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2008
Choreographer(s) : Plassard, Denis (France)
Present in collection(s): Numeridanse.tv
Video producer : Cie Propos
2008
Choreographer(s) : Plassard, Denis (France)
Present in collection(s): Numeridanse.tv
Video producer : Cie Propos
Artistic direction Denis Plassard
Silent movie for children in 16 episodes.
The choreographed adventures of 4 fearless head with no body in 16 - 3 minute episodes in static shot with no special effects accompanied by an accordion.
The characters of these adventures are heads ! The rest of their bodies does not exist anymore. Just like little creatures, they move more or less easily in a small space, the size of the screen. A sort of aquarium from which they can't escape. With their sturdy characters, these sardines, as mute as fishes, observe each other attentively. Their expressions, winks, looks or winces are the vocabulary of their discussions.
Source : Cie Propos
Conception, scénario, mise en scène et chorégraphie Denis Plassard
Les sardines Pauline Laidet (Claudine), Géraldine Mainguet (Jeannine), Anne-Sophie Fayolle (Joséphine), Corinne Pontana (Micheline), Denis Plassard ( Les mains et La Tête avec oreilles)
Création musicale Norbert Pignol (Accordéon solo)
Images Pascal Nottoli Cadreurs Eric Chevillard, Pascal Nottoli Assistant caméraman Xavier Gresse
Lumières Nicolas Boudier Conception costumes invisibles Béatrice Vermande Conception et réalisation cagoules invisibles Armelle Ewande Réalisation costumes Alexandra Berthet, Béatrice Vermande Habilleuse et accessoiriste Alexandra Berthet Maquillages Christelle Paillard, Mireille Sourbier
Répétiteur Xavier Gresse Stagiaire Giulia Arcuda Construction Nicolas Boudier, Damien Ghenassia Régie générale Nicolas Boudier, Damien Ghenassia, Bruno Izard Générique Pascal Nottoli Mastering Son Pascal Cacouault
Durée du film 50 min. environ (16 épisodes de 3 min)
Updating : July 2013
Denis Plassard started to dance on a misunderstanding : wrapped up in crepe paper for the "End of the Year Show" in primary school, he was convinced that the steps meant something and that putting them together was just like writing sentences to tell a story... Since then, a question (a bit odd for a dancer/choreographer) haunts him: what does the movement mean? What do we say when we move?
He then decided to study dance and entered the Conservatoire National Supérieur de Musique et de Danse in Lyon. After he graduated, he danced for 2 seasons with Josette Baïz's company in Aix-en-Provence.
In 1991, at the age of 23, he set up his own company named after his first solo, “Propos”, which was created the year before. Very early in his choreographic career, he tried to create dynamic links between speech and movement and his work focused on the connection between "Dance and Text". His choreographic writing is precise, sharp and very theatrical, and his style is quirky and full of humour and derision. Prolific choreographer and eager dancer, he enjoys being confronted with new universes and is continually looking for artistic meetings and crossroads between different aesthetics.
From Kafka to Mermet, from Bizet to Labiche, from the stage to the circus ring, he keeps having new ideas that mix hip-hop, circus, music, theatre and dance.
Source : The company Propos 's website
More information : compagnie-propos.com
Webdoc
Webdoc
Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Parcours
Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Exposition virtuelle
Exposition virtuelle
Dominique Bagouet a créé plus de 45 pièces en 15 ans. Certaines ont marqué le paysage chorégraphique entre 1980 et 1992, année de sa disparition. Cette collection montre les œuvres les plus emblématiques et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet créée par ses interprètes aprè
Parcours
Parcours
Collaboration between a choreographer and a writer can lead to the emergence of a large number of combinations. If sometimes the choreographer creates his dance around the work of an author, the writer can also choose dance as the subject of his text.
Parcours
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
Parcours
Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Webdoc
Webdoc
Parcours
Parcours
This parcours presents different video extracts in which hands are the center of the mouvement.
Parcours
Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Parcours
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Parcours
Parcours
Unconventional contemporary dance shows which reinvent the rapport to the stage.
Parcours
Parcours
Here is a sample of extracts illustrating burlesque figures in Performances.
Parcours
Parcours
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
Parcours
Parcours
Some shows are the meeting place of different trades. Here is a preview of some shows where the arts intersect on the stage of a choreographic piece.