La Minute du spectateur (2021) : Compagnie HKC
2021 - Directors : Plasson, Fabien - Deschamps, Tiffanie
Choreographer(s) : Rehbinder, Anne (France) Colnot, Antoine (France) Dianor, Amala (France)
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la Danse de Lyon
La Minute du spectateur (2021) : Compagnie HKC
2021 - Directors : Plasson, Fabien - Deschamps, Tiffanie
Choreographer(s) : Rehbinder, Anne (France) Colnot, Antoine (France) Dianor, Amala (France)
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la Danse de Lyon
The Spectator's Moment
The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
© Maison de la Danse de Lyon
Rehbinder, Anne
Autrice et photographe, Anne Rehbinder a été associée aux Carnets du Théâtre du Rond-Point. Depuis 2015, elle est codirectrice artistique de la Compagnie HKC. Dans le cadre de la résidence territoriale de la compagnie dans les Yvelines en 2015, elle écrit Nuit blanche. Le texte est distingué à l’occasion du Festival Catimino des Écrivains Associés du Théâtre pour représenter les écritures théâtrales contemporaines pour la jeunesse. Noureev est créé en 2017-2018, dans un entrelacement entre actions artistiques, écriture et création et voit le jour en novembre 2018 au Théâtre de Chelles. Pour le projet Urgence, Anne écrit à partir des interprètes et des publics rencontrés dans les actions artistiques. Elle glane tout ce qui – dans la spontanéité, la liberté de parole – vient nourrir la réflexion qui traverse toute la création.
Colnot, Antoine
Dianor, Amala
A hip hop dancer, Amala Dianor trained at the CNDC in 2000. Working as a performer in many diverse productions (from hip hop to neo-classical, contemporary and afro-contemporary dance), he quickly acquired undeniable recognition in the dancing community.
During these years, Amala perfected his writing: he masterfully went from one technique to another, but truly thrived through building bridges through these worlds. With the company C dans C, he choreographed (or co-choreographed) and performed in his first shows.
In 2012 he created “Crossroads” (winner of the Second and Third Awards at the Concours Renaissance), as well as his own company, the Amala Dianor Company, with which he developed his work as a choreographer.
The following year, he created “Parallèle”, a feminine dancing quartet at the Centre National de la Danse. In 2014, he choreographed the Extension duo alongside Bboy Junior, a surprising encounter between two esteemed performers of the French hip hop scene. That same year, he created and performed in his first solo show, Man Rec, which premiered in the Avignon festival.
In 2015, the company launched a regional project called “A Wink of Time” putting in the spotlight 18 amateur dancers on their way to becoming professionals. This project led to the creation of “Overflow”, co-signed with Mickael Le Mer, Pierre Bolo and Annabelle Loiseau. Amala also became the artist in residence at the Théâtre Louis Aragon in Tremblay-en-France, on a two-year contract.
In 2016 he created “Di(s)generation”, bringing together several generations of hip hop dancers, and showcased “New School”, a trio from “Di(s)generation” inspired by Abstract dance.
The 2016-2017 season marks Amala Dianor’s first of three years as an Associate Artist for the CDC Pôle Sud in Strasbourg, as well as for the 104 in Paris, and the Scènes de Pays dans les Mauges (Maine et Loire), France.
Source : The Amala Dianor Company 's website
More information : amaladianor.com
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Deschamps, Tiffanie
After training in video editing, Tiffanie Deschamps made her debut in television. From the start, she never ceased to build bridges between her work as an audiovisual editor and her activities as light manager and assistant director for live shows with the Mac Guffin collective. Co-founder and co-director of the Théâtre de l'Uchronie in Lyon since 2013, she naturally comes to portray theatrical and choreographic pieces, and to tell the dance, in particular within the Maison de la Danse de Lyon and during cultural events such as the Lyon Dance Biennale.
Compagnie HKC
Since 2015, the HKC Company has carried the artistic project of the duo formed by Anne Rehbinder, author and photographer and Antoine Colnot, director and actor. HKC has the ambition to create a sensitive theater, anchored in reality, which crosses the depths and human wounds in a poetic profusion that celebrates life. The desire to create transversal projects responds to this identity. The network of creations and artistic actions constitutes the DNA of the company, which works every year around its creations with young people and audiences in vulnerable situations.
Source: Site de HKC
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