Mokorea (aparima)
2004
Choreographer(s) : Foster Delcuvellerie, Makau (France)
Present in collection(s): Numeridanse.tv , Danses Polynésiennes
Video producer : TNTV
Mokorea (aparima)
2004
Choreographer(s) : Foster Delcuvellerie, Makau (France)
Present in collection(s): Numeridanse.tv , Danses Polynésiennes
Video producer : TNTV
Mokorea
« Mokorea » was created by Makau Foster Delcuvellerie for the 2004 Heiva i Tahiti. It is based on a legend from the atoll of Makemo in the Tuamotu archipelago.
Long ago, inhabitants would live off fishing and coconuts. On the distant islet of Vainitika in Makemo, several men worked in a coconut tree plantation. At the end of the season, the men would canoe back to the village of Te Ava to sell the product of their work. One of the men would stand guard on the islet and keep it tidy. Once left alone on the island, he hears someone crying. Very surprised he calls out but he gets no answer. He then hears the sound of footsteps and sees a shadow beginning to run in the plantation. He runs in pursuit. It's a woman. He follows her to a waterhole in the coral reef. She dives in it to never reappear…
Source : Marc E. Louvat
Foster Delcuvellerie, Makau
Makau Foster Delcuvellerie spent the first years of her life on the atoll of Hao and was brought up, as customary in those days, by her grand parents. They were very simple folks who lived like their parents, and the parents of their parents before them, to the soothing rhythm of the islands, fishing and foraging. Then she had to go to Tahiti for school and to Hawai'i for a college education.
Whenever you start a conversation with her on that period of her life, she remembers the Paumotu (inhabitants of the Tuamotu islands) whom she says taught her everything and had been living in Hawai'i for the longest time, teaching young Hawaiians the traditions of the South Pacific Islands. Their classes were hard, very demanding for these youngsters who had been brought up according to the “American way of life”. She always seems to get a bit emotional when she talks about these moments. She remembers the pain of the long warm up training sessions when yours body does the talking and tells stories. She didn't learn in the books but from the oral tradition that allowed generations to preserve the knowledge of their ancestors.
« At the age of 16 I was already dancing on stage at the Polynesian Cultural Center in Hawai'i. For years I travelled the world extensively to dance and finally came back to Tahiti to keep on learning from Coco Hotahota, the famous choreographer and director of the “Temaeva” dance company. Then time came for me to start teaching “Ori Tahiti” (Tahitian dancing) and to create my own dance company Tamariki Poerani ».
Since then the company has created various productions: "Munanui" (1999), "Merehenua" (2001), "Te ariki Tuohea" (2003), "Mokorea" (2004) et "Mono'i" (2009).
Choreographies by Makau Foster Delcuvellerie have been recreated by different “Ori Tahiti” dance companies in Japan, Mexico and the USA.
Source : The company Tamariki Poerani 's website
More information
Mokorea
Choreography : Makau Foster Delcuvellerie
Interpretation : Compagnie Tamariki Poerani
Technical direction : Tahiti Nui Télévision
Production / Coproduction of the choreographic work : Production TNTV, Le Heiva i Tahiti 2004 était une manifestation organisée par Heiva Nui.
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
CHRISTIAN & FRANÇOIS BEN AÏM ET L'ÉLAN VITAL - échappées chorégraphiques salvatrices
Exposition virtuelle
Avec cette exposition virtuelle et à travers la démarche du tandem fraternel, pénétrons dans le monde des BEN AÏM et dans l’univers de leur dernière pièce : FACÉTIES.
La petite histoire de Numeridanse
Exposition virtuelle
La petite histoire de Numeridanse
Exposition virtuelle
Comment ce projet un peu fou a-t-il été créé ? Et par qui ? Voici une exposition virtuelle qui nous permettra de répondre à toutes les questions que vous pourriez vous poser sur Numeridanse, l’occasion aussi de vous raconter notre histoire, et surtout celle de la plateforme...
Carolyn Carlson, a woman of many faces
Exposition virtuelle
Carolyn Carlson, a woman of many faces
Exposition virtuelle
Comment raconter la vie et l’œuvre d'une femme qui a marqué la danse et les danseurs dans tant de villes, à tant d'époques et de tant de façon différentes ? Une exposition en quatre chapitres qui retraverse l'histoire de cette femme-artiste.
A Rite of Passage
Webdoc
A Rite of Passage
Webdoc
Write the movement
Webdoc
Write the movement
Webdoc
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Exposition virtuelle
Les Rencontres chorégraphiques internationales de Seine-Saint-Denis
Exposition virtuelle
Une traversée de l’histoire des Rencontres chorégraphiques internationales de Seine-Saint-Denis, depuis le Concours de Bagnolet jusqu’aujourd’hui.
La compagnie Vlovajobpru
Exposition virtuelle
La compagnie Vlovajobpru
Exposition virtuelle
Découvrez le travail de la compagnie Vlovajobpru à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
LATITUDES CONTEMPORAINES
Exposition virtuelle
LATITUDES CONTEMPORAINES
Exposition virtuelle
Latitudes Contemporaines, festival de la scène contemporaine internationale, se déroule tous les ans au mois de juin sur le territoire dense de la métropole lilloise et frontalier de la région Hauts-de-France.
The “Nouvelle Danse Française” of the 1980s
Parcours
The “Nouvelle Danse Française” of the 1980s
Parcours
In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out their unique take on the world.
LES CENTRES CHORÉGRAPHIQUES NATIONAUX
Exposition virtuelle
LES CENTRES CHORÉGRAPHIQUES NATIONAUX
Exposition virtuelle
Comment sont nés les centres chorégraphiques nationaux (CCN) ? Que représentent-ils aujourd’hui ?
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
[1970-2018] Neoclassical developments: They spread worldwide, as well as having multiple repertoires and dialogues with contemporary dance.
Parcours
In the 1970s, artists’ drive towards a new classic had been ongoing for more than a half century and several generations had already formed since the Russian Ballets. As the years went by, everyone defended or defends classical dance as innovative, unique, connected to the other arts and the preoccupations of its time.
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
les ballets C de la B et l'esthétique du réel
Exposition virtuelle
Découvrez les ballets C de la B à travers cette exposition, réalisée par un groupe d'étudiants de l'Université de Lyon 2 issus du Master Arts de la scène et du spectacle vivant (théâtre et danse), en collaboration avec la Biennale de la danse - édition 2021 et Numeridanse.
Dance and music
Parcours
Dance and music
Parcours
The relationship between music and choreographic works varies throught dance history.
Dance and percussion
Parcours
Dance and percussion
Parcours
Découvrez de quelles manières ont collaboré chorégraphes et éléments percussifs.
Contemporary Italian Dance : the 2000s
Parcours
Contemporary Italian Dance : the 2000s
Parcours
Panorama of contemporary dance practices in Italy during the 2000s.
COLLECTION BAGOUET
Exposition virtuelle
COLLECTION BAGOUET
Exposition virtuelle
La collection Dominique Bagouet sur Numeridanse présente les œuvres les plus emblématiques de son répertoire et s’enrichit au fur et à mesure de films liés à la transmission de son répertoire grâce au travail mené par l’association Les Carnets Bagouet.
Reinterpreting works: Swan Lake, Giselle
Parcours
Reinterpreting works: Swan Lake, Giselle
Parcours
Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.
The committed artist
Parcours
The committed artist
Parcours
In all the arts and here especially in dance, the artist sometimes creates to defend a cause, to denounce a fact, to disturb, to shock. Here is a panorama of some "committed" choreographic creations.
Genres and styles
Parcours
Genres and styles
Parcours
Dance is a rather vast term, which covers a myriad of specificities. These depend on the culture of a country, on a period, on a place. This Journey proposes a visit through dance genres and styles.