Faits et Gestes
Faits et Gestes
Ulysses Dove (1947—1996), born in Columbia, South Carolina, began dance studywith Carolyn Tate while a premed student at Howard University. He transferred to the University of Wisconsin to study with Xenia Chlistowa of the Kirov Ballet, and in 1970 he graduated from Bennington College with a degree in dance. Upon moving to New York, Dove joined the Merce Cunningham company and also performed with Mary Anthony, Pearl Lang, and Anna Sokolow. In 1973 he joined Alvin Ailey American Dance Theater, where he quickly gained key roles and acclaim for his commanding presence, bright clarity of movement, and truthful dramatic intensity. Dove turned to choreography at Ailey's urging, and created the 1980 solo Inside for Judith Jamison. He left the Ailey company that year to begin a significant freelance career choreographing dances for the Basel Ballet, Royal Swedish Ballet, Dutch National Ballet, London Festival Ballet, American Ballet Theater, New York City Ballet, and the Choreographic Research Group of the Paris Opera where he spent three years as assistant director. He was also the choreographer for the Robert Wilson-Philip Glass opera The Civil Wars, in 1986. Several Dove ballets have found their definitive interpretations in performances by the Ailey company, including Night Shade (1982) Bad Blood (1984), Vespers (1986), and Episodes (1987). Dove’s Red Angels (1994) was a hit of the City Ballet’s Diamond Project and a companion piece Twilight (1994) was his final project. Mr. Dove's work was the subject of ''Dance in America: Two by Dove,'' an Emmy Award-winning 1995 show in the ''Great Performances'' series. Dove died on June 11, 1996. His choreography was marked by its relentless speed, violent force, and daring eroticism.
Source: Alvin Ailey’s website
CCN - Ballet de Lorraine
Since acquiring the CCN title in 1999, the Centre Chorégraphique National - Ballet de Lorraine has dedicated itself to supporting contemporary choreographic creation. As of July 2011 the organization is under the general and artistic direction of Petter Jacobsson.
The CCN – Ballet de Lorraine and its company of 26 dancers is one of the most important companies working in Europe, performing contemporary creations while retaining and programming a rich and extensive repertory, spanning our modern history, made up of works by some of our generations most highly regarded choreographers.
The CCN functions as an art center and venue for multiple possibilities in the fields of research, experimentation and artistic creation. It is a platform open to many different disciplines, a space where the many visions of dance of today may meet.
More information : http://ballet-de-lorraine.eu
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
Ballet pushed to the edge
Ballet’s evolution from its romantic form until néo-classicism.
Dance in Quebec: Untamed Bodies
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Discovery of improvisation’s specificities in dance.
Hip hop enters the French arts scenes
Genesis of work
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Mexican Video Dance
Genres and styles
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.