Skip to main content
Back to search
  • Add to playlist

De Patangome na Cidade

Maison de la danse 1996 - Director : Picq, Charles

Choreographer(s) : Moreira, Rui (Portugal) Guda (Brazil) Amancio, Gil (Brazil)

Present in collection(s): Maison de la danse

Video producer : Maison de la Danse de Lyon

en fr

De Patangome na Cidade

Maison de la danse 1996 - Director : Picq, Charles

Choreographer(s) : Moreira, Rui (Portugal) Guda (Brazil) Amancio, Gil (Brazil)

Present in collection(s): Maison de la danse

Video producer : Maison de la Danse de Lyon

en fr

De Patangome na Cidade

Created from traditional Afro-Brazilian rhythms, dances and songs, the show revealed the improvisational ability, dynamism and joy with which the Brazilian population seeks to cope with their daily lives.


Source : Wikidanca.net

Moreira, Rui

Guda,

Amancio, Gil

Gil Amâncio is a musician, teacher and body trainer in Brazil.

Picq, Charles

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.


His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).


Source: Maison de la Danse de Lyon

Companhia Será Quê?

The Companhia Será Quê? Is a group of artists who express themselves through dance. His story begins in 1992, in Belo Horizonte - Brazil, with the meeting of dancers, actors, musicians and black poets, interested in reflecting on the scene from their aesthetic and political references. From there, it is for them to establish dialogues around the diversity and variety of cultures in Brazil. The group has consolidated over time and has taken a prominent place on the national and international contemporary dance scene.


Source : Companhia Será Quê?

De Patangome na Cidade

Choreography : Gil Amâncio, Guta, Rui Moreira

Production / Coproduction of the video work : Maison de la Danse de Lyon - Charles Picq, 1996

Our videos suggestions
01:46

Grand Finale

Shechter, Hofesh (United Kingdom)

  • Add to playlist
03:46

La Valse de Vaslav

Tompkins, Mark (France)

  • Add to playlist
04:07

Icons

Tompkins, Mark (France)

  • Add to playlist
03:01

Hard to Be Soft

Doherty, Oona (France)

  • Add to playlist
03:01

Peekaboo

Goecke, Marco (France)

  • Add to playlist
02:48

Questcequetudeviens ?

Bory, Aurélien (France)

  • Add to playlist
03:07

Skin

Tchouda, Bouba Landrille (France)

  • Add to playlist
01:57

Walk

  • Add to playlist
06:24

Colin Dunne & eRikm Project

Dunne, Colin (France)

  • Add to playlist
05:05

Locus Focus

Tanaka, Min (France)

  • Add to playlist
08:02

I think

  • Add to playlist
48:04

Peuplé, dépeuplé

Ben Aïm, Christian & François (France)

  • Add to playlist
02:13

Peuplé, dépeuplé

Ben Aïm, Christian & François (France)

  • Add to playlist
14:53

Counterpoint

  • Add to playlist
04:04

Cabaret Heels

  • Add to playlist
09:18

Accumulation

  • Add to playlist
06:08

Kwa Zulu Natal

  • Add to playlist
03:17

Ferry

Keller, Jennifer (United States)

  • Add to playlist
08:32

Signs and forms Perpetual Motion

  • Add to playlist
15:26

Look at me again!

  • Add to playlist
Our themas suggestions

DANCE AND DIGITAL ARTS

Exposition virtuelle

fr/en/

K. Danse's artistic partners

Exposition virtuelle

fr/en/

Dyptik Company

Exposition virtuelle

fr/en/

Yield Variations on dissuasive urban furniture

Exposition virtuelle

fr/en/

Roots of Diversity in Contemporary Dance

Exposition virtuelle

fr/en/

Qudus Onikeku - Reclaim a forgotten memory

Exposition virtuelle

fr/en/

CHRISTIAN & FRANÇOIS BEN AÏM – VITAL MOMENTUM

Exposition virtuelle

fr/en/

Les Rencontres chorégraphiques internationales de Seine-Saint-Denis

Exposition virtuelle

fr/en/

LATITUDES CONTEMPORAINES

Exposition virtuelle

fr/en/

40 years of dance and music

Exposition virtuelle

fr/en/

Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

fr/en/

Amala Dianor: dance to let people see

Exposition virtuelle

fr/en/

Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

fr/en/

The national choreographic centres

Exposition virtuelle

fr/en/

James Carlès

Exposition virtuelle

fr/en/

les ballets C de la B and the aesthetic of reality

Exposition virtuelle

fr/en/

Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

fr/en/

When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

Parcours

fr/en/

Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

fr/en/

Butoh

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Parcours

fr/en/
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more