Skip to main content
Back to search
  • Add to playlist

Malandragem

Maison de la Danse de Lyon

Choreographer(s) : Tchouda, Bouba Landrille (France)

Present in collection(s): Maison de la Danse de Lyon

en fr

Malandragem

Maison de la Danse de Lyon

Choreographer(s) : Tchouda, Bouba Landrille (France)

Present in collection(s): Maison de la Danse de Lyon

en fr

Malandragem

Tchouda, Bouba Landrille

As with many hip-hop dancers, his learning begins in a self-taught way. In 1995, he decided to found the company Aca in Saint-Martin-d'Hères, with Habib Adel, dancer of the same generation. Their first creation, presented in 1996 as part of the Rencontres Danse Ville Danse in Paris, allows them to become a reference company in hip hop dance in the Rhône-Alpes region.

Influenced by urban and world culture, this artist enjoys many kinds of dance, including hip hop, capoeira and contemporary dance. For him, every genre of dance is a new world to tackle, to move in, to sweat in, to turn upside down, to help everyone find their humanity, to question the meaning of their future, their desires.
Like many hip-hop dancers, he was initially self-taught, but gradually began to explore other disciplines like capoeira and contemporary dance.
In 1995, he decided to found the dance company ACA in Saint-Martin-d'Hères, with one of his contemporaries, Habib Adel. Their first creation, presented in 1996 as part of the Rencontres Danse Ville Danse (Danse Ville Danse Encounters) in Paris, made their name as the urban dance company to be reckoned with in the Rhône-Alpes region.     
It was during this time that Bouba met the choreographer Jean-Claude Gallotta, director of the CCN in Grenoble (National Choreography Centre). This meeting resulted in a duet called SMH. Choreographed by Jean-Claude Gallotta, this duet forms an integral part of the piece La rue (“The street”), presented by the Emile Dubois group in January 1997 at Suresnes.

His national and international tours – with Aca and Accrorap – have allowed Bouba to establish his reputation as a choreographer both in France and abroad.
In 2001, with Eric Mézino, he founded the Malka Company whose first show was Paroles de sable, paroles de vent (“Words of sand, words of wind”).


Source : Malka Company 's website


More information : ciemalka.com

Our videos suggestions
12:18

Estro

Malandain, Thierry (France)

  • Add to playlist
02:57

Hu(r)mano

Da Silva Ferreira, Marco (France)

  • Add to playlist
03:15

Nos Amours Bêtes - teaser

Senatore, Ambra (Italy)

  • Add to playlist
03:19

May B (2016)

Marin, Maguy (France)

  • Add to playlist
02:59

#Hashtag

Fghani, Riyad (France)

  • Add to playlist
03:10

Steptext

Forsythe, William (France)

  • Add to playlist
04:31

Corps de Ballet

Soulier, Noé (France)

  • Add to playlist
02:56

Anna Karenine

Eifman, Boris (Russian Federation)

  • Add to playlist
02:19

Elle semelle de quoi ?

Plassard, Denis (France)

  • Add to playlist
02:37

Uprising

Shechter, Hofesh (United Kingdom)

  • Add to playlist
02:56

No strings attached

Michaels, Mia (France)

  • Add to playlist
03:00

Solo for two

Robitzky, Niels "Storm" (Germany)

  • Add to playlist
02:23

Resin

King, Alonzo (United States)

  • Add to playlist
04:36

Boxe Boxe

Merzouki, Mourad (France)

  • Add to playlist
03:17

Solo (2003)

Decouflé, Philippe (France)

  • Add to playlist
10:03

Magifique

Malandain, Thierry (France)

  • Add to playlist
02:30

Crossroads

Dianor, Amala (France)

  • Add to playlist
03:00

Agon

Balanchine, George (United States)

  • Add to playlist
03:00

While going to a condition

Umeda, Hiroaki (Japan)

  • Add to playlist
02:59

Second souffle

Fghani, Riyad (France)

  • Add to playlist
Our themas suggestions

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times

Parcours

Céline Roux

[1930-1960]: Neoclassicism in Europe and the United States, entirely in tune with the times

Parcours

The Ballets Russes paved the way for what would become known as: neo-classical. Back then, the term “modern ballet” was frequently used to define this renewal of aesthetics: a savvy blend of tradition and innovation, which each choreographer defined in their own way.

Discover
Know more

Amala Dianor : danser pour donner à voir

Exposition virtuelle

Maison de la Danse de Lyon

Amala Dianor : danser pour donner à voir

Exposition virtuelle

Discover
Know more

The “Nouvelle Danse Française” of the 1980s

Parcours

Francis de Coninck

The “Nouvelle Danse Française” of the 1980s

Parcours

In France, at the beginning of the 1980s, a generation of young people took possession of the dancing body to sketch out  their unique take on the world. 

Discover
Know more

Body and conflicts

Parcours

Olivier Lefebvre

Body and conflicts

Parcours

A look on the bonds which appear to emerge between the dancing body and the world considered as a living organism.

Discover
Know more

Why do I dance ?

Webdoc

Julie Charrier

Why do I dance ?

Webdoc

Social dances, anti-establishment, protest dances, rhythms or identities, rituals or pleasures... There are a myriad of reasons for dancing and a myriad of points of view. A webdoc to discover, enhanced with extracts from performances and accounts from amateurs... all the right reasons for dancing!
Discover
Know more

Käfig, portrait of a company

Webdoc

Agathe Dumont

Käfig, portrait of a company

Webdoc

Discover
Know more

Genesis of work

Parcours

Centre national de la danse

Genesis of work

Parcours

A dance show is created in multiples steps between the enunciation of an initial desire which launch the project and the first representation. This parcours presents diff

Discover
Know more

Reinterpreting works: Swan Lake, Giselle

Parcours

Anne Décoret-Ahiha

Reinterpreting works: Swan Lake, Giselle

Parcours

Some great shows are revisited through the centuries. Here are two examples of pieces reinterpreted by different choreographers.

Discover
Know more

Hip hop / Influences

Parcours

Anne Décoret-Ahiha

Hip hop / Influences

Parcours

This Course introduce to what seems to be Hip Hop’s roots.

Discover
Know more

Scenic space

Parcours

Anne Décoret-Ahiha

Scenic space

Parcours

A dance performance takes place in a defined spatial area ... or not. This course helps to understand the occupation of the stage space in dance.

Discover
Know more

Ballet pushed to the edge

Parcours

Olivier Lefebvre

Ballet pushed to the edge

Parcours

 Ballet’s evolution from its romantic form until néo-classicism.

Discover
Know more

Dance in Quebec: Collectivities in motion

Parcours

Geneviève Dussault

Dance in Quebec: Collectivities in motion

Parcours

This Parcours introduces several extracts of works by contemporary Quebecois choreographers, situating them in an anthropological perspective.

Discover
Know more

Female / male

Parcours

Anne Décoret-Ahiha

Female / male

Parcours

A walk between different conceptions and receptions of genres in different styles and eras of dance.

Discover
Know more

Dance and music

Parcours

Anne Décoret-Ahiha

Dance and music

Parcours

The relationship between music and choreographic works varies throught dance history.

Discover
Know more
By accessing the website, you acknowledge and accept the use of cookies to assist you in your browsing.
You can block these cookies by modifying the security parameters of your browser or by clicking onthis link.
I accept Learn more