The spectator's moment (2019): François Chaignaud
2019 - Director : Plasson, Fabien
Choreographer(s) : Chaignaud, François (France)
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la Danse de Lyon
The spectator's moment (2019): François Chaignaud
2019 - Director : Plasson, Fabien
Choreographer(s) : Chaignaud, François (France)
Present in collection(s): Maison de la danse , La minute du spectateur
Video producer : Maison de la Danse de Lyon
The Spectator's Moment
The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
© Maison de la Danse de Lyon
Chaignaud, François
After graduating in 2003 from the CNSMD of Paris, François Chaignaud has collaborated with numerous choreographers (Alain Buffard, Boris Charmatz, Emmanuelle Huynh, Gilles Jobin). Since the creation of his first piece in 2004, he has taken up a multiplicity of roles as dancer, choreographer, singer, actor, historian, and cabaret artist. His work—which weaves the aspiration for dance of a comprehensive expression delving into the porosity and potential of bodies—is early on characterized by the singing and dance articulation (Думи мої, 2013). Degreed in history, he nourishes his art with in-depth research. The historical depth reflects in his own pieces as well as in the numerous collaborations he has done, and continues to do, including with cabaret artist Jérôme Marin (Sous l’ombrelle, 2011), Marie Caroline Hominal (Duchesses, 2009), and visual artist Théo Mercier (Radio Vinci Park, 2016). Between 2005 and 2016, Chaignaud creates with Cecilia Bangolea a series of noteworthy shows that are showed worldwide, including Pâquerettes (2005–2008), Sylphides (2009), (M)IMOSA (co-written with and performed with Trajal Harrell and Marlene Monteiro Freitas, 2011), Dub Love (2013), and DFS (2016). In 2021, he founds the organization mandorle productions, which supports his desire to follow a line of artistic creation marked by numerous collaborations. With Nina Laisné, he creates Romances inciertos, un autre Orlando (2017). The piece is presented at the 72nd edition of the Festival d’Avignon and brings together signing and dance around androgynous figures drawn from Spanish Baroque folklore. They are currently conducting research around partner dances in South America.
More information : https://mandorleproductions.fr
Plasson, Fabien
Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).
During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc).
He first experimented with the creation of installations and cinematic objects.
From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.
Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.
Sources: Maison de la Danse ; Fabien Plasson website
More information: fabione.fr
Vlovajobpru
Cecilia Bengolea and François Chaignaud have been collaborating since 2005. Together, they created Pâquerette (2005-2008), Sylphides (2009), Castor et Pollux (2010), Danses Libres (2010), (M)IMOSA (with Trajal Harrell and Marlene Monteiro Freitas, 2011), altered natives’ Say Yes To Another Excess –TWERK (2012), Dub Love (2013), DFS (2016). In 2014, the Ballet de l’Opéra de Lyon commissioned them to create a ballet for seven dancers on pointe shoes, set to Toru Takemitsu music composition How slow the wind. In 2015, Bengolea and Chaignaud were commissioned by the Ballet de Lorraine to produce a new work set to Devoted, a music by Philip Glass. On the same year, they premiered a new piece, entitled The Lighters’ Dancehall Polyphony for Pina Bausch’s Tanztheater Wuppertal. The performance Sylphides, written for vacuumed bodies in latex fetish envelopes won the Award de la Critique de Paris in 2009 and the Young Artist Prize at Gwangju Biennial, Korea in 2014. Over the past few years, they have presented work at the Centre Pompidou in Paris, The Kitchen in New York, Tokyos Spiral in Japan, the Biennale de la danse de Lyon, at Sadler’s Wells Theatre in London, the Faena Art Center in Buenos Aires, of fig-2 at ICA, London, at the Festival d’Avignon, the Festival d’Automne à Paris, Montpellier Danse, ImpulsTanz in Vienna, deSingel in Antwerp, the Teatro de la Ribera in Buenos Aires, at the Panorama Festival of Rio de Janeiro, at the Centre National de la danse in Pantin, SESC in Sao Paulo and most recently at Kyoto Experiment, the Kyoto International Performing Arts Festival in October 2018.
Source: Company's website
En savoir plus : vlovajobpru.com
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