Duos pour corps et instruments, a [re]creation, is the perfect  opportunity to see or to see once again this outstanding piece from the  repertoire of choreographer Danièle Desnoyers. First presented in 2003, this intimate work is currently performed by three exceptional artists: Karina Champoux, Clara Furey and Anne Thériault.  Electric guitar equipment has been modified and revamped to make this a  dance that can be listened to as, one after the other, the dancers  plunge into a powerful dialogue with the musical universe invented by  sound designer Nancy Tobin. Sharing a palpable pleasure in being  onstage, they explore the musicality of the body. Previously performed  on three continents and now (re)created ten years later, this piece  established Danièle Desnoyers’ reputation. It remains a performance that  has lost neither its punch nor its poetry.
Source : program of the Agora de la danse (Montréal, Canada) https://agoradanse.com  

Danièle Desnoyers began her career in 1986 by exploring the expressiveness of the body in Des héros désaffectés.  She founded Le Carré des Lombes in 1989 and gained renown for an  approach that led to the emergence of new perspectives in dance in  Quebec, with works whose staging and sound environments have a strong  impact on the language of the body. Effusive, generous and often tinged  with humour and sensuality, her choreography is characterized by a  constant fluctuation between rigour and wild frenzy. 

After many  years of interdisciplinary work with contemporary composers, in 2010 she  decided to redeploy movement and place it at the very heart of her  dance in Dévorer le ciel. She soon returned, however, to a dialogue between dance and music, blending the harp and electro-acoustic music in Paradoxe Mélodie. Anatomie d’un souffle will be her fifth Danse Danse presentation.

Source : https://www.dansedanse.ca

Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).