Les arts du mouvement FR
2018 - Director : Plasson, Fabien
Choreographer(s) : Nikolaïs, Alwin (United States) Decouflé, Philippe (France) Bory, Aurélien (France) Zimmermann, Martin (Switzerland) De Perrot, Dimitri (Switzerland) Bourgeois, Yoann (France)
Present in collection(s): Maison de la danse
Les arts du mouvement FR
2018 - Director : Plasson, Fabien
Choreographer(s) : Nikolaïs, Alwin (United States) Decouflé, Philippe (France) Bory, Aurélien (France) Zimmermann, Martin (Switzerland) De Perrot, Dimitri (Switzerland) Bourgeois, Yoann (France)
Present in collection(s): Maison de la danse
Nikolaïs, Alwin
Alwin Nikolaïs was born in 1910 in Southington, Connecticut. He studied piano at an early age and began his performing career as an organist accompanying silent films. As a young artist he gained skills in scenic design, acting, puppetry and music composition. It was after attending a performance by the illustrious German dancer Mary Wigman that he was inspired to study dance. He received his early dance training at Bennington College from the great figures of the modern dance world: Hanya Holm, Martha Graham, Doris Humphrey, Charles Weidman, Louis Horst, and others. In 1940, in collaboration with Truda Kaschmann, his first modern dance teacher Mr. Nikolais received a commission to create « Eight Column Line », his first ballet. In 1948, Mr. Nikolais was appointed director of the Henry Street Playhouse, where he formed the Playhouse Dance Company, later renamed and known as the Nikolais Dance Theatre. It was at Henry Street that Mr. Nikolais began to develop his own world of abstract dance theatre, portraying man as part of a total environment. His unique choreographic works placed him in a realm previously untouched by other choreographers. Mr. Nikolais redefined dance, as “the art of motion which, left on its own merits, becomes the message as well as the medium.“
While developing his choreography, Mr. Nikolais' lifelong interest in music led him to create his own scores. Choreographer, composer, scenic and costume designer, has blended his many talents into a single aesthetic force. In a career that has spanned five decades, he has left his imprint on every theatrical medium, from Broadway to television. Whenever there is something new, his hand is evident. His lighting wonders, his sound scores, his choreography, and his costumes have influenced the contemporary stage and a generation of choreographers. Mr. Nikolais is the creator of the internationally acclaimed Nikolais Dance Theater and the genius responsible for dozens of visual masterpieces. As a uniquely original exponent of American contemporary dance he toured throughout Europe and subsequent tours to South America and the Far East. Mr. Nikolais is renowned as a master teacher, and his pedagogy is taught in schools and universities throughout the world. He passed away May 8, 1993 and is buried in Pere La Chaisse cemetery in Paris.
Source: Nikolais/Louis Foundation for dance Inc.
More information: nikolaislouis.org
Decouflé, Philippe
Dancer, choreographer, director and art director
As a child, I dreamt of becoming a comic book artist. Drawing is usually the start of my creative process. I just throw out ideas and sketch out pictures that pass through my head. My culture is comics, musicals, nightclub dancing, and also Oskar Schlemmer, the Bauhaus choreographer. Discovering photos of characters from his Triadisches Ballett was a revelation for me. I had always wanted to work with simple geometric shapes like cubes and triangles. I liked seeing how these lines and volumes behaved with each other. Alwin Nikolaïs taught me the importance of light and costume, and the confidence you need to mix everything together. Technically, it was Merce Cunningham who taught me the most about dance. I was taking video courses he was giving in New York. It was fascinating. That’s where I learned how to solve problems of distance and geometry, and the basic principles of optics and movement. Tex Avery inspired me a lot in thinking up gestures that are almost impossible to do. I’ve always kept something of that desire to create something strange, extreme or crazy in my movements. I’m looking for a dance style that’s off-balance, always on the verge of toppling over. With influences like the Marx Brothers, for example, and in particular Groucho Marx, I’ve developed a taste for naughty risk-taking, and comic repetition of mistakes.
Source : Philippe Découflé
More information : cie-dca.com
Bory, Aurélien
Aurélien Bory was born in Colmar in 1972. His studies in physics in Strasbourg led him to the field of architectural acoustics. He then ended his scientific curriculum in 1995. He settled in Toulouse where he joined the creative studio at the Lido, the Circus Arts Centre. In 1998, he played in Theatre Tattoo's "L'Odyssée" directed by Mladen Materic. In 2000 he founded Compagnie 111 with actor Olivier Alenda. He then conceived and began the six-year-long space trilogy project, in collaboration with Phil Soltanoff, including "IJK", "Plan B" and "Plus ou moins l'infini" (More or less, Infinity).
In 2003 he directed Pierre Rigal in his first solo creation Erection, the stem of their ungoing collaboration, which also originated their second work together: Arrêts de Jeu premiered in 2006. Merging various other fields, he created "Taoub" in 2004 in Tangier with twelve moroccan acrobats, this very show will launch the international career of the Groupe acrobatique de Tanger (Tangier Acrobatic Group). In 2008 Aurélien was the recipient of the "Créateur sans frontières" (Creator without borders)/ Radio France trophy for his international creations, notably "Les sept planches de la ruse" (The seven boards of skill) created in China in 2007 with performers from Dalian. In 2008 and 2009, he conceived two creations: "Questcequetudeviens?", a portrait of a woman, and "Sans Objet", a piece for an industrial robot. His creations include different artistic fields : theatre, circus, dance, visual arts, music... His genre-crossing approach is inscribed within the question of space and is explored through his distinctive scenography. In 2016, he created "ESPÆCE" based on the French writer Georges Perec 's work, at the Festival d'Avignon (France).
Source: Company 111 's website ; Plan Bey 's press file
More information : cie111.com
Zimmermann, Martin
Martin Zimmermann was born in 1970 and grew up in Wildberg, a small Swiss village. After studying set design, he graduated from the Centre National des Arts du Cirque (C.N.A.C.) in France. Following his return to Zurich in 1998 he began to work as a choreographer and director. Ever since then, Martin Zimmermann has worked in partnership mainly with the composer and director Dimitri de Perrot with whom he co-directs the company Zimmermann & de Perrot. They have performed their productions around the world. Several of their pieces were created at Théâtre Vidy-Lausanne: Hoi (2001, Gaff Aff (2006), Öper Öpis (2008) and Hans was Heiri (2012)
Martin Zimmermann lives and works in Zurich.
More information : zimmermanndeperrot.com
De Perrot, Dimitri
Dimitri de Perrot was born in 1976 in Neuchatel, Switzerland. After matriculating from the Kunstgymnasium in Zurich he developed further as a self-taught musician and composer. In 1998 he turned his attention to the theater, and began to work as a director.
Source : Zimmermann & de Perrot
More information : zimmermanndeperrot.com
Bourgeois, Yoann
Yoann Bourgeois trained at the National Centre for Circus Arts (CNAC) and at the National Centre for Contemporary Dance (CNDC) in Angers. For four years he was a performer with Maguy Marin’s company. His first piece, "Cavale", was a duet on a trampoline with Mathurin Bolze. In 2014 he created "Celui qui tombe" for the Lyon Dance Biennale, in which six artists attempt to stay upright on a moving stage. From January 2016 to 2022, he has co-directed the National Choreography Centre (CCN) of Grenoble with Rachid Ouramdane.
Source : 17e Biennale de la Danse (2016) - press file
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
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