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Sculptural and light, the Odissi style comes from the state of Orissa, a province of North India, south of Calcutta. Madhavi Mudgal, born in Delhi to a musician father, is its ambassador of grace and charm. His solo recitals are a splendor. But during a visit to India in the school where she teaches we wanted to add the essential dimension of transmission, of the couple Master and student - guru and shishya This program therefore illustrates the continuity of the tradition through three generations of dancers. : Guru Kelucharan Mohapatra, his disciple Madhavi Mudgal and his own niece among his students. Solo, duo, quartet and sextet, performers of extraordinary bodily mastery from 74 to 13 years old, accompanied by six singers and musicians. 

Source: Maison de la Danse de Lyon

Mudgal, Madhavi

Madhavi’s command over the nritta or purely ornamental aspect of Odissi is striking. Her delicate postures and strong rhythmic footwork combine in an appealing flow of sculpturesque movements. Her subtle abhinaya (the expressional aspect of dance), musical knowledge and aesthetic sense add to the highly distinctive character of her recitals.

Through teaching, performing and conducting workshops, Madhavi has been actively involved in propagating the art of Odissi in New Delhi and other parts of India as well as the world. She has trained a number of accomplished students who are performers in their own right. In nineteen eighty five she organized a seminar and festival, Angahaar, a first of its kind event in New Delhi when gurus, scholars and dancers met to revisit the origins of Odissi and think about the future trends of the dance form. She also directed and produced a short audio-visual documentary that was screened at the festival.

Madhavi’s father, the late Professor Vinay Chandra Maudgalya was the founder of the famous Gandharva Mahavidyalaya, New Delhi’s first and most highly reputed institution for the teaching of Hindustani music and classical dance. Madhavi has been teaching Odissi at this institute for many years.

She has received repeated acclaim in the major cities and dance festivals that have featured her throughout the world : like the Edinburgh International Festival, U.K. ; Festival of India in USA ; the Cervantino Festival, Mexico ; Vienna Dance Festival, Austria ; Festival of Indian Dance, South Africa ; Festival of Indian Culture, Sao Paulo, Brazil ; Days of Indian Culture, Hungary ; Festival of Indian Arts, London ; the Avignon Festival, France ; Pina Bausch’s Festival, Wuppertal and Berlin Festpiele, Germany ; and festivals in Italy, Spain, Laos, Vietnam, Malaysia, Japan and the Indian subcontinent.
She has been associated with the making of several films and audio-visuals on Odissi as well as with the organisation of some of the most widely appreciated specialised dance festivals in India.

Source : Per Diem & Co

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Picq, Charles

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source: Maison de la Danse de Lyon


Choreography : Madhavi Mudgal, Guru Kelucharan Mohapatra

Lights : Gautam Bhattacharya

Production / Coproduction of the video work : Biennale de la Danse et Maison de la Danse de Lyon - Charles Picq, 2000

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