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The Spectator's moment (2013): Carlotta Ikeda

Maison de la danse 2013 - Director : Picq, Charles

Choreographer(s) : Ikeda, Carlotta (Japan)

Present in collection(s): Maison de la danse , La minute du spectateur

Video producer : Maison de la danse de Lyon

en fr

The Spectator's moment (2013): Carlotta Ikeda

Maison de la danse 2013 - Director : Picq, Charles

Choreographer(s) : Ikeda, Carlotta (Japan)

Present in collection(s): Maison de la danse , La minute du spectateur

Video producer : Maison de la danse de Lyon

en fr

The Spectator's Moment

The Spectator's Moment or how to discover an artist, a piece of work or a company in just two minutes. It is a collection of programmes produced by the Maison de la Danse in Lyon and presented by Dominique Hervieu. Each episode is devoted to an artist or a company that is programmed at the Maison de la Danse and offers the public keys or artistic benchmarks for better understanding and appreciating the choreographic art.
 



© Maison de la Danse de Lyon

Ikeda, Carlotta

Sanae Ikeda was born in Fukui, a village on the Japanese Sea: « I used to walk in the country, and dizzy with all the smells of the plants, with all the nuances in the atmosphere, I danced » (...)

The kind of dance you learn came later, in Tokyo. « Rice sprout » (Sanae) was 19 when she first went through the door of a « dance course ». But at that time, the Butô, that « dance of darkness » was born in Japan. Tatsumi Hijikata had invented it, that angel and devil who was to proclaim in 1968 the revolt of the flesh. Like other young people in her generation, Carlotta threw her body into battle. This life-long involvement can by no means be regarded as naiveorinnocent. (...)

Whoever has seen Carlotta Ikeda dancing knows to what point she masters that art of metamorphosis, how she can make it at the same time obvious and invisible, how she can extend the time of the vision in a « slowness of movement allowing all possible interpretations » (Paul Claudel). The metamorphosis at stake here is not that of an histrion, one who knows how to make a caricature out of expressive imitations. In Carlotta Ikeda, this is a change of inner state, involving the whole body (...) 

Ariadone, the company that Carlotta Ikeda founded in 1974, refers to that Ariane s thread, that follows Carlotta Ikeda from one show to the next (...)


Source: Cie Ariadone 's website (Jean-Marc Adolphe)


More information : ariadone.fr

Picq, Charles

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.


His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).


Source: Maison de la Danse de Lyon

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