Teaser du spectacle Si Pina m'avait demandé..

« Si Pina m’avait demandé… » interroge tout autant l’âpreté du quotidien d’une mère célibataire que les rouages de la création de la chorégraphe, s’en amuse et s’en étonne, se console et nous console. Telle une chanson de karaoké qui reste dans la tête, une chaise sur laquelle on se cogne sans cesse ou une cigarette que l’on fume dans la pénombre, revient cette lancinante question : pourquoi se donne-t-on tant de mal ?

Il n’y a pas de bonne raison pour ne pas venir voir “Si Pina m’avait demandé”. Parce qu’il n’y a pas tant de spectacle de danse où on rit. Et parce que devant cette pièce, vous vous reconnaîtrez à l’heure où épris·e d’absolu, il faut sortir la tarte du four ou changer le petit. Comment réconcilier sa vie rêvée et sa vie vécue, voilà la question que pose la danseuse, femme vulnérable mais prête à tous les combats. Il faut du talent pour danser sans gravité !

Marion  Schrotzenberger began her training in contempo-raine dance at the  Conservatoire National de Région de Châlon sur Saône. She graduated with  the gold medal.    
She  then entered the F11 (dance technique) course at the Conservatoire de  Danse de Lyon and the Lycée St Exupéry. She will take the courses taught  by professors F. Bénet and M. Mengual. This high level training will  give him the chance to take the courses and masterclasses given by  choreographers of international reputation: Carolyn Carlson, Odile  Duboc, Maguy Marin...
She  will complete her training by obtaining the F11 baccalaureate with the  mention very well and the diploma of graduation in contemporary dance  with the mention very well unanimously of the jury.

It  will then be accepted upon hearing and with a two-year age derogation  from the international training “ex.er.c..” at the Centre Chorégraphique  National de Montpellier under the direction of Mathilde Monnier. The  training will be delivered by the greatest names in contemporary dance:  choreographers Mark Tompkins, Lisa Nelson and Steve Paxton, Odile  Duboc, Emmanuelle Huynh, dance historian Laurence Louppe...
After completing her training, she moved to Brussels. Her  first project in Belgium was an encounter with Belgian and Quebec  artists (dancers, videographers, circassians) with choreographer Edith  Depaule, assistant to Michèle Anne de Mey.

The plays will be performed in Brussels (Théâtre de L') and Montréal (Théâtre de Verdure)
Following  the performances at the Théâtre de L'L, he was invited to participate  as a young choreographer in the 2005 Festival “Danse en vol”. She  created her first play «Arizona» with the musician Ismaël Colombani.
She  then founded the collective Lookatmekid with Ismaël Colombani and  Cosima Jentzsch. For 5 years, the collective will regularly come to  Reunion to perform its shows and conduct artistic residencies in  schools.
For  2 years now Marion and other members of the collective have officially  resided between Brussels and Reunion Island and continue the work of  Lookatmekid.

His  installation two years ago on Reunion will be marked by the creation of  «Saut'la mer à l'envers» supported by the Békali network. It is on the history of his Creole family that the entire dramaturgy of the show is based. The question of origins, migrations and the fa-milial link are danced spoken and set to music. This  piece will also mark his desire to deepen the relationship between  gesture and word and the integration of amateur extras into his  professional work.

Marion Schrotzenberger co-founded the Lookatmekid collective in 2008 with Ismaël Colombani and Cosima Jentzsch. For 5 years the collective will come regularly to Reunion to perform their shows and lead artistic residencies in schools. For 2 years now, Marion and other members of the collective have officially resided between Brussels and Reunion Island and continue the work of Lookatmekid there.

Since its creation, the Lookatmekid collective has developed with real enthusiasm work carried out by/with/in collaboration with amateurs, residents, people of all ages and conditions, more or less distant from the artistic environment. The projects carried out, as diverse as they are, all share the same desire: everyone has the right to a poetic life.