Tremor and more
2017 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Diephuis, Herman (Netherlands)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Tremor and more
2017 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Diephuis, Herman (Netherlands)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
Tremor and more
In October 2016, Herman Diephuis meets Jorge Ferreira, a young Brazilian dancer, during a workshop in Brasilia. For this solo, Herman Diephuis wants to explore Jorge’s capacity of transformation, of metamorphism. He defines Tremor and more as a theatrical abstraction. Using shaking and trembling as a movement principle, repetition and time span as a condition, the piece searches to unable different presences and states to arise, to approach moments of stillness like zooms or close-ups. These moments only appear to erase again as if absorbed by the rhythm and the energy of this dance ritual close to trance.
Source : http://www.rencontreschoregraphiques.com
Diephuis, Herman
Herman Diephuis was born in 1962 in Amsterdam and lives in Paris.
He has worked as a performer for several years with numerous choreographers: Régine Chopinot, Mathilde Monnier, Jean-François Duroure, Philippe Decouflé, François Verret, Jérôme Bel, Xavier Le Roy and Alain Buffard.
In 2002, he choreographed “La C et la F de la F" as part of the project, Les Fables à la Fontaine.
He created his company, the non-profit organisation ONNO, in 2004, in order to produce his own creations and projects. In 2017 he co-created a trio choreography "Goin’down" with Naomi Fall.
At the same time, he develops creative projects with amateurs (whether or not they have an artistic background), such as "Brainstorming (2012), “La Liberté Guidant Romain Rolland" (2011), "Hors Pair" (2008) and “La Cène manquante" (2006), and site-specific projects, including in museums, such as "Vue sur Parc" in September 2014 and "Impressions" in May 2013.
He has also turned his attention as an artistic assistant or collaborator to different artists, including Mathilde Monnier, Raphaëlle Delaunay, Maud le Pladec, Romual Kabore, Teilo Troncy and the Norwegian director Théa Stabell.
He was dance expert at the DRAC in Île-de-France from 2010 to 2012.
With ONNO, he is in residence and associated artist in several cultural structures: at Le Manège, national dance theatre in Reims (2007-2010), in Woodside, California (USA) – Djerassi Resident Artists Program (2011), at the Théâtre Louis Aragon, the subsidised dance theatre in Tremblay-en-France (2010, 2012, 2015 and 2016).
Source : Herman Diephuis 's website
More information : hermandiephuis.com
Centre national de la danse, Réalisation
Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
Tremor and more
Artistic direction / Conception : Herman Diephuis
Choreography : Herman Diephuis
Choreography assistance : Jorge Ferreira
Interpretation : Jorge Ferreira
Sound : Herman Diephuis
Production / Coproduction of the choreographic work : Spectacle présenté avec et dans le cadre des Rencontres chorégraphiques internationales de Seine-Saint-Denis, festival du 12 mai au 17 juin 2017.
Duration : 33 minutes
QUDUS ONIKEKU : Se réapproprier une mémoire oubliée
Exposition virtuelle
QUDUS ONIKEKU : Se réapproprier une mémoire oubliée
Exposition virtuelle
Découvrez le travail du chorégraphe Qudus Onikeku à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
The committed artist
Parcours
The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Exposition virtuelle
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Exposition virtuelle
Une traversée de l’histoire des Rencontres chorégraphiques internationales de Seine-Saint-Denis, depuis le Concours de Bagnolet jusqu’aujourd’hui.
40 ans de rock et danse
Exposition virtuelle
40 ans de rock et danse
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus
> Chanson de l’Affaire Louis Trio (1987)
Indian dances
Parcours
Indian dances
Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
Danse et arts numériques
Exposition virtuelle
Danse et arts numériques
Exposition virtuelle
Créations de spectacles, performances participatives et installations mêlant danse contemporaine et arts numériques interactifs. Une constante dialectique entre le corps vivant (vécu) et le corps visuel (donné à voir ou virtuel). Une exposition proposée par Jean-Marc Matos, chorégraphe de la compagnie K. Danse.
La compagnie Dyptik
Exposition virtuelle
La compagnie Dyptik
Exposition virtuelle
Découvrez la compagnie Dyptik, leur travail et leur lieu de création dans cette exposition virtuelle.
Genesis of work
Parcours
Genesis of work
Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Artistic Collaborations
Parcours
Artistic Collaborations
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Dance and performance
Parcours
Dance and performance
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
Butoh
Parcours
Butoh
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Do you mean Folklores?
Parcours
Do you mean Folklores?
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Ballet pushed to the edge
Parcours
Ballet pushed to the edge
Parcours
Ballet’s evolution from its romantic form until néo-classicism.
Dance in Quebec: Untamed Bodies
Parcours
Dance in Quebec: Untamed Bodies
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
La Maison de la Danse de Lyon
Exposition virtuelle
La Maison de la Danse de Lyon
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de création et d’innovations numériques, la Maison de la Danse vous ouvre ses portes et vous dévoile ses projets.
Female / male
Parcours
Female / male
Parcours
A walk between different conceptions and receptions of genres in different styles and eras of dance.
Dance and music
Parcours
Dance and music
Parcours
The relationship between music and choreographic works varies throught dance history.
Dance and visual arts
Parcours
Dance and visual arts
Parcours
Dance and visual arts have often been inspiring for each other and have influenced each other. This Parcours can not address all the forms of their relations; he only tries to show the importance of plastic creation in some choreographies.