The dancers' limbs appear and disappear behind a mirror and are lit by different effects: colours and slide projection. The soundtrack, made up of sound effects, and the reflections of the bodies in the mirror, create the illusion. Fingers appear, followed by hands, then forearms, lit by a red light, giving free rein to our imagination. The world that we are offered evolves over the course of the extract through different rhythms, the use of different parts of the body, changes of colour, projection of patterns, but also variations in the soundtrack. At no time are we allowed to see the dancers in their entirety. Later, it is the turn of the lower limbs, legs lit by projected zebra patterns which transport us into a whole new world.
Alwin Nikolaïs was born in 1910 in Southington, Connecticut. He studied piano at an early age and began his performing career as an organist accompanying silent films. As a young artist he gained skills in scenic design, acting, puppetry and music composition. It was after attending a performance by the illustrious German dancer Mary Wigman that he was inspired to study dance. He received his early dance training at Bennington College from the great figures of the modern dance world: Hanya Holm, Martha Graham, Doris Humphrey, Charles Weidman, Louis Horst, and others. In 1940, in collaboration with Truda Kaschmann, his first modern dance teacher Mr. Nikolais received a commission to create « Eight Column Line », his first ballet. In 1948, Mr. Nikolais was appointed director of the Henry Street Playhouse, where he formed the Playhouse Dance Company, later renamed and known as the Nikolais Dance Theatre. It was at Henry Street that Mr. Nikolais began to develop his own world of abstract dance theatre, portraying man as part of a total environment. His unique choreographic works placed him in a realm previously untouched by other choreographers. Mr. Nikolais redefined dance, as “the art of motion which, left on its own merits, becomes the message as well as the medium.“
While developing his choreography, Mr. Nikolais' lifelong interest in music led him to create his own scores. Choreographer, composer, scenic and costume designer, has blended his many talents into a single aesthetic force. In a career that has spanned five decades, he has left his imprint on every theatrical medium, from Broadway to television. Whenever there is something new, his hand is evident. His lighting wonders, his sound scores, his choreography, and his costumes have influenced the contemporary stage and a generation of choreographers. Mr. Nikolais is the creator of the internationally acclaimed Nikolais Dance Theater and the genius responsible for dozens of visual masterpieces. As a uniquely original exponent of American contemporary dance he toured throughout Europe and subsequent tours to South America and the Far East. Mr. Nikolais is renowned as a master teacher, and his pedagogy is taught in schools and universities throughout the world. He passed away May 8, 1993 and is buried in Pere La Chaisse cemetery in Paris.
Source: Nikolais/Louis Foundation for dance Inc.
More information: nikolaislouis.org
Murray Louis is known throughout the world not only as one of the great male dancers, but also as a uniquely gifted choreographer, teacher and eloquent spokesman
for the art of dance. Mr. Louis’ reputation as a master of the language of dance grew as he developed an eclectic, poetic, and skillfully articulate choreographic style. He has created over 100 works, toured five continents, and performed in every state in the United States of America.
Born in Brooklyn in 1926, Murray Louis grew up in Manhattan, not far from Henry Street where his company was to be founded years later. At the same time, his sister took him to many of the early modern dance concerts. After his discharge from the Navy in 1946, Mr. Louis, then a San Francisco resident, turned his attention to dance. He enrolled in Colorado College’s summer session conducted by Hanya Holm. It was there that he met Alwin Nikolais, who would become the single most important influence on his career. Mr. Louis returned to New York in 1949. While earning a Dramatic Arts degree at New York University, Louis attended class with Mr. Nikolais at Henry Street Playhouse. That same year, Mr. Louis made his debut as lead soloist in Mr. Nikolais’ newly formed Playhouse Dance Company (later renamed the Nikolais Dance Theater).
In 1951, Mr. Louis was appointed Associate Director to Mr. Nikolais, and became a driving force in the evolution of the aesthetic and pedagogic theory, which today is known as the Nikolais/Louis technique. The Murray Louis Dance Company was founded in 1953.
Source : Foundation Nikolaïs Louis 's website
More information : nikolaislouis.org
Choreography : Alwin Nikolaïs
Interpretation : Compagnie Alwin Nikolais
Lights : Alwin Nikolaïs
Sound : Alwin Nikolaïs
Other collaborations : Ballet donné pour la première fois le 13 juin 1985 lors de l'American Dance Festival à Durham. Commande de l'American Dance Festival.
DANCE AND DIGITAL ARTS
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
The national choreographic centres
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
The Dance Biennale
Maison de la danse
Dance and percussion
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Carolyn Carlson, a woman of many faces
EIVV 2022 Dancing with the camera
Hip hop enters the French arts scenes
Why do I dance ?
Käfig, portrait of a company
Unconventional contemporary dance shows which reinvent the rapport to the stage.
This parcours presents different video extracts in which hands are the center of the mouvement.
Mexican Video Dance
Hip hop / Influences
This Course introduce to what seems to be Hip Hop’s roots.
Dance at the crossroad of the arts
Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.