Ecole Joséphine Baker, regularly gave warm-up lessons in companies, and has also choreographed for the Biennal parade in Lyon. Today, Sandra Valentini is a choreographer and founder of the company "Les Filles en Aiguilles”, whose objective is to create artistic bridges between contemporary dance and advertisers, she is also a photo model for François Rousseau, and is choreographer for "Slow Moscow", a transmedia project supported and broadcast by France 4.

Source : Jeune Ballet d'Aquitaine 's website (France)

Between the ages of 4 and 20, I danced every day – or almost. When I was 20, at the CNDC (Centre National de Danse Contemporaine), I realised that movement could exist / be understood in forms other than dance. So I studied cinema, motivated especially by the dance-videos presented by Les Sept on Saturday afternoons, also by L'Oeil du Cyclone.
 For six years, I worked at Films d'Ici as an assistant director and production manager on arthouse documentary films. In the spring of 2002, I began working for Les Films Pénélope, where I combined my two preoccupations by producing dance-videos, recordings of choreographic works and documentaries connected with dance for television, mainly for ARTE. I directed several short films and video-choreographic performances.
 Since 2004 I have worked for different producers and public bodies on various projects, always with image and dance as the central themes.

Source: Maison de la Danse