Skip to main content
Back to search
  • Add to playlist

Re:Rosas!

Re:Rosas!

Re:Rosas

In 1983, the company Rosas made a name for itself with the show Rosas danst Rosas. Since that date, the choreography has been performed the world over.  

The participants in the Re:Rosas workshops led by Johanne Saunier, as well as all those who have learnt the steps thanks to the site rosasdanstrosas.be, show the result of their work in the Atrium of the CND, along the Canal de l’Ourcq and on the forecourt of the Théâtre du Fil de l’eau in Pantin, just before the performances of Rosas danst Rosas

Source: programme of the CND

De Keersmaeker, Anne Teresa

In 1980, after studying dance at Mudra School in Brussels and Tisch School of the Arts in New York, Anne Teresa De Keersmaeker (b. 1960) created Asch, her first choreographic work. Two years later came the premiere of Fase, Four Movements to the Music of Steve Reich. De Keersmaeker established the dance company Rosas in Brussels in 1983, while creating the work Rosas danst Rosas. Since these breakthrough pieces, her choreography has been grounded in a rigorous and prolific exploration of the relationship between dance and music. She has created with Rosas a wide-ranging body of work engaging the musical structures and scores of several periods, from early music to contemporary and popular idioms. Her choreographic practice also draws formal principles from geometry, numerical patterns, the natural world, and social structures to offer a unique perspective on the body’s articulation in space and time.

From 1992 until 2007, Rosas was in residence in the Brussels opera house De Munt/La Monnaie. During this period, De Keersmaeker directed a number of operas and large ensemble pieces that have since been performed by repertoire companies worldwide. In Drumming (1998) and Rain (2001), both with Ictus contemporary music ensemble, complex geometric structures in point and counterpoint, together with the minimal motivic music of Steve Reich, created compelling group choreographies that remain iconic and definitive of Rosas as a dance company. Also during her time at La Monnaie, De Keersmaeker created Toccata (1993) to fugues and sonatas of Johann Sebastian Bach, whose music has continued to be a recurring thread in her work. Verklärte Nacht (both the 1995 version for fourteen dancers and the 2014 version for three) unfolded De Keersmaeker’s expressionist side, bringing the stormy narrative of Arnold Schönberg’s late romantic string sextet to life. She ventured into theater, text, and interdisciplinary performance with I said I (1999), In real time (2000), Kassandra - speaking in twelve voices (2004), and D’un soir un jour (2006). She highlighted the use of improvisation within choreography in tandem with jazz and Indian music in such pieces as Bitches Brew / Tacoma Narrows (2003, to the music of Miles Davis), and Raga for the Rainy Season / A Love Supreme (2005).

In 1995 De Keersmaeker established the school P.A.R.T.S. (Performing Arts Research and Training Studios) in Brussels in association with De Munt/La Monnaie.

De Keersmaeker’s latest pieces mark a visible "stripping down" of her choreography to essential principles: spatial constraints of geometric pattern; bodily parameters of movement generation, from the utmost simplicity of walking to the fullest complexity of dancing; and close adherence to a score (musical or otherwise) for the choreographic writing. In 2013, De Keersmaeker returned to the music of Bach (performed live) in Partita 2, a duet between herself and Boris Charmatz. Also in 2013, she created Vortex Temporum to the spectral music piece of the same name written in 1996 by Gérard Grisey. Taking her penchant for writing movements from musical scores to an extreme level of sophistication, "Vortex Temporum" had a one-to-one ratio between the Rosas dancers and the live Ictus musicians, bringing the choreography and the music into meticulous dialogue. In 2015 this piece was adapted to a durational exhibition format at WIELS in Brussels under the title Work/Travail/Arbeid. Also in 2015, Rosas premiered "Golden Hours" (« As you like it »), using for the first time a body of text (« Shakespeare’s As You Like It ») as the score for movement, thus allowing the music (Brian Eno’s 1975 album Another Green World) to recede from strict framework to soft environment. Later that year, Anne Teresa De Keersmaeker continued her research into the relationship between text and movement in Die Weise von Liebe und Tod des Cornets Christoph Rilke, a creation based on the eponymous text by Rainer Maria Rilke. At the beginning of 2017 she was invited by the Paris Opera to direct Mozart’s Così fan tutte.

In A Choreographer’s Score, a three-volume monograph published by Rosas and Mercatorfonds, De Keersmaeker offers the performance theorist and musicologist Bojana Cvejić wide-ranging insights into the making of four early works.


Source: The company Rosas 's website


More information : rosas.be

Centre national de la danse, Réalisation

Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).

Re:Rosas

Choreography : Anne Teresa De Keersmaeker - ateliers donnés par Johanne Saunier

Interpretation : 124 danseurs amateurs

Production / Coproduction of the choreographic work : Présenté le 6.10.2018 au CND à Pantin dans le cadre de la Fabrique - Anne Teresa De Keersmaeker

Our videos suggestions
06:06

(...)

  • Add to playlist
20:31

20 Years of Dame de Pic

Ponties, Karine (Belgium)

  • Add to playlist
20:43

4PKP

Ponties, Karine (Belgium)

  • Add to playlist
17:55

Récits d'une création

Boussouf, Fouad (France)

  • Add to playlist
02:58

Concerto

Childs, Lucinda (France)

  • Add to playlist
02:15

Wo-Man

Dianor, Amala (France)

  • Add to playlist
02:59

Giselle

Masilo, Dada (France)

  • Add to playlist
07:00

La Danse des éventails - Tribute to Andy de Groat

De Groat, Andy (France)

  • Add to playlist
16:18

Assaï (« Haro 1 ») [transmission 2014]

Bagouet, Dominique (France)

  • Add to playlist
04:58

Participative Workshop - Fast Forward

Carvalho, Tânia (France)

  • Add to playlist
14:48

B comme Bagouet

Bagouet, Dominique (France)

  • Add to playlist
52:17

Babel 8.3 - La mosaïque des cultures

Hervieu, Dominique (France)

  • Add to playlist
08:38

Boléro

Malandain, Thierry (France)

  • Add to playlist
03:33

Boléro le refrain du monde

Ek, Mats (France)

  • Add to playlist
15:26

Beast of Nonation [transmission 2015]

Carlès, James (France)

  • Add to playlist
11:41

Blue Lady Duo Carlson-Saarinen

Carlson, Carolyn (France)

  • Add to playlist
03:03

Blue Lady [revisited]

Saarinen, Tero (France)

  • Add to playlist
17:18

Blue Lady [revisited]

Carlson, Carolyn (France)

  • Add to playlist
35:56

BNETT WASLA

Fattoumi, Héla (France)

  • Add to playlist
11:08

Allegoria stanza [transmission 2015]

Lagraa, Abou (France)

  • Add to playlist
Our themas suggestions

Le défilé de la Biennale de la danse

Exposition virtuelle

Biennale de la danse

Le défilé de la Biennale de la danse

Exposition virtuelle

La biennale de la danse créée en 1984 à l’initiative de Guy Darmet voit en 1996 s’ajouter à son programme un nouvel événement : le Défilé.

Discover
Know more

A Rite of Passage

Webdoc

Julie Charrier

A Rite of Passage

Webdoc

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.
Discover
Know more

Indian dances

Parcours

Anne Décoret-Ahiha

Indian dances

Parcours

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Discover
Know more

Charles Picq, réalisateur en danse

Exposition virtuelle

Maison de la danse

Charles Picq, réalisateur en danse

Exposition virtuelle

Rencontre avec Charles Picq, réalisateur et vidéaste de la danse. 

Discover
Know more

Black Dance

Webdoc

Julie Charrier

Black Dance

Webdoc

James Carlès, dancer and choreographer and specialist of Afro-American dance, evokes the origin of current-day urban dances. From Africa to the United States via Europe, he emphasizes their hybrid style and puts their social and political dimension into perspective. A myriad of videos, photos, illustrations and additional resources complement this interview.
Discover
Know more

Genesis of work

Parcours

Centre national de la danse

Genesis of work

Parcours

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Discover
Know more

The contemporary Belgian dance

Parcours

Philippe Guisgand

The contemporary Belgian dance

Parcours

This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.

Discover
Know more

LES CENTRES CHORÉGRAPHIQUES NATIONAUX

Exposition virtuelle

Maison de la danse

LES CENTRES CHORÉGRAPHIQUES NATIONAUX

Exposition virtuelle

Comment sont nés les centres chorégraphiques nationaux (CCN) ? Que représentent-ils aujourd’hui ? 

Discover
Know more

James Carlès

Exposition virtuelle

Numeridanse

James Carlès

Exposition virtuelle

© Emmanuel Tussore

Discover
Know more

Les racines de la diversité en danse contemporaine

Exposition virtuelle

Centre chorégraphique James Carlès

Les racines de la diversité en danse contemporaine

Exposition virtuelle

La danse contemporaine désigne des courants artistiques succédant à la danse moderne. Mais il est difficile de cerner précisément cette expression, tant elle inclus différentes pratiques et esthétiques. Aujourd’hui, le mot « contemporain » intègre des danses actuelles, urbaines, théâtrales, de différentes origines géographiques ou «culturelles». Une exposition virtuelle signée par la Compagnie James Carlès Danse &Co.

Discover
Know more

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more

Do you mean Folklores?

Parcours

Sarah Nouveau

Do you mean Folklores?

Parcours

Presentation of how choreographers are revisiting Folklore in contemporary creations.

Discover
Know more

La Biennale de la danse

Exposition virtuelle

Biennale de la danse

La Biennale de la danse

Exposition virtuelle

La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.

Discover
Know more

La Maison de la Danse de Lyon

Exposition virtuelle

Maison de la danse

La Maison de la Danse de Lyon

Exposition virtuelle

Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de création et d’innovations numériques, la Maison de la Danse vous ouvre ses portes et vous dévoile ses projets.

Discover
Know more

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

Céline Roux

Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois

Parcours

If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”. 

Discover
Know more

COLLECTION BAGOUET

Exposition virtuelle

Montpellier Danse

COLLECTION BAGOUET

Exposition virtuelle

La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.

Discover
Know more

How to become a dance spectactor ?

Webdoc

Guisgand, Philippe ; Guisgand, Sébastien

How to become a dance spectactor ?

Webdoc


Discover
Know more

Female / male

Parcours

Anne Décoret-Ahiha

Female / male

Parcours

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Discover
Know more

Käfig, portrait of a company

Webdoc

Agathe Dumont

Käfig, portrait of a company

Webdoc

Discover
Know more

30 ANS DE GRENADE

Exposition virtuelle

Groupe et Compagnie Grenade - Josette Baïz

30 ANS DE GRENADE

Exposition virtuelle

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more