The spectator's moment (2019): The Nutcracker
2019 - Director : Plasson, Fabien
Choreographer(s) : Petipa, Marius (France)
Present in collection(s): Maison de la Danse de Lyon , La minute du spectateur
Video producer : Maison de la Danse de Lyon
The spectator's moment (2019): The Nutcracker
2019 - Director : Plasson, Fabien
Choreographer(s) : Petipa, Marius (France)
Present in collection(s): Maison de la Danse de Lyon , La minute du spectateur
Video producer : Maison de la Danse de Lyon
The Spectator's Moment
The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
© Maison de la Danse de Lyon
Petipa, Marius
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Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Yacobson Ballet
Artistic direction: Andrian Fadeev
Creation: 1969
Yacobson Ballet was founded in 1969 by Ballet Master and famous choreographer Leonid Yacobson. It was the first Russian independent company - not associated with an Opera - it quickly created a buzz within the Russian ballet landscape and received the title of "Miniature Company", referring to the short lengths of the pieces created by its founder. During seven years as a director, Leonid Yacobson worked on the development of dance in Russia and collaborated with renowned dancers such as Natalia Makarova, Alla Osipenko, Maya Plisetskaya and Mikhail Baryshniko.
After Yacobson's death in 1976, his closest collaborator took the direction of the company and opened the repertoire to Russian and foreign choreographers, developing a repertoire of creations based on the founding technique of ballet. The company also began to export its excellent reputation outside of Russia.
Since 2011, the Yacobson Ballet has been directed by Andrian Fadeev, ex principal dancer of the Mariinsky Ballet. With his strength of conviction,
Fadeev wanted to bring the company - composed of 75 dancers with astonishing technique and soloists with strong personalities - to an international level. He rejuvenated ballets from the classical repertoire. And following tradition, he is commissioning and updating new stage productions and costume designs. Cutting the lengthy parts in order to keep what is essential; he gives spirit and rhythm to those historical pieces and modernizes them. The company is a beautiful way to rediscover traditional ballet repertoire, performed elegantly and with brio by excellent dancers.
Source:Trait d'union
More information : yacobsonballet.ru/en
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
The committed artist
Parcours
The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
Western classical dance enters the modernity of the 20th century: The Ballets russes and the Ballets suédois
Parcours
If the 19th century is that of romanticism, the entry into the new century is synonymous of modernity! It was a few decades later that it would be assigned, a posteriori, the name of “neo-classical”.
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
Reinterpreting works: Swan Lake, Giselle
Parcours
Reinterpreting works: Swan Lake, Giselle
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Rituals
Parcours
Rituals
Parcours
Discover how the notion of ritual makes sense in various dances through these extracts.
Dance and music
Parcours
Dance and music
Parcours
The relationship between music and choreographic works varies throught dance history.