A solo played by Derick K. Grant on a music by Jerry Kalaf.

Source: Jazz Tap Ensemble (JTE)

More information: jazztapensemblelegacy.org

DERICK K. GRANT debuted as a featured dancer with the JTE in 1992  at the Joyce Theater. Born and raised in Boston, he tributes Andrea  Major, Paul and Arlene Kennedy (Universal Dance Designs), and Dianne  Walker for his training as a young dancer. As a member of JTE, he  created the solo, “Drum” (disc 2), performed in the full range of JTE  repertory, and in 1994 won the Princess Grace Award for Emerging  Artists. After his long engagement with Savion Glover’s “Noise/Funk” on  B’way, Derick led the first national tour, and later created his own  original show “Imagine Tap” which premiered in Chicago. Jazz Tap  Ensemble was proud to include Derick again for the 2007 American TAP  Masterpieces tour in which he rejoined his “Taxi” partner Sam Weber  (disc2) for more amazing improvisations.

Source: Jazz Tap Ensemble

More information: jazztapensemblelegacy.org

Author, filmmaker and video artist Charles Picq (1952-2012) entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (ELAC) and with the group « Frigo », and then in dance.
   On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
       - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
       - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
       - He started «présentations de saisons» in pictures.
       - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

       - He launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created Numeridanse.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source: Maison de la Danse de Lyon

Artistic direction: Lynn Dally Fred Strickler and Camden Richman

Creation: 1979

The Jazz Tap Ensemble, America’s first touring tap dance company, was founded in 1979 by three dancers and three musicians who brought original tap choreography with live jazz to the concert stage.   Initially inspired by the great rhythm masters John Bubbles, “Baby” Laurence, “Honi” Coles as well as Fred Astaire, Eleanor Powell, Gene Kelly, the varied modern dance backgrounds of the dancers and the diverse interests of the musicians, JTE’s vision of excellence, innovation, and collaboration, with a deep respect for the living masters, brought forth a repertory of virtuosity, wit, and deep musicality.

JAZZ TAP ENSEMBLE has been honored to present and share the stage with a pantheon of tap legends including Jimmy Slyde, Steve Condos, LaVaughn Robinson, Fayard Nicholas, Harold Nicholas, Charles “Honi” Coles, Eddie Brown, Brenda Bufalino, Dianne Walker, Savion Glover, and our beloved Gregory Hines. Based in Los Angeles, JTE has appeared in major concert halls in the U.S. and abroad including the Kennedy Center, the Smithsonian, London’s Riverside Theatre, Paris’ Theatre de la Ville, Lyon’s Maison de la Danse, as well as NY’s Joyce Theater, Jacob’s Pillow, Spoleto USA, major first generation tap festivals across the U.S., and State Dept sponsored USIA tours of Southeast Asia and Latin America. Most recently, via DanceMotion USA, a US Department of State program, we embarked on a life changing one month tour of central and South Africa (Democratic Republic of Congo, Mozambique, Bulawayo and Harare, Zimbabwe) where real cultural exchange was able to happen daily with local artists, dancers and musicians, as well as disadvantaged youth in workshops, master classes, and concerts.

Performance highlights include Gregory Hines’ “Evening of Tap at Carnegie Hall,” “Dancing in the Streets” at the Apollo, Hollywood’s Playboy Jazz Festival, Salzburg’s 10th Annual JazzFest, Madrid’s Festival en Danza, and Lyon’s 4th Biennale, “An American Story.” TV and film credits include JTE Live in Concert (London), JTE with Honi Coles (San Francisco), and Christian Blackwood’s award winning documentary, “Tapdancin.” Recognized as leaders in the renaissance of tap dance in America, Artistic Director Lynn Dally and Jazz Tap Ensemble are well represented in Constance Valis Hill’s new history book, “Tap Dancing America.”

Source: Jazz Tap Ensemble 's website

More information: jazztapensemble.org