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The Spectator's moment (2018): Dada Masilo

Maison de la Danse de Lyon 2018 - Director : Plasson, Fabien

Choreographer(s) : Masilo, Dada (South Africa)

Present in collection(s): Maison de la Danse de Lyon , La minute du spectateur

Video producer : Maison de la danse de Lyon

en fr

The Spectator's moment (2018): Dada Masilo

Maison de la Danse de Lyon 2018 - Director : Plasson, Fabien

Choreographer(s) : Masilo, Dada (South Africa)

Present in collection(s): Maison de la Danse de Lyon , La minute du spectateur

Video producer : Maison de la danse de Lyon

en fr

The Spectator's Moment

The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
 



© Maison de la Danse de Lyon

Masilo, Dada

Born in 1986 in Soweto, a Johannesburg township, Dada Masilo trained primarily at the Dance Factory in Newton, the cultural district of Johannesburg, as well as at the National School of Art (Johannesburg) and at the Jazzart Dance Theater, Cape Town. In 2005, she began two years of training at PARTS (Performing Arts Research and Training Studios) with Anne Teresa de Keersmaeker in Brussels, where she discovered, among other things, the works of Trisha Brown and Pina Bausch, and created “The World, My Butt and other big round things”.

Back in South Africa, she created “Love and other four letter words” in 2008, a meditation on the AIDS pandemic, and began her work of reinterpreting traditional ballets (“Romeo and Juliette” in 2008, “Carmen” in 2009), whose codes she adopts and then distorts, by mixing aesthetics with humour. In 2011, she was awarded the Standard Bank Young Award, one of the South-African most famous dance prizes, while the South African daily newspaper The Star recognised her work “The Bitter end of Rosemary” by listing it as one of the hundred greatest successes of the year: in this work she investigates the character of Ophelia, from “Hamlet”, by giving the character's madness great vulnerability. This solo was Masilo's first piece to be performed in France, at the Anticodes Festival in Brest in March and at the Fragile Danse Festival at the Théâtre des Bouffes du Nord in November 2011. Invited to the Lyon Dance Biennial in 2012, she performed “Swan Lake”, which was also widely performed in France in 2013 and 2014.

On the programme at all the festivals in South Africa, in particular the famous Dance Umbrella festival, Dada Masilo's shows also toured Tanzania, Mali, Mexico, Israel, and Europe (Belgium, the Netherlands, Italy, France… ) and met with both critical and public acclaim. 

She has collaborated with many famous names on the South African arts scene. In 2013, for example, she collaborated on “Refuse the hour” with the visual artist and director William Kentridge, commissioned and danced “In creation” with the choreographer Gregory Maqoma as part of the Sujet à vif in Avignon, and “Deep night” with P. J. Sabbagha and his collective The Forgotten Angle. She also trains young dancers and regularly hosts workshops in the United States.

Since returning late 2006, she has taught for Dance Factory Youth.

In 2012 Masilo undertook a residency at Denison University, Granville, Ohio, where at the Swasey Chapel, she performed a programme of solos from her repertoire.

Source: Dada Masilo

Plasson, Fabien

Born in 1977, Fabien Plasson is a video director specialized in the field of performing arts (dance , music, etc).

During his studies at the Ecole Nationale des Beaux-Arts de Lyon (joined in 1995) Fabien discovered video art. He was trained by various video artists (Joel Bartoloméo Pascal Nottoli , Eric Duyckaerts , etc) .
He first experimented with the creation of installations and cinematic objects.

From 2001 to 2011, he was in charge of Ginger & Fred video Bar’s programming at La Maison de la Danse in Lyon. He discovered the choreographic field and the importance of this medium in the dissemination, mediation and pedagogical approach to dance alongside Charles Picq, who was a brilliant video director and the director of the video department at that time.

Today, Fabien Plasson is the video director at La Maison de la Danse and in charge of the video section of Numeridanse.tv, an online international  video library, and continues his creative activities, making videos of concerts, performances and also creating video sets for live performances.


Sources: Maison de la Danse ; Fabien Plasson website

More information: fabione.fr

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