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Selon Désir

Maison de la Danse de Lyon 2006 - Director : Picq, Charles

Choreographer(s) : Foniadakis, Andonis (Greece)

Present in collection(s): Maison de la Danse de Lyon

Integral video available at Maison de la danse de Lyon

en fr

Selon Désir

Maison de la Danse de Lyon 2006 - Director : Picq, Charles

Choreographer(s) : Foniadakis, Andonis (Greece)

Present in collection(s): Maison de la Danse de Lyon

Integral video available at Maison de la danse de Lyon

en fr

Selon désir

Selon désir tries to draw from these great porticoes that are the entrance choirs of the Passions according to Saint Matthew and according to Saint John the inspiration for movements and exchanges between bodies. The idea of heaven and earth, as well as the pictorial representations of faith, martyrdom, their pleasure in pain, lead Andonis Foniadakis to oppose the elevation towards the celestial spirit, synonymous with lightness and sliding, to earth energy, represented by bodies intermingled with each other.

Source: Maison de la Danse

Foniadakis, Andonis

Andonis Foniadakis was born in Ierapetra Crete in Greece. He studied dance at the Dance School of the City of Ierapetra in Crete, at the State Dance School of Athens, and Rudra Bejart of Maurice Bejart in Lausanne Switzerland (with the benefit of Maria Callas scholar ship). As a dancer he collaborated with the Bejart Ballet Lausanne, the Lyon National Opera Ballet, the Karas Dance Company of Saburo Teshigawara. In 2003 he establishes his own dance company APOTOSOMA in Lyon France, as an artistic director choreographer and performer. As a choreographer he has collaborated with: Bale de Cidade de Sao Paulo, Bern Ballet, Dansgroep Amsterdam, National Dance Company of Wales, Helsinki Dance Company, Geneva Ballet, Ballet of Rhin, Washington Ballet, Lyon Opera Ballet, National Greek Ballet, Bejart Ballet, Junior Ballet Geneva, Hellenic Dance Company, National Dance Theatre of North Greece, OMMA Athens Concert Hall, National Opera of Rhin, Sociedade Masculina Brazil, Benjamin Millepied Dance company, National Conservatory of Dance Lyon, and his own dance company APOTOSOMA. He as well has choreographed two operas: "Les Boreades of Rameau "for the National Opera of Rhin, "Il Canto de la Pelle" of Claudio Ambrosini for the GRAMME in Lyon and the Biennale Musiques en Scene. He has shown works with his own dance company APOTOSOMA in France, Germany, Holland, England, Italy, Finland, USA and Greece. Besides his choreographic activities he is teaching seminars based on his own dance technique, and on choreographic composition. He lives and works in France and Greece.


Source : Danse Aujourd'hui


More information :

foniadakis.net

Picq, Charles

Author, filmmaker and video artist Charles Picq entered working life in the 70s through theatre and photography. A- fter resuming his studies (Maîtrise de Linguistique - Lyon ii, Maîtrise des sciences et Techniques de la Communication - grenoble iii), he then focused on video, first in the field of fine arts at the espace Lyonnais d'art Contemporain (eLaC) and with the group « Frigo », and then in dance.
  On creation of the Maison de la Danse in Lyon in 1980, he was asked to undertake a video documentation project that he has continued ever since. During the ‘80s, a decade marked in France by the explosion of contemporary dance and the development of video, he met numerous artists such as andy Degroat, Dominique Bagouet, Carolyn Carlson, régine Chopinot, susanne Linke, Joëlle Bouvier and regis Obadia, Michel Kelemenis. He worked in the creative field with installations and on-stage video, as well as in television with recorded shows, entertainment and documentaries.

His work with Dominique Bagouet (80-90) was a unique encounter. He documents his creativity, assisting with Le Crawl de Lucien and co-directing with his films Tant Mieux, Tant Mieux and 10 anges. in the 90s he became director of video development for the Maison de la Danse and worked, with the support of guy Darmet and his team, in the growing space of theatre video through several initiatives:
      - He founded a video library of dance films with free public access. This was a first for France. Continuing the video documentation of theatre performances, he organised their management and storage.
      - He promoted the creation of a video-bar and projection room, both dedicated to welcoming school pupils.
      - He started «présentations de saisons» in pictures.
      - He oversaw the DVD publication of Le tour du monde en 80 danses, a pocket video library produced by the Maison de la Danse for the educational sector.

More recently, he launched the series “scènes d'écran” for television and online. He undertook the video library's digital conversion and created the website numeridanse.tv, an international video library for dance online.

His main documentaries are: enchaînement, Planète Bagouet, Montpellier le saut de l'ange, Carolyn Carlson, a woman of many faces, grand ecart, Mama africa, C'est pas facile, Lyon, le pas de deux d'une ville, Le Défilé, Un rêve de cirque.

He has also produced theatre films: Song, Vu d'ici (Carolyn Carlson), Tant Mieux, Tant Mieux, 10 anges, Necesito and So schnell, (Dominique Bagouet), Im bade wannen, Flut and Wandelung (Susanne Linke), Le Cabaret Latin (Karine Saporta), La danse du temps (Régine Chopinot), Nuit Blanche (Abou Lagraa), Le Témoin (Claude Brumachon), Corps est graphique (Käfig), Seule et WMD (Françoise et Dominique Dupuy), La Veillée des abysses (James Thiérrée), Agwa (Mourad Merzouki), Fuenteovejuna (Antonio Gades), Blue Lady revistied (Carolyn Carlson).

Source : Maison de la Danse

Ballet du Grand Théâtre de Genève

Artistic direction: Philippe Cohen    

Creation: 1962

At the beginning of the twentieth century, the major ballet companies were invited to Geneva to perform on the Théâtre Neuve's stage, and notably Isadora Duncan and Nijinsky with the Ballets Russes. It was only when it reopened in 1962 that the theatre founded its own ballet company. Its direction has been entrusted successively to Janine Charrat, Serge Golovine, Patricia Neary, Peter van Dyck, Oscar Araiz, Gradimir Pankov, François Passard and Giorgio Mancini. From the outset, this company has aimed to explore the plurality of twentieth-century dance styles, which has led it to work with famous artists such as Georges Balanchine (artistic advisor from 1970 to 1978), Mikhaïl Baryshnikov, Rudolf Noureïev, Jiri Kylian, Ohad Naharin, William Forsythe and Lucinda Childs.    

Directed today by Philippe Cohen, the Ballet of the Grand Théâtre consists of 22 dancers of various nationalities. Classically-trained, they are all capable of performing neo-classical and modern choreographies. Each season, they generally offer two new works, revivals of pieces from repertoire, tours, schools projects and choreography workshops.  
Since Philippe Cohen’s nomination as the manager of the Grand Théâtre de Genève Ballet Company in 2003, the Geneva Ballet undertook a radical reshaping of its repertoire and image, based on two principles apparently worlds apart: tradition and creation. Tradition in the sense of claiming one’s part in a historical narrative; creation in the sense of actively taking part in writing that narrative for tomorrow.

By cleaving to these principles, the Grand Théâtre de Genève Ballet Company seeks not so much to cultivate the richness of its position as to position itself measuredly in a state of creative imbalance, of permanent questioning. This explains the Company’s original and daring artistic choices, resolutely modern and ambitious, and our preference for young choreographers who show the promise of great things in the years to come. By inviting these young choreographers to come and work with no restrictions in Geneva, we hope to establish a momentum of modernity that does not break with the past, but rather echoes its riches and creates a dynamic towards the future. The Grand Théâtre is proud to have served as a launching pad for artists destined to become the star choreographers of our time: Saburo Teshigawara, Benjamin Millepied, Sidi Larbi Cherkaoui, Andonis Foniadakis, Emanuel Gat, Gilles Jobin, Ken Ossola...


Sources: Maison de la Danse show program ; the Grand Théâtre de Genève Ballet Company 's website


More information : geneveopera.com

Selon désir

Artistic direction / Conception : Andonis Foniadakis

Interpretation : Ballet du Grand Théâtre de Genève : Fernanda Barbosa, Hélène Bourbeillon, Céline Cassone, Yukari Kami, Luciana Reolon, Violaine Roth, Cécile Robin Prévallée, Yanni Yin, Gregory Batardon, Luc Benard, Giuseppe Bucci, Grégory Deltenre, Olivier Nobis-Peron, Bruno Roy, Roger Van der Poel, Ilias Ziragachi

Additionnal music : Jean-Sébastien Bach, Chœurs d'entrée de la Passion selon Saint Matthieu et de la Passion selon Saint Jean

Lights : Rémi Nicolas

Costumes : Andonis Foniadakis, Marion Schmid (assistante)

Sound : Julien Tarride

Production / Coproduction of the video work : Maison de la Danse de Lyon

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