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El Convento

Directors: Yves Cantraine, Joaquin Embi

Directors of photographyJoaquin Embi, Yves Cantraine

Music: Oscar Villegas

Montage: Joaquin Embi, Yves Cantraine

Performers: Maria Ibarretxe, Rocio Fernandez, Manuel Rodriguez

Special effects: Joaquin Embi

Sound editing: Joaquin Embi, Yves Cantraine

Cantraine, Yves

Embi, Joaquin

El Convento

Video conception : Réalisateurs: Yves Cantraine, Joaquin Embi Directeurs photographie: Joaquin Embi, Yves Cantraine Musique: Oscar Villegas Montage: Joaquin Embi, Yves Cantraine Interprètes: Maria Ibarretxe, Rocio Fernandez, Manuel Rodriguez Effets spéciaux: Joaquin Embi Montage Son: Joaquin Embi, Yves Cantraine

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LATITUDES CONTEMPORAINES

Exposition virtuelle

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Indian dances

Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!

Parcours

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Body and conflicts

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Parcours

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James Carlès

Exposition virtuelle

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les ballets C de la B and the aesthetic of reality

Exposition virtuelle

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Meeting with literature

Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.

Parcours

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When reality breaks in

How does choreographic works are testimonies of the world? Does the contemporary artist is the product of an era, of its environment, of a culture?

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Dance and performance

 Here is a sample of extracts illustrating burlesque figures in Performances.

Parcours

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Butoh

On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,

Parcours

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States of the body

Explanation of the term « State of the body » when it’s about dance.

Parcours

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Maison de la danse

Exposition virtuelle

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Improvisation

 Discovery of improvisation’s specificities in dance. 

Parcours

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Dancing bodies

Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.

Parcours

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La part des femmes, une traversée numérique

Exposition virtuelle

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A Rite of Passage

Classical, telluric, shamanic, revolutionary? On May 29th, 1913, the first performance of Nijinski's "Rite of Spring" made such a scandal. This webdoc tells the story of this key work which inspired so many artists.

Webdoc

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Why do I dance ?

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!

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Scenic space

A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.

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Contemporary techniques

This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.

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Strange works

 Unconventional contemporary dance shows which reinvent the rapport to the stage.  

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The Dance Biennale

Exposition virtuelle

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