Sous apparence
2012
Choreographer(s) : Gillot, Marie-Agnès (France)
Present in collection(s): Maison de la Danse de Lyon
Sous apparence
2012
Choreographer(s) : Gillot, Marie-Agnès (France)
Present in collection(s): Maison de la Danse de Lyon
Sous apparence
Sous apparence is the "transcription of an experience in a musical, visual and choreographic mode". Marie-Agnès Gillot is experimenting pointe work, worn by both female and male dancers. The piece is about the paradox of appearances that are so closely linked to the stage: "We constantly play appearances, we are taken for what we are not. My search is about challenging myself to approach spirituality" she says.
Source : Ariane Bavelier
Gillot, Marie-Agnès
Marie-Agnès Gillot enters the Paris Opera Ballet School in 1985 and, at the age of 15 in 1990, she joins the Corps de ballet. She is promoted to “Première danseuse” in 1999. On March 18th 2004 she is made an « Étoile » following her performance of "Signes" (Carlson). Chevalier des Arts et des Lettres and the ordre national du Mérite, she is also a choreographer.
Source : Paris Opera 's website
More information : operadeparis.fr
Sous apparence
Choreography : Marie-Agnès Gillot
Choreography assistance : Laurence Equilbey
Interpretation : Laetitia Pujol, Alice Renavand, Vincent Chaillet, les Etoiles et le Ballet de l'Opéra de Paris
Live music : Ars Nova, Choeur Accentus
Additionnal music : Anton Bruckner, Morton Feldman, György Ligeti
Lights : Madjid Hakimi
Costumes : Walter Van Beirendonck
Settings : Olivier Mossey
Production / Coproduction of the video work : Telmondis (France), Opéra National de Paris, Mezzo (France)
Duration : 30'
Les racines de la diversité en danse contemporaine
Exposition virtuelle
Les racines de la diversité en danse contemporaine
Exposition virtuelle
La danse contemporaine désigne des courants artistiques succédant à la danse moderne. Mais, il est difficile de cerner précisément cette expression, tant elle inclus différentes pratiques et esthétiques. Aujourd’hui, le mot « contemporain » intègre des danses actuelles, urbaines, théâtrales, de différentes origines géographiques ou «culturelles». Pour comprendre et illustrer la notion de diversité dans la danse contemporaine, nous utiliserons divers créations de la collection du Centre chorégraphique ou de la Compagnie James Carlès Danse &Co, qui a mis cette idée au cœur de ses préoccupations.
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
Parcours
Modern Dance and Its American Roots [1900-1930] From Free Dance to Modern Dance
Parcours
At the dawn of the 20th century, in a rapidly changing West, a new dance appeared: Modern Dance. In the United States as in Europe, modern trends emerge simultaneously and intertwine in thier development. Let's dive into the beginnings of American modern dance!
40 ans de rock et danse
Exposition virtuelle
40 ans de rock et danse
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times
Parcours
The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.
Indian dances
Parcours
Indian dances
Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Body and conflicts
Parcours
Body and conflicts
Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
Charles Picq, réalisateur en danse
Exposition virtuelle
Charles Picq, réalisateur en danse
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Black Dance
Webdoc
Black Dance
Webdoc
Why do I dance ?
Webdoc
Why do I dance ?
Webdoc
Genesis of work
Parcours
Genesis of work
Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Artistic Collaborations
Parcours
Artistic Collaborations
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians