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The spectator's moment (2015): Kyle Abraham

Maison de la danse 2015 - Director : Plasson, Fabien

Choreographer(s) : Abraham, Kyle (United States)

Present in collection(s): Maison de la danse , La minute du spectateur

Video producer : Maison de la Danse de Lyon

en fr

The spectator's moment (2015): Kyle Abraham

Maison de la danse 2015 - Director : Plasson, Fabien

Choreographer(s) : Abraham, Kyle (United States)

Present in collection(s): Maison de la danse , La minute du spectateur

Video producer : Maison de la Danse de Lyon

en fr

The Spectator's Moment

The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
 



© Maison de la Danse de Lyon

Abraham, Kyle

2018 Princess Grace Statue Award Recipient, 2017-18 Joyce Creative Residency Artist, 2016 Doris Duke Award Recipient and 2015 City Center Choreographer in Residence, KYLE ABRAHAM (he/him) is a 2013 MacArthur Fellow who began his dance training at the Civic Light Opera Academy and the Creative and Performing Arts High School in Pittsburgh, Pennsylvania. He continued his dance studies in New York, receiving a BFA from SUNY Purchase, an MFA from NYU Tisch School of the Arts, and an honorary Doctorate in Fine Arts from Washington Jefferson College. He has served as a visiting professor in residence at UCLA’s World Arts Cultures in Dance program from 2016 to 2021. And in 2021, he was named the Claude and Alfred Mann Endowed Professorship in Dance at The University of Southern California Glorya Kaufman School of Dance. Abraham currently sits on the advisory board for Dance Magazine and the artist advisory board for Hubbard Street Dance Chicago. In 2020, he was selected to be Dance Magazine’s first-ever Guest Editor.

Rebecca Bengal of Vogue wrote, “What Abraham brings … is an avant-garde aesthetic, an original and politically minded downtown sensibility that doesn’t distinguish between genres but freely draws on a vocabulary that is as much Merce and Martha as it is Eadweard Muybridge and Michael Jackson.” 

In addition to performing and developing new works for his company A.I.M by Kyle Abraham, Abraham has been commissioned by a variety of dance companies. Most recently, Abraham received two international commissions from the Royal Ballet. Abraham’s work, Optional Family, a divertissement premiered in May 2021 as part of their 21st Century Choreographers program. His most recent work, The Weathering premiered in March of 2022 to rave reviews. 

Additionally, Abraham premiered When We Fell in 2021, his third creation for New York City Ballet, which The New York Times reviewed as “among the most beautiful dance films of the pandemic.” Previously, Abraham collaborated with NYCB Principal Dancer Taylor Stanley on Ces noms que nous portons, a Lincoln Center and NYCB commissioned solo; choreographed Unto The End, We Meet, commissioned by the National Ballet of Cuba, and choreographed the music video for Sufjan Stevens’ Sugar. He premiered to be seen, a new solo for American Ballet Theatre Principal Dancer Calvin Royal III, for the 2020 virtual Fall For Dance Festival. The New York Times raved on “how skilled he has become at mingling the ballet vernacular with other forms, from hip-hop to West African movement” and his unique talent for “finding the person within the dancer and the bodies within a body.”

In fall 2019, he choreographed Ash, a solo work for ABT Principal Dancer Misty Copeland; Only The Lonely, a newly commissioned work for Paul Taylor American Modern Dance; and The Bystander, a new commission for Hubbard Street Dance Chicago to rave reviews. Abraham premiered the Bessie-nominated The Runaway for NYCB’s 2018 Fall Fashion Gala, which was recognized as one of the “Best Dance of 2018” by The New York Times. In 2016, Abraham premiered Untitled America, a 3-part commissioned work for the Alvin Ailey American Dance Theater; toured The Serpent and The Smoke, a pas de deux for himself and acclaimed Bessie Award-winning and former New York City Ballet Principal Dancer Wendy Whelan as part of Restless Creature; and choreographed for the feature-length film, The Book of Henry, for acclaimed director Colin Trevorrow. 

In 2012, Abraham served as a choreographic contributor for Beyonce’s 2013 British Vogue cover shoot, named the 2012 Jacob’s Pillow Dance Award recipient, 2012 USA Ford Fellow, and the New York Live Arts Resident Commissioned Artist for 2012–2014. Later that year, Alvin Ailey American Dance Theater premiered Abraham’s Another Night at New York City Center. Abraham has also received a prestigious Bessie Award for Outstanding Performance in Dance for his work in The Radio Show, and a Princess Grace Award for Choreography in 2010. The previous year, he was selected as one of Dance Magazine’s “25 To Watch” for 2009, and received a Jerome Travel and Study Grant in 2008.

His choreography has been presented throughout the United States and abroad; at Fall for Dance Festival at New York City Center, Lincoln Center, Brooklyn Academy of Music, The Joyce Theater, The Los Angeles Music Center, Jacob’s Pillow Dance Festival, Théâtre de la Ville, Sadler’s Wells, Maison de la Danse, Tanz Im August, On The Boards, Danspace Project, Dance Theater Workshop, Bates Dance Festival, Harlem Stage, Montreal, Ottawa, Italy, Germany, Sweden, France, Jordan, Ecuador, Dublin’s Project Arts Center, The Okinawa Prefectural Museum & Art Museum located in Okinawa Japan, The Andy Warhol Museum, The Byham and The Kelly-Strayhorn Theater in his hometown of Pittsburgh, PA.

In 2011, OUT Magazine labeled Abraham as the “best and brightest creative talent to emerge in New York City in the age of Obama”.      

More information

https://aimbykyleabraham.org/

Plasson, Fabien

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.

Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

Abraham.In.Motion

Artistic direction: Abraham Kyle

Creation: 2006

The mission of Kyle Abraham/Abraham.In.Motion is to create an evocative interdisciplinary body of work. Born into hip-hop culture in the late 1970s and grounded in Abraham’s artistic upbringing in classical cello, piano, and the visual arts, the goal of the movement is to delve into identity in relation to a personal history. The work entwines a sensual and provocative vocabulary with a strong emphasis on sound, human behavior and all things visual in an effort to create an avenue for personal investigation and exposing that on stage. A.I.M. is a representation of dancers from various disciplines and diverse personal backgrounds. Combined together, these individualities create movement that is manipulated and molded into something fresh and unique.


Source: Abraham.In.Motion 's website


More information : abrahaminmotion.org

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