The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
 



© Maison de la Danse de Lyon

Born in Centralia, Washington on April 16, 1919, Cunningham began his  career as a modern dancer at the age of 20, dancing for six years with  the Martha Graham Dance Company. He presented his first recital in 1944,  and formed the Merce Cunningham Dance Company in 1953. The company was a  living canvas for his experimentation and the creation of his unusual  pieces.
 Over his long career he  choregraphed more than 150 pieces and more than 800 Events. Many dancers  studied and worked with Cunningham before founding their own companies,  among them Paul Taylor, Trisha Brown, Lucinda Childs and Karole  Armitage ... He collaborated with many artists; his collaboration with  John Cage had the most influence on his practice.
 Together Cunningham and Cage  proposed a series of radical innovations in dance. The most famous and  controversial of these dealt with the relationship between dance and  music, able to co-exist in the same space and time but needing to be  conceived independently of each other.
 Cunningham continued to  experiment and innovate throughout his life, and he was one of the first  to use new technologies in his own art form. He choreographed and  taught almost until the day he died, July 26, 2009, and received many  awards and accolades. Cunningham’s life and work have inspired the  publication of four books and three important exhibitions; several of  his pieces have been presented by other prestigious companies such as  American Ballet Theatre, the Ballet de Lorraine, the New York City  Ballet, the Paris Opera Ballet, the Rambert Dance Company in London and  the White Oak Dance Project.

Source: CCN-Ballet de Lorraine

More information: www.mercecunningham.org

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.

Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr