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2013 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Pick, Yuval (France)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
2013 - Director : Centre national de la danse, Réalisation
Choreographer(s) : Pick, Yuval (France)
Present in collection(s): Centre national de la danse , CN D - Spectacles et performances
Video producer : Centre national de la danse
Integral video available at CND de Pantin
In “No play hero”, Yuval Pick combines two works by the American minimalist composer David Lang, danced live by Ryan Wilson and the TaCtuS ensemble. “Here, I wanted a minimalist work which was still expressive. It's a work of synthesis, the aim being to only retain what is essential in the movement, with this music that is both structured and tribal.” Yuval Pick
In this piece, Yuval Pick develops a non-narrative and energetic dance that responds to a strong musical composition. His works emanate a desire for harmony that never seems to fully materialise, as if hampered by some kind of restlessness. His dance invites, disturbs and surprises, because it indicates a sincere desire to express humanity and to share.
Further information
CCN de Rillieux-la-Pape website
Updating: May 2013
Appointed director of the Centre Chorégraphique de Rillieux-la-Pape in August 2011, Yuval Pick has had a long career as a choreographer, a dancer and a teacher.
He first trained at the Bat-Dor Dance School in Tel Aviv, then joined the Batsheva Dance Company in 1991. Four years later he left to begin working as an international guest artist with, among others, Tero Saarinen, Carolyn Carlson and Russel Maliphant.
In 1999 he joined the Opera Ballet of Lyon, and founded his own company, The Guests, in 2002.
Since then he has created a strong repertory of works marked by their elaborated, layered movement vocabulary, accompanied by commissioned scores by ranking composers.
In his work the relationships between individuals and group(s) are often highlighted and challenged.
He created Popular Music (2005), Strand Behind (2006) for the Agora Festival (IRCAM) and the National Conservatory of music and dance (CNSMD) in Lyon, /Paon/ (2008) for the Junior Ballet in Genève and 17 drops. In 2010, he created Score and then The Him for the Junior Ballet of the National Conservatory music and dance (CNSMD) in Paris and the trio PlayBach at the invitation of Carolyn Carlson.
In 2012, No play hero, with the music of David Lang and Folks for the Biennale of Danse in Lyon. Then, two creations in 2014, the duet loom with the music of Nico Muhly and Ply piece for five dancers with the american composer Ashley Fure.In 2015, he creates Apnée (corps vocal) for four dancers and six singers and then Are friends electric? for six dancers around the music of Kraftwerk.
In 2016, Yuval Pick was commissioned to create a work in a national historical building: Hydre in the the Royal Monastery of Brou.
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Since 2001, the National Center for Dance (CND) has been making recordings of its shows and educational programming and has created resources from these filmed performances (interviews, danced conferences, meetings with artists, demonstrations, major lessons, symposia specialized, thematic arrangements, etc.).
Exposition virtuelle
Exposition virtuelle
La Biennale de la danse est un événement lyonnais que la ville traverse toutes les années paires. Voici l’histoire de cette aventure et un historique de toutes ses éditions.
Exposition virtuelle
Exposition virtuelle
Créée à Lyon en 1980, la Maison de la Danse fut le premier théâtre en Europe dédié exclusivement la danse. Avec plus de 150 000 spectateurs par saison et près de 200 levers de rideaux, la Maison de la Danse rassemble aujourd’hui un large public de spectacles très fédérateurs mais aussi d’œuvres innovantes et de recherche. Théâtre de diffusion mais aussi pôle européen de créa
Parcours
Parcours
Focus on the variety of bodies offered by contemporary dance and how to show these bodies: from complete nudity to the body completely hidden or covered.
Parcours
Parcours
This Parcours questions the idea that contemporary dance has multiples techniques. Different shows car reveal or give an idea about the different modes of contemporary dancer’s formations.
Parcours
Parcours
First part of the Parcours about dance in Quebec, these extracts present how bodies are being used in a very physical way.
Parcours
Parcours
This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.
Parcours
Parcours
Ballet’s evolution from its romantic form until néo-classicism.
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Parcours
A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.
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Parcours
A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff
Webdoc
Webdoc
Parcours
Parcours
Presentation of how choreographers are revisiting Folklore in contemporary creations.
Parcours
Parcours
A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.
Parcours
Parcours
In Poland, the culture of traditional dances has been well maintained : they are still transmitted today. This parcours able a visit between those different dances.
Parcours
Parcours
The relationship between music and choreographic works varies throught dance history.
Parcours
Parcours
This Parcours presents different Belgian choreographers who have marked history and participated in the creation of a "Belgian" style.
Parcours
Parcours
Panorama of contemporary dance practices in Italy during the 2000s.
Parcours
Parcours
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.