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2012
Choreographer(s) : Gillot, Marie-Agnès (France)
Present in collection(s): Maison de la Danse de Lyon
2012
Choreographer(s) : Gillot, Marie-Agnès (France)
Present in collection(s): Maison de la Danse de Lyon
Sous apparence is the "transcription of an experience in a musical, visual and choreographic mode". Marie-Agnès Gillot is experimenting pointe work, worn by both female and male dancers. The piece is about the paradox of appearances that are so closely linked to the stage: "We constantly play appearances, we are taken for what we are not. My search is about challenging myself to approach spirituality" she says.
Source : Ariane Bavelier
Marie-Agnès Gillot enters the Paris Opera Ballet School in 1985 and, at the age of 15 in 1990, she joins the Corps de ballet. She is promoted to “Première danseuse” in 1999. On March 18th 2004 she is made an « Étoile » following her performance of "Signes" (Carlson). Chevalier des Arts et des Lettres and the ordre national du Mérite, she is also a choreographer.
Source : Paris Opera 's website
More information : operadeparis.fr
Choreography : Marie-Agnès Gillot
Choreography assistance : Laurence Equilbey
Interpretation : Laetitia Pujol, Alice Renavand, Vincent Chaillet, les Etoiles et le Ballet de l'Opéra de Paris
Live music : Ars Nova, Choeur Accentus
Additionnal music : Anton Bruckner, Morton Feldman, György Ligeti
Lights : Madjid Hakimi
Costumes : Walter Van Beirendonck
Settings : Olivier Mossey
Production / Coproduction of the video work : Telmondis (France), Opéra National de Paris, Mezzo (France)
Duration : 30'
Exposition virtuelle
Exposition virtuelle
Rencontre avec Charles Picq, réalisateur et vidéaste de la danse.
Webdoc
Webdoc
Webdoc
Webdoc
Parcours
Parcours
Panorama of different artistic collaborations, from « couples » of choreographers to creations involving musicians or plasticians
Parcours
Parcours
On 24th May 1959, Tatsumi Hijikata portrayed the character of the "Man" in the first presentation of a play called Kinjiki (Forbidden Colours).
The Ankoku Butoh was born,
Exposition virtuelle
Exposition virtuelle
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus, oh oh oh
Chic planète, dansons dessus...
Et mettons-nous tous nus > Chanson de l’Affaire Louis Trio (1987)
Parcours
Parcours
Discover Indian dance through choreographic creations which unveil it, evoke it, revisit it or transform it!
Parcours
Parcours
Explanation of the term « State of the body » when it’s about dance.
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Parcours
Parcours
Generally associated with circus arts, here is a Journey that will take you on a stroll through different artists from this world.
Parcours
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
Parcours
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Parcours
Parcours
Ballet’s evolution from its romantic form until néo-classicism.