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Paroles croisées : Maud Le Pladec & Hyacinthe Ravet

Paroles croisées : Maud Le Pladec & Hyacinthe Ravet

Paroles croisées : Maud Le Pladec & Hyacinthe Ravet

An exchange between Maud Le Pladec and H on the place of women in music. The meeting is moderated by Sylvain Bourmeau, director of the daily newspaper AOC ideas. 

Source: Chaillot - Théâtre national de la Danse

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Le Pladec, Maud

After completing the Ex.e.r.ce training at CCN Montpellier, Maud Le Pladec performs for several choreographers such as Georges Appaix, Emmanuelle Vo-Dinh, Loïc Touzé, Mathilde Monnier, Herman Diephuis, Mette Ingvartsen and Boris Charmatz. In 2010, she created her first piece Professor, choreographic piece for three performers on the music of Fausto Romitelli. In 2011, she created Poetry second part of a diptych around Fausto Romitelli. In 2012, she initiated To Bang on a Can, a research and creation project with three pieces and various artistic projects over four years (2012-2015). Ominous Funk and Demo, around and from the musical work of composers David Lang and Julia Wolfe, will be the starting point of this long-term project.
In 2013, Maud Le Pladec is a laureate of the Hors les Murs program at the Institut français and is conducting a research in New York on the current of post-minimalist American music. From this research came the creation of Democracy, a piece for five dancers and four drums (Ensemble TaCtuS) and Concrete (2015), a major project conceived for five dancers and nine musicians from Ensemble Ictus. In 2015, Maud Le Pladec was invited by the Lille Opera to collaborate on the creation of the 5 Xerse Opera (Cavalli / Lully, directed by Guy Cassiers, musical direction Emmanuelle Haïm / Concert d'Astrée). That same year, she initiated a new cycle of creations around the word given to women by co-creating Hunted with New York performer Okwui Okpokwasili.
Her works have been awarded with several prizes and distinctions: prize of the choreographic revelation of the Syndicate of the French critic in 2009, prize Garden of Europe in 2010, Knight of the order of arts and letters in 2015.
In 2016, she worked at the Opéra National de Paris on Eliogabalo (Francesco Cavalli) with director Thomas Jolly and under the musical direction of Leonardo Garcia Alarcon. At the same time, Maud Le Pladec is an associate artist at La Briqueterie – CDCN in the Val de Marne and continues to dance in the plays of Boris Charmatz (Levée des conflits, Enfant, Manger, 10000 gestes). Since January 2017, she succeeds Josef Nadj and directs theCentre chorégraphique national d'Orléans.
She created Moto-Cross (The Subsistances / Biennale Val de Marne), Je n'ai jamais eu envie de disparaître with the author Pierre Ducrozet as part of Concordan(s)e festival and Borderline in collaboration with the director Guy Cassiers, presented at Festival d’Avignon. In 2018, she created her last piece Twenty-Seven Perspectives, performance for 10 dancers built around Schubert’s Unfinished Symphony. In May 2020, she will create a new piece with for CCN - Ballet de Lorraine: Static shot.
Source: CCN d'Orléans
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Rollo, Thomas

 Audiovisual manager responsible for audiovisual productions at Chaillot - National Theater of Dance. 

Chaillot-Théâtre national de la Danse

The Théâtre National de Chaillot is  one of the five French national theatres (public institutions whose  missions are defined by the State) and the only one to have a project  built around and based on dance. Under the double supervision of the  Ministry of Culture and Communication and the Ministry of Budget, it has  been directed since 2011 by the choreographer and dancer Didier  Deschamps.

The legend of Chaillot

Installed at the heart of the Palais de Chaillot, the Théâtre  National de Chaillot, that became in 2016 Chaillot – National Theatre of  Dance, is one of the most prestigious cultural institutions of Paris,  not only for the unique place it has in the history of performing arts –  namely with the great adventure of the National Popular Theatre founded  by Firmin Gémier, then carried and developed by the mythical  personality of Jean Vilar – but also in that of France and the world as  it is in the big theatre room that the Universal Declaration of Human  Rights was signed on the 10th of December 1948. An  exceptional venue in the capital, the theatre can welcome each night  more than 1 600 spectators, in its three rooms (Salle Jean Vilar of 1  200 seats, Salle Firmin Gémier of 390 seats, Studio Maurice Béjart of  100 seats). Its Grand Foyer facing the Trocadéro Fountain, the Eiffel  Tower and the Champ-de-Mars, permanently offers one of the most famous  views in the world. The public spaces of the theatre are also host to an  important collection of sculptures, paintings, frescoes and pastels  signed by the greatest artists of their time: Paul Belmondo, Louis  Billotey, Pierre Bonnard, Maurice Brianchon, Roger Chapelain-Midy,  Maurice Denis, Othon Friesz, Henri Laurens, Aristide Maillol as well as  Édouard Vuillard.

Source: Chaillot-Théâtre National de la Danse

En savoir plus:

Paroles croisées : Maud Le Pladec & Hyacinthe Ravet

Interpretation : Maud Le Pladec, Hyacinthe Ravet

Production / Coproduction of the video work : Chaillot - Théâtre national de la Danse, 2021

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