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Totemic Studies

What would be my Totem in the current context of the end of the  world? How to move the usual definition in my own perspective? An old  tradition sees in any solo a concern for self-portrait, subject of the  streched thread between an individual and a community of spectators.”

In  Totemic Studies, Matthieu Barbin treats that troubled point in which  the violence and the enjoyment of being gazed on, are intertwined. The  spectrum of his Totembecomes a matter of contemporary representations.  By handling a multiplicity of compositional processes such as speeches,  words, reflexions about the solo exercice, craft practices, and  exploiting both their functional aspects and their heterotopic  capacities, he activates and deconstructs the categories of his  visibility. “Take this is my body.” It will be all about that. A body  forced to manipulate a bunch of tools in order to find figures through  which it can identify himself. Twisting in all directions the dialectic  of looking and being looked, he engages himself in a game of putting  on/off, unveiling the layers of his social and performative  constructions and at the end making fun of himself. Because it’s also  about questioning this ritual, sometimes absurd, never pointless, about a  performer who puts himself in a spectacular spectrum, who summons an  audience, a space, a situation then who tries to extract himself from  it. Slipping between abstraction and eroticism, Matthieu Barbin becomes  object and subject, totem and taboo, mirror and caricature of his time.

Source: program of the CND

Barbin, Matthieu

A performer and choreographer, Matthieu Barbin is present alongside  Boris Charmatz, Marlène Saldana & Jonathan Drillet, Gerard &  Kelly or else Liz Santoro & Pierre Godard. He was invited to take  part in the research group KADMOS/festival of Avignon 2013. During the  Nordïk Impact 2017, he created FOR JODOROWSKY with the musicians of Il  est Vilaine. He participated in the conception of the futuristic fable  Traum (Le paradoxe de V.) in collaboration with SMITH and Victoria  Lukas, during the New Settings festival.

Centre national de la danse, Réalisation

Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).

Totemic Studies

Artistic direction / Conception : Matthieu Barbin

Choreography : Matthieu Barbin

Interpretation : Matthieu Barbin

Set design : Célia Gondol, Alicia Zaton, Matthieu Barbin

Text : Jonathan Drillet

Original music : Edit et mix Fany Corral et Florent Frossard - Consulting musique Fany Corral

Lights : Fabrice Ollivier

Costumes : Marine Peyraud

Other collaborations : Entrainement Vocal Dalila Kathir

Production / Coproduction of the choreographic work : Production Fanny Virelizier / THE POST POST. Coproduction Rencontres chorégraphiques internationales de Seine-Saint-Denis. Pour cette pièce, Matthieu Barbin a reçu le soutien de la DRAC Île-de-France dans le cadre de l’aide au projet. Matthieu Barbin est candidat FoRTE 2018. Spectacle créé au CN D le 22.05.2018 dans le cadre du festival des Rencontres chorégraphiques internationales de Seine-Saint-Denis.

Production / Coproduction of the video work : Enregistré au CND le 24 mai 2018 dans le cadre du festival des Rencontres chorégraphiques internationales de Seine-Saint-Denis

Duration : 67 minutes

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