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De Patangome na Cidade

Maison de la Danse de Lyon 1996 - Director : Picq, Charles

Choreographer(s) : Moreira, Rui (Portugal) Guda, (Brazil) Amancio, Gil (Brazil)

Present in collection(s): Maison de la Danse de Lyon

Video producer : Maison de la Danse de Lyon

en fr

De Patangome na Cidade

Maison de la Danse de Lyon 1996 - Director : Picq, Charles

Choreographer(s) : Moreira, Rui (Portugal) Guda, (Brazil) Amancio, Gil (Brazil)

Present in collection(s): Maison de la Danse de Lyon

Video producer : Maison de la Danse de Lyon

en fr

De Patangome na Cidade

Created from traditional Afro-Brazilian rhythms, dances and songs, the show revealed the improvisational ability, dynamism and joy with which the Brazilian population seeks to cope with their daily lives.


Source : Wikidanca.net

Moreira, Rui

Guda,

Amancio, Gil

Gil Amâncio is a musician, teacher and body trainer in Brazil.

Picq, Charles

Author, filmmaker and video artist Charles Picq entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (eLaC) and with the group « Frigo », and then in dance.
  On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
      - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
      - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
      - He started «présentations de saisons» in pictures.
      - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

More recently, he launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created the website numeridanse.tv, an international video library for dance online.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source : Maison de la Danse

Companhia Será Quê?

The Companhia Será Quê? Is a group of artists who express themselves through dance. His story begins in 1992, in Belo Horizonte - Brazil, with the meeting of dancers, actors, musicians and black poets, interested in reflecting on the scene from their aesthetic and political references. From there, it is for them to establish dialogues around the diversity and variety of cultures in Brazil. The group has consolidated over time and has taken a prominent place on the national and international contemporary dance scene.


Source : Companhia Será Quê?

De Patangome na Cidade

Choreography : Gil Amâncio, Guta, Rui Moreira

Production / Coproduction of the video work : Maison de la Danse de Lyon - Charles Picq, 1996

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